QuiltCon Jury Results

I’m always impressed with the quick turnaround that QuiltCon manages with their jury process, and this year’s results are in even faster than usual!  Modern Quilt Guild members create amazing work, and I can only imagine how difficult it must be for the jury to select which quilts will be included in QuiltCon each year.  I have never had all of my submissions accepted, and this year was no exception.  I am ecstatic that four of my five quilts will be included in the 2020 show! (Check out this post to see detail shots and the descriptions I submitted for each quilt.)

Zenith is the first quilt that I have had accepted in the Improv category! At one point I read that this category tends to receive the most submissions.  I don’t know if this was true this year, but I was nervous submitting one of my all time favorite quilts into a category that give the jurors so many amazing choices.

Resonance was my 2018 100 Day Project, and the only quilt I have ever re-submitted to QuiltCon.  I have a tendency to move on after a quilt is rejected.  I will often enter them in other shows, but I don’t usually go back to the same shows.  This time I just had to give it one more chance, and I am so happy that I did!

Forward and Back was started as part of a guild challenge that also included the 2019 Pantone Color of the Year.  I was happy with the resulting mini quilt, and I am thrilled to have it included in the show.

Stripe Club was my last minute finish, so I was very happy that the last minute push to add more hand quilting was worth it! I entered it in the evening of the final day, so I really cut it close.

34x34x34 was my only rejection this year, which is really lucky.  I love this quilt, and it will maintain its role in my trunk show, but it has received a few rejections now, so I think its show entry days are probably over.

The quilt I entered on the last day has a number of 1489, so I am assuming that there are approximately 1500 entries for only a few hundred spots.  I hope you will all consider entering your quilts in other shows as well as next year’s QuiltCon.  It is wonderful to walk into a quilt show and see the modern aesthetic well represented.

When I was first entering shows, I had one quilt rejected from a show after I had already submitted it to the next show hosted by the same organization.  Not only did it get into the second show, it got into several more hosted by multiple organizations. That quilt went on to receive a second place and a third place at shows with the original sponsoring organization. Just because a quilt doesn’t get in the first time, doesn’t mean it won’t be loved by another show or in another year. Please don’t give up on your amazing creations!

Congratulations to everyone who had a quilt accepted to QuiltCon 2020!  Please send lots of pictures- my quilts are going, but I can’t make it this year!

I am excited to be participating in this year’s 31 Day Blog Writing Challenge hosted by Cheryl Sleboda of Muppin.com, and I hope you will have the chance to check out some of the other awesome blogs that are participating this month.

Entries for QuiltCon 2020

The QuiltCon show entry deadline was earlier this week, and, as always, it seemed to sneak up on me.  This year I decided to aim for five entries, which is the maximum number of quilts that one person can have accepted to the show. I managed to get four entered in October, but one (there is always one) didn’t get entered until the last day.

My first entry is the only quilt that I have ever re-submitted.  Resonance was rejected from QuiltCon 2019, but I love this quilt, so I thought I would give it one more chance. It is entered in the Applique category.

This year we had 450 characters for the description of each quilt.  This is the description I submitted with Resonance:

Resonance uses colorful quilting thread to create a sense of outward movement and reverberation from central points.Thread that coordinates with each fabric creates a blending sensation as the quilting merges the appliquéd circles with each other and the background.This quilt was my first 100 day project that ran from New Year’s Day 2018 to my birthday, which fell on the 100th day of the year.

You can read more about Resonance here.

This year, the special challenge category was stripes.  All of my remaining entries could arguably be entered in this category, but I like to spread my entries out in different areas.  Stripe Club is the quilt I selected to enter in the American Patchwork and Quilting Stripes Quilt Challenge, and this was also the quilt that got submitted on the final day!

Submitted description:

All solid fabrics are cut and pieced into the stripes forming the basis for this semi-improvisational design.Stripes of various widths, and as small as 1/8 inch, were stitched together to create a piece of fabric before being cut and assembled into the blocks that make up the quilt top.The circular blocks were devised as stand alone units and placed on a design wall to develop the overall composition with the addition of more striped units.

You can read more about Stripe Club here.

34x34x34 is entered in the Negative Space category.

Submitted description:

This quilt is an exploration of randomness in the design process.An arbitrary line drawn on a sheet of graph paper was 34 squares long, and that determined the repeating numbers for the quilt.On a 34 x 34 square grid, I placed 34 colorful squares.The placement was determined by using a random number generator to decide the coordinates.Six colors were each assigned a number and a game die was rolled to select the colors for each square.

You can read more about 34x34x34 here.

Forward and Back is a mini quilt that I made for a guild challenge earlier this year, and it is entered in the Small Quilts category.

Submitted description:

Two simple blocks are cut into strips and reassembled to form this small quilt.The first block was a simple circle in warm colors. The second block was made of wedges in cool colors.Combined, the two blocks evoke the feeling of a sunset over the sea.

You can read more about Forward and Back here.

My fifth and final entry for QuiltCon 2020 is Zenith.  Zenith has been to several shows in the past year, and I am so excited to enter it in QuiltCon.  I submitted it in the Improvisation category.  I have never had a quilt accepted to this category, so my fingers are crossed.

