Beautiful Ohio Row by Row

The international shop hop, Row by Row, starts tomorrow!  This is the third year I have designed the row for one of my local quilt shops, Dabble and Stitch, which is located in Columbus, Ohio.  The patterns for all blocks in the Row by Row are available for free at participating shops, and kits are for sale if you would like to use the same fabrics as the sample blocks.  This year’s theme is “Sew Musical.”

Beautiful Ohio Finished

The official state song for Ohio is “Beautiful Ohio,” and this song is the starting point for the row.  I located the sheet music for the song, and placed a circle over each note for the signature phrase.  When these notes are connected they formed the shape of the rolling hills of central Ohio.

Beautiful Ohio detail 1

Simple foundation paper piecing is used to construct the main portion of the block, and the circles and wording are added with applique.  I chose to use needle turn applique, but I included additional lines on the templates for raw edge applique, so each person can choose which process to use.

Beautiful Ohio detail 2

“Sew Musical” was a particularly challenging theme since music is experienced mostly through your sense of hearing and quilting is a visual and tactile medium.  The quilting stitches provided an opportunity to add much needed movement to the block.  A spiral of quilting emanates from each circle, and once the spirals intersect, echo stitching completes the machine quilting.  To add a different rhythmic feel to the piece, large stitch hand quilting is added between lines of machine stitching.  Several colors of thread in 12wt and 28wt were used to complete the project.

Beautiful Ohio back detail

Facings finish the edges of the sample block.  Since this block captures just a single phrase of the song, I wanted to allow the lines of the design to continue without a visual frame.

Beautiful Ohio back

Quilt Stats

Title:  Beautiful Ohio

Size: 9″ x 36″

Techniques:  Foundation Paper Piecing, Needle Turn Applique

Quilting:  Machine echo quilting using a walking foot on a Bernina 1008 domestic and large stitch hand quilting

Fabric:  Assorted cotton prints and solids

Batting:  Hobbs Tuscany Wool

Thread: Quilted with 50wt, 28wt, and 12wt cotton Aurifil in multiple colors

Binding:  Faced with print matching the quilt backing

Bonus!

Here are the blocks I have designed in previous in previous years.  Both patterns are still available through Dabble and Stitch.

2016 Theme:  Home Sweet Home

Columbus Skyline

Quilted Columbus Skyline Row Mini

2017 Theme: On the Go!

Lane Avenue Bridge

Lane Ave Bridge Full

Give and Take

Curated Quilts magazine issues a mini quilt challenge for each issue, and I love to see all of the amazing submissions.  Until now I have never contributed an entry, but I enjoyed making Synthesized Slivers so much, I was eager to participate in another challenge.

Give and Take front

Curated quilts provided a theme of Connections/Improv and a color palette which included cream, yellow, mustard yellow, navy, moss green, and grey.  We could use as many or as few of these colors as we liked, and I ended up using all of the colors except for cream.  Navy, grey, and mustard yellow are represented in the fabrics, and the quilting done in navy, grey, moss green, and yellow.

Give and Take detail 2

With the theme of connections in mind, I wanted to use roughly equal amounts of grey and navy fabrics with gear-like wedges intersecting where they meet.  When cogs come together, they set off a series of reactions that is greater than either component on its own.

Give and Take detail 1

The quilting is dense matchstick stitching that both echos the pieced designs and integrates additional curves.  The majority of the navy and grey sections are quilted in coordinating 50wt thread.  For areas that needed extra emphasis I used 12wt green and 40wt yellow thread.

Give and Take back

Quilt Stats

Title:  Give and Take

Size: 12″ x 12″

Techniques:  Machine Piecing, Improvisational Piecing

Quilting:  Matchstick echo quilting using a walking foot on a Bernina 1008 domestic

Fabric:  Assorted solids and one print by Carolyn Friedlander

Batting:  Hobbs Tuscany Wool

Thread: Quilted with 50wt, 40wt, and 12wt cotton Aurifil in four colors

Binding:  Faced with navy solid matching the quilt backing

Synthesized Slivers

A few weeks ago, I came across a call for entries for the Modern Mini Quilt Challenge hosted by Quilt Expo.  It has been awhile since I have done a mini quilt, and I was feeling the need for a relatively quick finish, so I jumped in.  One of my friends has been giving me a hard time about my extreme dislike of brown fabric, so I decided this would be a good challenge to incorporate my least favorite color.

Synthesized Slivers front

My initial fabric pull centered around a stack of quilter’s denim made by Art Gallery Fabrics.  I had received the fat quarter bundle during QuiltCon 2017, and I had been waiting for the perfect project to come up.  I love the utilitarian texture the fabric has and the value shifts between fabrics were seamless.  I did add a few other fabrics in to serve as accent pieces.  These included a bright green solid, metallic linen, and a silk/cotton blend.

Synthesized Slivers Fabric Pull

I started the quilt by constructing small blocks in a variety of sizes using background fabrics in a range of colors and values.  The slivers of accent fabrics finish at 1/8″ wide.  I used a ruler to cut the slits in straight lines, but only actually measured to square up each block after the slivers were added.

Synthesized Slivers process

At this point, my friend saw the progress and informed me that tan is most definitely NOT Brown, even though I still insist that it is ;).  In keeping with the challenge, I went out and purchased a small cut of chocolate brown Kona.  There wasn’t a speck of true brown in any of my stash!

Synthesized Slivers quilt top

After constructing a few more blocks, I started putting everything together.  I think this is the most challenging part of the process, but this top came together, and only required a couple partial seams.

Synthesized Slivers with Monty

Monty is my cat that demands likes to be held constantly.  I was taking photos right after he had woken up from his first afternoon nap, and he really wanted my attention!  If you manage to look past the cat, you can see the back of the quilt top.  I made sure to press all of the sliver seam allowances toward the background to make the slivers recede a bit.

Synthesized Slivers back of quilt top with monty

This is a small quilt so I quickly pin basted it and selected six colors of Aurifil to match the background fabrics.

Synthesized Slivers thread choices

I wanted to accentuate the angles that are incorporated into the design, so I used echo quilting to highlight the design of each block.

Synthesized Slivers quilting detail

The back is the same bright green accent color used on the front of the quilt.  I like how the different thread colors add value shifts to the back of the quilt.  I didn’t want to frame the quilt in with a binding, so the edges are finished with facings to match the backing fabric.

Synthesized Slivers back

I am so glad that I made this quilt, and even I think the brown actually works in it!

Synthesized Slivers angled quilting detail

 

Quilt Stats

Title:  Synthesized Slivers

Size: 22″ x 19″

Techniques:  Machine Piecing, Improvisational Piecing

Quilting:  Echo quilting using a walking foot on a Bernina 1008 domestic

Fabric:  Art Gallery Quilter’s Denim, Kona Cotton, Metallic Blend, Silk/Cotton Blend

Batting:  Hobbs Tuscany Wool

Thread: Quilted with 50wt cotton Aurifil in six colors

Binding:  Faced with Kona Cotton matching the quilt backing

National Backwards Day!

Today, January 31 is National Backwards Day!  I decided to celebrate by taking a closer look at the back of some quilts and quilt tops.

The backs of quilt tops hardly ever get the glory that they deserve.  Here are some hand appliquéd circles . . .

Circle Applique back

And some machine pieced circles . . .

Stroll back

I love when the quilting transfers the design of the quilt to the back of the project.

Row by Row Back

 

Overlay Back

Franklin Park back

 

Sometimes the design isn’t completely transferred to the back of the quilt, but you can get a general idea of the quilt front.

Customer Quilt back

Pin Mini back

 

Occasionally I do simple, light quilting . . .

Simple Mini Quilt BackBut more often it’s heavy quilting that shows on the back of my quilts . . .  (these two mini quilts are the same design)

Star Block Back

 

Recently I even tried out using doubled batting, which really made the quilting design pop on the back of the quilt (as well as the front).

Secret Sewing Quilt Back

I frequently love the backs of quilts as much as the front!

 

Scatter

The same afternoon that I made the 9 Patch Circle Quilt, I also created Scatter.  I wanted to explore the visual effect of all-over organic placement of the circles compared to the more regimented placement seen in the 9 Patch Circle Quilt.

Scatter front

This is another “sketch” quilt, so prior to quilting the circles are held in place only through the use of Wonder Under fusible web.

Scatter progress 1

The quilting plays the starring role in this mini quilt.  It is a good thing that the quilt is small- even at this side I had an hour of active stitching time!  I selected a very dark 50wt thread to define the edges of the circles.  It reminds me of dark ink on paper painted with bright dots.

Scatter progress 2

For the background quilting, I wanted to define the space with a strong organic design that would echo the primary circles without overshadowing them.  Using white thread on the white background fabric to do the same stitching technique fit this need and it catches the light nicely, not to mention it feels amazing to touch!

Scatter detail

The edges are finished with a simple facing.  I love that the back creates a neutral version of the design!

Scatter back

Quilt Stats:

Title:  Scatter

Size: 18″ x 18″

Techniques:  Fused Applique

Quilting:  Free motion quilting using an A-1 Longarm

Fabric:  Assorted solids on a Kona Snow background with Kona Snow backing

Batting:  Hobbs 80/20

Thread:  Quilted with a variety of 50wt Aurifil

Binding:  Facings to match the quilt background and backing