String Theory

Posted on by thenotsodramaticlifeadmin / Posted in Quilting / Leave a comment

Quilting stitches can enhance any quilt design, but can the quilting alone create a dynamic, modern design? That was my question when I set out to create this mini quilt. To test my theory that a whole cloth quilt could embrace a modern aesthetic, I looked at how other art forms utilize line as the key element of design.

As kids many of us made simple string art that used the line of the string to develop a shape. More recently, I have loved the work of other artists including Gabriel Dawe who take this premise to an entirely new level with three dimensional string installations like this one.

Since quilting is also an inherently linear art form, I decided to use a similar design strategy to compose this piece. I have made very simply pieced quilts that rely heavily on the quilting as part of the design such as my plaid series including Complementary Convergence shown below.

These plaid quilts place the dense, colorful quilting near the center of the composition, so for this project I wanted to experiment with using the bright colors around the outer edges of the design to further highlight the use of negative space.

This mini was an experiment to see how this technique would play out. Soon I’ll be trying this technique on a larger scale!

Quilt Stats

Title:  String Theory

Size: 11″x 11″

Techniques:  Whole Cloth Quilt

Quilting:  Walking foot quilting on a domestic Bernina 1009

Fabric:  White Solid

Batting:  Hobbs 80/20 Cotton/Poly blend

Thread: Quilted with white 50wt Aurifil and ten colors of 12wt Aurifil

Binding:  Faced with the same white fabric the quilt is constructed with

 

 

Creating Pre-Set Hashtags on an iPhone

Posted on by thenotsodramaticlifeadmin / Posted in Quilting Community, Technology and Quilting, Tutorial / Leave a comment

What on earth is this topic doing on a quilting blog? I’m sure at first glance it makes no sense, but this is actually one of my most used tools. I love blogging, but I post to Instagram everyday which involves the use of a lot of hashtags. Starting Tuesday a lot of you are joining me in doing a 100 day countdown quilt, so I thought I would share with you how I streamline the process of using the same set of hashtags everyday.

I’m throwing in a disclaimer here that I am no tech genius, and the iPhone is only smartphone I have ever used, so I don’t know how to make this work on an Android- I don’t even know if this would be possible on an Android. Now, let’s get started!

  1. Type your text. I typed in in the notes app, but you could also type it on your computer and email or send it to your phone. Double check the spelling on your hashtags to make sure you won’t have 100 posts with the wrong hashtag. If you are joining in on the 100 Day Project, make sure you include #quiltingthecountdown, then add any other hashtags that are appropriate to your project. You can also include an introductory sentence or two if you want to use the same format for every post.  Once you have the text, highlight it and choose the “copy” option. Exit the Notes app.
  2. Open the Settings application on your phone. Select General.
  3. Go to Keyboard.
  4. Select Text Replacement.
  5. Click on the plus sign in the upper right corner of the screen.
  6. Paste the text you wrote into the “Phrase” section of the text replacement.
  7. Add a shortcut phrase. Choose something that you will be able to remember, but it is usually easiest to use a series of letters/numbers that you wouldn’t type in a normal sentence. You don’t want to inadvertently populate this information every time you type a common word.
  8. Select “Save” in the upper right hand corner
  9. Now the shortcut will appear on your Text Replacement Screen
  10. When you go to post in Instagram, type your shortcut in the caption area. Once you have typed the shortcut, the text you created will appear above the iPhone keyboard where you would normally see autocomplete options. It is usually in the center section. Click it.
  11. The shortcut will disappear from the caption and will be replaced with the full text. Now you can edit the number of the day or add new information that is specific to that day’s work.

I hope this help you streamline your posting process, and I can’t wait to see what you make over the next 100 Days!

 

 

 

 

 

100 Days of Hexagons: Blocks 41-50 and Fussy Cutting

Posted on by thenotsodramaticlifeadmin / Posted in 100 Day Project, Works In Progress (WIP) / Leave a comment

In what seems like a blink of an eye, we have now reached the midpoint of this 100 Day Project.  Occasionally I like to add a little something different to my process, and for a few blocks in this set I included some fussy cutting.

Fussy cutting is when you select a specific section of a printed fabric to highlight in the block.  Novelty prints are particularly conducive to this style, but any fabric that has an area you want to feature can be used. For this project, I am tending to use one section of each fabric, but you can also combine multiple fussy cut sections of the same print for an amazing effect.

Since yellow is my featured color for these blocks, either the background or featured portion of the print needed to include a yellow as a significant part of the design.

In this fabric, the yellow sloths are the only yellow in the print, so I tried to minimize the use of the background in the piecing. I also included a print in the surround that incorporated a grey triangle. The grey sloth background becomes less jarring if grey appears elsewhere.  This grey also appears in small amounts in prints throughout the design.

In my initial fabric pull, I went right to my stack of yellow fabrics, but for fussy cutting the search went deeper into my stash. I don’t have a huge collection of novelty prints, and this Cotton and Steel jacks print was one of the first that I pulled out for the fussy cut portion of this project. I like that fussy cutting allows you to distill a multi-color print to a couple of key colors.

I allowed a little more of the cream background to appear in this block since cream and white appear frequently in the overall quilt design.

This flying geese fabric wasn’t in my initial pull of novelty prints, but at some point in my search, the edge of this fabric ended up sticking out a bit from the surrounding fabrics. When I looked up at my stash from my sewing machine, a section of the print with two yellow triangles caught my eye.  I couldn’t wait to include them in my next hexagon.

The flying geese are fairly small in this print, but I was excited to improv piece a couple more flying geese to go with the initial pair.