Submitted description:

Using improvisational construction, Zenith combines the 2018 Pantone color of the year, Ultra Violet, with the Kona color of the year, Tiger Lily. With these colors as a starting point, the overall palette was expanded to incorporate the hues found in a vibrant sunset. The inclusion of strong diagonal lines, triangular shapes, and a combination of hand and machine quilting further enhances the energy of the quilt.

You can read more about Zenith here.

Waiting for the jury results is always hard, but I’m very grateful that QuiltCon has a relatively short turnover time.  I will let you know the results in the next few weeks!

I am excited to be participating in this year’s 31 Day Blog Writing Challenge hosted by Cheryl Sleboda of Muppin.com, and I hope you will have the chance to check out some of the other awesome blogs that are participating this month.

Triple Dimensional Star

This Spring I designed a new quilt block.  In reality, I probably designed a couple dozen blocks, but this one actually got made up in fabric- not once, but twice!

Vote for your favorite block at the Paintbrush Studio Facebook page!

This is the small version of the block, and it finishes at 6″ square.  At QuiltCon, Paintbrush Studio handed out a curated charm pack of eight colors of their Painter’s Palette Solids, and asked the recipients to make a quilt block using those fabrics.  This star block works particularly well with a light and dark versions of the same colors, and I was excited that there were light and dark versions of both blue and orange in the charm pack.  I almost added another yellow to the pack to have the highlight/shadow effect in the central star (we were allowed to add in our own fabrics), but I ultimately thought the block was more dynamic with the green added to the mix.

Right now, all of the submitted blocks are up on the Paintbrush Studio Facebook page, and you can vote for your favorite block there!  All you need to do is comment on the photo of your favorite block.

I had a few scraps of the Paintbrush Studio fabrics, so I stitched up this little improv block.  It was after the deadline, so I didn’t submit it, but it is hanging out on the design wall waiting for me to turn it into something!

I made the larger, 12″ square, version of the Triple Dimensional Star for a guild color challenge.  Every year the Central Ohio Modern Quilt Guild does a challenge combining the Pantone color of the year with the Kona color of the year.  The 2019 colors are Living Coral and Splash.  What a happy combination! This year, everyone who participated in the challenge made a star block and we had a block raffle with the winner taking home all of the blocks.

Constructing all three of these blocks was a lot of fun.  Foundation paper piecing is one of my favorite methods to construct a block, and I find improv piecing a relaxing way to sew after all of the FPP precision!

 

QuiltCon Judging Feedback

Quilting is typically a solitary activity, so there are very few opportunities for feedback on your creations.  This is especially true if you are looking for critiques that will help to improve your work.  Entering shows with written feedback is one of the best means to get a fair assessment of your quilts, and QuiltCon typically provides very interesting comments since they have judges from a wider range of backgrounds.  The judging panel includes a certified judge, an industry professional, and a third judge with a strong artistic, but not necessarily quilting, background.  I also find it useful to read comments on other people’s quilts, so I thought that some of you may enjoy seeing what the judges had to say about my three quilts.

Complementary Convergence was in the Use of Negative Space category.

Ebb and Flow was in the Two Color Challenge category.

Synthesized Slivers was in the Small Quilts category.

I always appreciate the time that the judges spend looking at each quilt and offering comments on both the good aspects of a quilt and the areas that could be improved.  I can’t begin to imagine how challenging it would be to judge a show like QuiltCon.  It is so different than most shows-  A winning quilt is not necessarily the one with the most construction challenges. The emphasis on overall design combined with technical execution is what makes it one of my favorite shows to attend and enter.

2018 Year in Review

Around the beginning of every year, I like to look back on the previous year.  I have usually accomplished more than it feels like I have, and 2018 was no exception.

  • I started the year with a 100 Day project which culminated in Resonance.  Aurifil liked it so much they displayed it in their booth at Spring Quilt Market.  Later in the year, I became an Aurifil Artisan!

Photo courtesy of Sylvia of Flying Parrot Quilts

  • QuiltCon 2018 also included four of my quilts in the contest.  Lateral Ascension (upper left of the photo below) even received third place in the Minimalism category! (It also received an honorable mention at AQS Spring Paducah and a 2nd Place at AQS Grand Rapids!)

 

  • My first cover quilt also came around last year.  Raise the Roof is a particular favorite of mine, and it also received a third place at the American Quilter’s Society Fall Paducah Show.
  • Upward Perspective was a mini made for a Curated Quilts Challenge, and it was selected for inclusion in the magazine!

  • In 2018 I also started my second Block of the Month with Dabble and Stitch in Columbus, Ohio.  This year’s quilt has pictorial representations of key Columbus landmarks.

  • I also designed the 2018 Row by Row for Dabble and Stitch.  The theme was music, and I based the block on the state song, Beautiful Ohio.

  • My most exciting moment of 2018 was having my quilt, Infused Plaid, added to the permanent collection of The National Quilt Museum.

Photo courtesy of The National Quilt Museum

  • The 2018 colors of the year were Ultra-Violet (Pantone) and Tiger Lily (Kona), and I had a great time putting them together into this quilt!  Zenith received a second place in the Modern category at the American Quilter’s Society Fall Paducah Show.

  • As 2018 drew to a close, I had exciting news that three of my quilts, including Complementary Convergence (below), were selected for QuiltCon 2019!  I have added sleeves and labels to them this week, and will be shipping them off at the beginning of next week- now that is a great way to start 2019!