100 Days of Hexagons: Blocks 1-10 and Fabric Choices

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Every year in early April many people in the creative community launch a 100 day project simultaneously.  Prior to this year, I had never participated in the event because it typically overlaps before my personal 100 day project ends.  This year that overlap was only two days, and with current social distancing efforts, I thought that it may be helpful to me to have a project that rewards continuity.  It is also fun to be working on a project that has the same timeline as other peoples projects.

Awhile back, a friend mentioned that one of the “quilting rules” she had once heard was to only use yellow fabric sparingly. I’m not one to believe in these mythical rules, so of course I got it into my head that I needed to make a yellow quilt. I initially thought that I would do an improv project, but I wanted to give it a bit more structure than my 100 Day Improv Log Cabin Quilt.  I contemplated a lot of different shapes, and as soon as I considered the hexagon, I knew it was perfect- A yellow honeycomb! There is still a lot of improv within each 4″ hexagon, but I always know the size and shape that I am going for.

My stash is reasonably well balanced among all colors (except brown- I rarely use brown!), but yellow is a smaller stack than the rest.  There tend to be fewer yellow prints that I like, so I actively seek out fun yellows at every quilt show I attend. To start this project, I went through my yellow fabrics and cut a strip approximately 3″ wide to use for hexagon production. I also picked out the yellows from charm packs and mini charm packs to add more interest to the quilt.  One of the best parts about using charm packs is the fact that they contain prints that I wouldn’t necessarily choose to buy yardage of, but have more personality than my go-to tone on tone prints.  They really help to break things up and keep your eye moving around the design.

I hope you’ll follow along with me as I construct these 100 blocks in 100 days! Here’s some of what’s coming up:

If you would like to see the block I make each day, check out my Instagram at cassandra.beaver

To see more 100 day projects from a variety of artists and makers, take a look at #the100dayproject

100 Day Improv Log Cabin Quilt

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A couple years ago I figured out that my birthday falls on the 100th day of the year in most years, and I decided that it would be fun to make a 100 day quilt between New Year’s Day and my birthday. The first quilt resulting from this project was Resonance, and this log cabin inspired improv quilt is my project for 2020.

In the last year, I have been doing a lot of foundation paper piecing, which I love, but the process is tedious. For my 100 day project, I wanted to do something more freeform, and do a project that would use my scraps and stash. I had collected a lot of lovely blue prints over the years, but lately I have done work mostly using solids, so I saw this as an opportunity to use all these fabrics that I have curated over time. I started mulling this project over in November, and I was delighted that, in December, Pantone named Classic Blue the color of the year.

The construction of the quilt top is mostly block based, with each section being loosely based on a log cabin block.  The blocks all vary in size, and the shape of each is somewhat wonky. I created an average of a block a day for almost two-thirds of the project.  While the block designs grew organically, I did use rulers along the way. This was especially necessary to incorporate 1/8″ wide slivers into the design.  Most of the blocks feature at least one of these slivers.

Once the majority of the blocks were sewn, they all went up on the design wall to determine how they would best fit together. For me, this is the most challenging part of improv. Blocks are added to or trimmed to help them align with the surrounding blocks. Occasionally a new block is constructed.  There are also a few inevitable partial seams to finish the construction of the top, but ultimately the top came together and laid relatively flat.

The back of the quilt was pieced using scraps from the construction of the quilt top, including one block that didn’t end up fitting into the design. I also came across a quilt top that I had made in a workshop and decided to include it in the quilt back as well.

The quilting technique was a first for me. I have done lots of straight line quilting, ruler work, and organic free motion, but I have never done organic “straight line” quilting.  I decided to give this style a try because I thought it would accent the organic feel of the improv design. The grid that is formed has lines that are between 1/4″ and 1″ apart.  It is quilted on the longarm, and all of the lines were quilted in one direction prior to removing the quilt from the frame, rotating it 90 degrees, and reloading it to quilt the perpendicular lines.

The majority of the quilting is done in Light Turquoise Aurifil (5006), with Magenta Aurifil (2535) and Dark Cobalt Aurifil (2740) as accent colors.  All of the quilting was done with 50wt thread. The Light Turquoise and Magenta are go-to colors for my quilting.  It is amazing how well these two colors can meld with a wide range of colors.

Scrappy binding is a big favorite of mine, and a lot of the lighter binding came from the leftovers of previous quilts.  I mixed in some freshly made navy binding, and placed the pieces around the quilt so that the binding would roughly coordinate with the adjoining value in the quilt top.

I am absolutely in love with this quilt, and I adore the concept of the 100 Day Project. It is wonderful to have a project come together, almost by magic.  This process helps me to remember that even a few minutes a day can lead to big things.

Quilt Stats

Title:  100 Day Improv Log Cabin

Size: 84″x 91″

Techniques:  Improvisational Piecing

Quilting:  Organic “straight line” quilting on an A-1 longarm

Fabric:  Fabrics from my stash, mostly blue and white prints

Batting:  Hobbs 80/20 Cotton/Poly blend

Thread: Quilted with 50wt Aurifil in three colors

Binding:  Scrappy bias binding, machine stitched to the front, hand finished on the back

 

Aurifil and Kaffe Hand Stitching Challenge

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The most recent challenge for Aurifil Artisans was to use Aurifil thread and  Kaffe Fassett fabric to create a project featuring hand stitching. I have been needing a mid-sized cross body purse just large enough to hold a wallet and a bottle of water. This will be the perfect size to carry to the zoo once social distancing is over.

I used nine colors of 12 wt Aurifil thread to hand quilt the fabric panels prior to constructing the bag.  I hand quilted the Kaffe Fabric to a layer of Hobbs Thermore batting with no backing prior to flat lining the pieces to Annie’s Soft and Stable. The Thermore batting is a thin polyester that worked really well to give the quilting some dimension without being too thick when paired with the foam Soft and Stable.

I chose to change the direction of the quilting stitches to add more interest to the design.

The front of the bag features a diagonal zipper pocket that will be great for easy access to my cell phone.

The bag back is a solid panel of fabric, and I added a cork bottom to the bag for added durability.  The bag strap is adjustable to go from regular to cross body.

There is more Kaffe fabric featured inside, and an additional zipper pocket, too.

The finished bag measures 7-1/2″ wide, 9″ tall, and 3″ deep, and I am looking forward to carrying such a cheerful accessory!

Festive Baubles

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I made a Christmas quilt this year, and I only missed finishing it for Christmas by two days! Maybe I’ll just consider it 364 days early for next year!  Festive Baubles is a reinterpretation of the Baubles quilt I made a few years ago.  A lot of people really loved this quilt, and wanted a pattern for it.  The initial version had areas of the construction that were too challenging for the result, so I set out to create a design that has a similar aesthetic with a more user friendly construction.  The pattern isn’t complete yet, but I’m hoping to do a Christmas in July sew along in 2020!

There are six different foundation paper pieced blocks in the design.  Three of these designs have two color versions in the finished quilt, which gives us nine blocks total.

Block one has two color versions with a classic “round” shape and a center design of squares.  Foundation paper piecing is a great way to create the illusion of curves while only stitching straight lines!

Block two also has two color versions, and the central design is created with triangles.

Block three moves away from the round shape to create an elongated ornament.

Block four is the final block with two color versions.

Block five is the last elongated block design.

The final block also has the most detail with a star formed in the center of the bauble.

For the quilting, I decided to use organic feather motifs.  I like the juxtaposition of bright, shiny ornaments against the natural shape of a tree, and I thought that organic quilting would set off these baubles nicely.  The background fabric is a Ruby Star print that is mostly green with turquoise starbursts.  For the background quilting I selected 50wt Aurifil 2810 (Turquoise) to coordinate with the turquoise part of the print.

The ornaments are quilted with 50wt Aurifil 2225 (Salmon), and the “strings” the ornaments appear to hang from are quilted lines of Aurifil 2600 (Dove) with 12wt on the top and 50wt in the bobbin.  This line of quilting was the last thing added to the quilt prior to trimming and binding the edges.

Quilt Stats

Title:  Festive Baubles

Size: 53″x 62.5″

Techniques:  Foundation Paper Piecing, traditional piecing

Quilting:  Free Motion quilting on an A-1 longarm

Fabric:  Background print is Ruby Star Society, other assorted prints from my fabric stash

Batting:  Hobbs Tuscany Wool and Hobbs 80/20 Cotton/Poly blend

Thread: Quilted with 50wt Aurifil in three colors, and 12 wt Aurifil in Dove

Binding:  Bias binding made with Tula Pink stripe, machine stitched to the front, hand finished on the back

I am excited to be participating in this year’s 31 Day Blog Writing Challenge hosted by Cheryl Sleboda of Muppin.com, and I hope you will have the chance to check out some of the other awesome blogs that are participating this month.

Pin Cushion Swap

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The Central Ohio Modern Quilt Guild rounded off 2019 with a pin cushion swap. I have been making pin cushions for several gifts this year, so I thought it would be fun to make something a little different this time.

The basis for this pin cushion is a cathedral windows block that we made as part of a meeting of the Columbus Modern Quilters. Using the traditional technique demonstrated, this pin cushion is almost entirely hand stitched.

Turning the corners of the block under created the low volume back of the pin cushion.

The colorful inserts in the cathedral windows form the focal points of the pin cushion top.

To fill most of my pin cushions, including this one, I cut up scraps of wool batting to use for stuffing.  Wool is good for your pins, and it uses up the bits of batting that are too small to use for any other projects.

I am excited to be participating in this year’s 31 Day Blog Writing Challenge hosted by Cheryl Sleboda of Muppin.com, and I hope you will have the chance to check out some of the other awesome blogs that are participating this month.