This floral print is one of the only prints in my collection that has a distinctive print and a yellow background.

The coordinating background color allowed me to cut a larger section of the print to include in the fussy cut section.

I’ll probably be including more fussy cutting a I work through the second half of the hexagon blocks. It is sometimes helpful to break out of my natural piecing tendencies by having a distinct starting point.

Here is the view of the halfway point in the whole project.

I hope you’ll follow along with me as I construct these 100 blocks in 100 days! Here are the previous posts and some of what’s coming up:

100 Days of Hexagons: Blocks 31-40 and Sliver Inserts

Posted on by thenotsodramaticlifeadmin / Posted in 100 Day Project, Quilting, Works In Progress (WIP) / Leave a comment

Another ten days have passed, and ten more blocks of my 100 Hexagons are finished!  With this batch, I attempted to make a few blocks that are lower contrast and/or incorporate fewer pieces. This will hopefully provide some areas in the finished composition where the eye can rest.

A major design component of these hexagons is the narrow pieced slivers of fabrics. Most of the hexagons in this project have incorporated at least one of these slivers, and many have more than one.  The sliver inserts finish at 1/8″ wide, and I thought that today I would show you how I add these design features.

To start, I select the fabrics that I will use for this section of blocks. The fabric used for the sliver can start at any width since it gets trimmed away as part of the sewing process, but I like to have it at least 1″ wide.

For the first side of the insert, you stitch a standard 1/4″ seam allowance and press the seam allowance away from the sliver fabric. It is very important to always press the seam allowances away from the sliver fabric so the final piece will lay nicely.

Next it is time to trim away the excess fabric. Measuring from the stitched seam line, you measure and trim at the 3/8″ mark.  This gives you 1/4″ seam allowance plus the 1/8″ that be exposed in the finished product.

You may wonder why I recommend the sliver insert be cut no less than one inch when two seam allowances plus 1/8″ adds up to 5/8 inch.  Well, my experience has been that, no matter how careful you are, there tends to be some distortion in the sewing process. By leaving some excess fabric to trim in this step, you are more likely to end up with a straight line insert with less distortion.

For the second side of the sliver insert, I look at my presser foot to determine where to stitch. On my patchwork foot, there is a spot on the foot that is 1/8″ from the needle. I align this part of the foot with the first stitching line as I sew.  Ideally, this also means that the edge of my presser foot is at the edge of the fabric. However, if there is a discrepancy, I always align with the first stitching line. Ultimately, the 1/8″ sliver will show, and the seam allowance will be hidden, so that exposed section is the most important.

After the second seam is stitched, press the seam allowance away from the sliver insert.  Using a wool pressing mat will also help prevent distortions in the final line.

Here is the back view of the block.  You can see three slivers have been incorporated in the design.

And here is the front view of the same pieced segment. High contrast slivers keep your eye moving around the design, while low contrast slivers add detail for close up viewing.

Here is the final hexagon made from this pieced segment. You can check out my post on blocks 21-30 to find out more about the process I use for improv piecing the overall design.

If you want to try adding slivers to a project, here are a few tips:

  • Start with some short lines. Longer lines are more prone to distortion, so it is best to learn on shorter lines.
  • Leave ample fabric in all components, especially the sliver section
  • Use a good quality thin thread for piecing. 50 weight Aurifil is my go-to piecing thread.
  • Slivers work great in places you want to make a seam into a design feature!

It is exciting to see all of the blocks interacting with one another, so here are hexagons 1-40!

I hope you’ll follow along with me as I construct these 100 blocks in 100 days! Here are the previous posts and some of what’s coming up:

 

100 Days of Hexagons: Blocks 21-30 and Improv

Posted on by thenotsodramaticlifeadmin / Posted in 100 Day Project, Works In Progress (WIP) / Leave a comment

Another ten hexagons are finished and joining their friends on the design wall!

So far, the hexagons for this project have all embraced improv piecing, so today I’m giving you a brief behind the scenes look at the construction process.  For this project, my interpretation of improv is going into the day without a specific plan and sewing pieces of fabric together until I have a composition that I like for that day’s hexagon. I do use a ruler, but with the exception of the 1/8″ wide slivers, it is mostly a straight edge instead of a measuring tool.

For these blocks, I sew a pieced section of fabric first, before placing and trimming the hexagon shape. My process for creating the pieced fabric is:

  1. Select a palette of fabrics from my preselected cuts.
  2. Choose two of those fabrics and sew them together.
  3. Press the seam allowance to one side.
  4. Decide which side of the composition you are going to add to and trim that side so you have a straight edge. (This line can be straight or angled. It could also be curved, but I haven’t done that so far on this project.)
  5. Sew the next piece of fabric into place.
  6. Press the seam allowance to one side.
  7. Repeat steps 4-6, adding 1/8″ sliver inserts as desired, until the composition is large enough to contain the hexagon template.

Once the composition of sewn fabric is an appropriate size, I place the card stock hexagon template on top of the fabric.  To make sure the placement is pleasing, I hold it up to a light and rotate the template until I like the positioning.  I then trace the template with an erasable fabric pen.

After tracing, I make sure that I still like the position of the hexagon shape before trimming it with a ruler and rotary cutter. The larger pieces that are cut off go into a bowl of scraps to be included in future blocks.  The pieces that are too small for that are discarded.

And here are blocks 1-30 shown all together.  I’m amazed at how quickly this is growing!

I hope you’ll follow along with me as I construct these 100 blocks in 100 days! Here are the previous posts and some of what’s coming up: