Central Ohio Modern Quilt Guild Charity Quilt

Every year the Modern Quilt Guild issues a Charity Quilt Challenge and the results are displayed in the hallways of QuiltCon. The MQG gives a theme and color palette, and any guild or small group of members is invited to participate.  This is the second year the Central Ohio MQG has participated in this challenge.

Charity Quilt 2018 front

This year the theme was Modern Traditionalism and this is the palette.

QC18+Palette

When our guild does a group quilt, we gather design submissions and vote to determine which one we will make.  The design for this quilt was a collaboration between Lissa of Lovingly Lissa and me.  This project is a potholder style quilt, which was a popular method for charity quilts made in New England during the Civil War era.  Each contributor would piece, quilt and bind a block.  When the volunteers would gather, all they would have to do to finish the quilt is whip stitch the blocks together.  (If you would like to see some other potholder quilts, check out these posts:  Modern Log Cabin, Petals in the Wind, and In the Garden.)

Quilt Layout (2)

For our updated version of a potholder quilt, we used Ohio Star blocks.  This is the block that I contributed to the quilt.

Charity Quilt 2018 Individual Block front

Charity Quilt 2018 Individual Block back

Each block is constructed so that the pieced block is visible on either the front or the back of the quilt.  This also creates a fully reversible quilt.  The blocks are joined with a triple zigzag stitch done on my mechanical sewing machine.

Charity Quilt 2018 back

The first side of the quilt incorporates the entire color palette and has more of a “daytime” feel.

Charity Quilt 2018 detail 3

Charity Quilt 2018 detail 2

Charity Quilt 2018 detail 1

The reverse side of the quilt is intended to appear more like the nighttime sky.

Charity Quilt 2018 detail 4

 

Charity Quilt 2018 detail 5

 

Charity Quilt 2018 detail 6

My favorite part of this quilt is that we have so many different people contributing their personal quilting style to the project.  It has a mix of straight line and free motion quilting, several thread colors and weights, and various quilting densities.  It really became a beautiful representation of our guild.

The quilt gets shipped off to QuiltCon this week!  We are all very excited to have it displayed with all of the challenge quilts from around the world.  We don’t have any members who are able to attend this year, so we are hoping to have some photos come our way!

Quilt Stats:

Title:  Two Sides of the Same Star

Size: 71″ x 89″

Techniques:  Potholder style, machine pieced, block machine zigzagged together

Quilting:  Free motion and walking foot quilted

Fabric:  Kona Cottons

Batting:  Warm and White

Thread:  Pieced and quilted with a variety of thread brands, colors, and weights

Binding:  Blocks were individually bound with Kona cotton bias binding, cut 2″ wide, machine stitched to the front of each block, and hand stitched to the back.

Complementary Composition: A Michael Miller Challenge Quilt

Complementary Composition grew out of the 2017 Michael Miller/Modern Quilt Guild Challenge.  This is the third year I have participated in the challenge, and this is the first time that my challenge quilt has been selected for participation at QuiltCon.

Complementary Composition full

The fabric for the challenge is Our Yard, and it is super cute!  This actually proved to be a greater challenge to me, because I rarely make quilts that I can describe as cute or even pretty.  I love looking at quilts that are cute, pretty, darling, charming, etc., but I don’t tend to create work that I would use these terms to describe.  Now the question became- How do I incorporate these charming prints into my personal aesthetic?

Michael Miller Challenge Fabric 2017

When I am uncertain how to proceed with a design, I tend to turn to the elements and principles of design.  While the elements and principles of design never exist purely on their own, I find that sometimes narrowing my focus in the initial stages of a design helps to refine my overall vision for the project.  In this case, I initially focused on the element of color and the principle of scale.

There are so many bright colors in the challenge prints that it allows for interpretation in selecting a dominant color palette.  Blue and Orange has always been my favorite complementary color scheme (two colors opposite each other on the color wheel), and I thought that the vibrant combination would honor the energy evoked in the fabric prints.  To add visual dimension, I selected a lighter and darker version of solid color.  I was fortunate enough to make my initial fabric purchase for the quilt while in Paducah, KY at Hancock’s of Paducah.  They carry most of the Michael Miller solids, so I was able to make my color choices with the fabrics right in front of me.  When purchasing solids for a project, I try to photograph the ends of the bolts just in case I need to order more, which did happen during this project.

Michael Miller Solids

The official challenge only required that two of the prints in the line be incorporated into the finished quilt, but as a personal challenge, I wanted to use each one included in the bundle that was sent out.  In order to make this work with my aesthetic and the color scheme of the quilt, scale was going to be an extremely important aspect of the design.  The most graphic print in the bundle is the black, grey, and white print which is the most closely aligned to my aesthetic.  This would be the dominant print.  The black and white leaf print on the mustard and aqua backgrounds is closely associated with the striped print, and I liked that the spacing of the print give the eye a place to rest in the background and allows it to work with the solid fabrics surrounding it.  I knew that this print was a prime candidate for fussy cutting to highlight the leaf image.

Complementary Composition fussy cut detail

The busiest prints were going to be the most challenging to work in, so they were going to be used in the smallest pieces.  The 1/8″ slivers of these fabrics create energetic lines and break up large expanses of the solid fabrics.

Complementary Composition Piecing Detail

This quilt is constructed using a structured improv technique.  The pieces are measured and trimmed as they are sewn, but there is no predetermined design for the piece.  I started the process by constructing blocks loosely based on Log Cabin/Courthouse Steps style blocks.  Many of the blocks are built around a fussy cut square or a simply pieced block.  As the blocks were completed, I added them to the design wall.

Complementary Composition Design Wall

Once I decided the blocks were balancing within the design, I filled in the open areas with strips of fabric.

Complementary Composition Echo Quilting

For the quilting of the piece, I wanted to emphasize the linear qualities of the piecing by using a mix of vertical, horizontal, and diagonal straight line quilting as well as echo quilting.  The echo quilting highlights a visually contained shape while the vertical lines give a sense of strength that is balanced by the calming force of the horizontal lines.  Mixing in strong diagonal lines gives a greater energy and a sense of the unexpected to the overall design.

Complementary Composition Use of Challenge Fabric

The binding is a mix of solids with just a small section of striped fabric to draw the eye back toward the center of the quilt.

Quilt Stats:

Title:  Complementary Composition

Size: 63″ x 69″

Techniques:  Machine Piecing, Structured Improvisational Piecing, Fussy Cutting

Quilting:  Linear Quilting using an A-1 Longarm equipped with digital channel locks that can be set to any angle

Fabric:  Michael Miller Our Yard Prints and Cotton Couture Solids

Batting:  Hobbs 80/20

Thread:  Pieced using Gutermann Mara 100, Quilted with 50wt Aurifil

Binding:  Bias binding in a mix of solids and striped print cut at 2″ wide, machine stitched to the front, hand finished on the back

Entries for QuiltCon 2018

QuiltCon 2018 is coming up in February, and Thursday was the last day for entries.  I always end up having one quilt that I either:

1) Have to make by the deadline – or

2) Allow to grow from a small project to a big one.

My Michael Miller Challenge quilt was definitely the second.  It was going to be a small-ish wall quilt, but it ended up being a generous lap quilt at 63″x69″.

Complementary Composition full

“Overlay” is my second entry and is entered in the Modern Traditionalism category.  This was also my entry in the Riley Blake Challenge earlier this year.  I really hope this one gets in- it is a personal favorite!

Overlay full

For my negative space entry, I continued exploring the idea of highlighting the use of thread to tell the story of the design.

Pivoted Plaid full

“Lateral Ascension” is entered in the Minimalism category.  The design is inspired by the drafted front elevation of a spiral staircase.

Lateral Ascension full

Franklin Park/Greenery in the Garden” is the only quilt I have actually written a more in depth post about.  It is entered into the Improvisational category.

Franklin Park full

Even though there is now a maximum number of five quilts accepted per entrant, I couldn’t resist adding a sixth entry.  I would love to share it with you, but it is a piece of secret sewing, so I will have to wait (and so will you!)

I have been away from the blog for awhile, and I am really missing it.  In the hopes of encouraging myself to make it more of a habit to blog, I am going to try participating in the 31 Day Blog Challenge hosted by Cheryl Sleboda at muppin.com.

BlogChallengeYr3-1

 

This and That: March Edition

There has been so much happening in my quilt-y world lately, but not everything needs its own post, so I’m combining a bunch of cool stuff into a single post!

Quilt Shows

I had a wonderful time at QuiltCon and it was just as exciting to have my quilt returned to me the following week.

The Whole is Greater Than the Sum of Its Parts hanging at QuiltCon

The Whole is Greater Than the Sum of Its Parts hanging at QuiltCon

Next up in quilt shows: I have THREE quilts heading to the American Quilter’s Society Show in Paducah this Spring!  I was stunned and thrilled to receive three positive notifications, and I am eagerly awaiting the show.

Quilts that are heading to AQS Paducah

Quilts that are heading to AQS Paducah

The Whole is Greater Than the Sum of Its Parts will continue its show tour in the Large Wall Quilt: Modern category, and will be joined by both Can You See (m)E Now? in the Small Wall Quilt: Pictorial category and Rainbow Rotary in the Miniature category.  Even more exciting than having my quilts in the show is seeing that these, as well as several other quilts in the modern aesthetic are being accepted into the show in categories stretching well beyond the modern category.  It is fabulous to see wonderful, long established shows, embrace the differences in the quilt world.

The Collection Quilt Class

The Collection Quilt block of the month classes I have been teaching at Sew to Speak in Columbus, Ohio have been going well, and it is so much fun to work through this delightful quilt with such a wonderful group of women.  I have been making a version of this quilt that is perfect for a princess loving little girl.  The first month’s block features this cute frog print.

Section One of the Collection Quilt

Section One of the Collection Quilt

Block two is especially fun due to the opportunities to incorporate lots of fussy cutting!

Collection Quilt Section Two

Section Two of The Collection Quilt

If you are in the Columbus area, and would like to join the class, we would love to have you!  There is still plenty of time to learn the technique and come out of the class with a fantastic quilt.  Please contact Sew to Speak to get signed up!

Quilting Bee

I am in my first block bee this year with The Columbus Modern Quilters.  I signed up for the six month version since this is my first time, and I never know exactly where or how busy I’ll be in a year.

In January our queen selected the Wanta Fanta block, and I was thrilled by how quickly it went together.

January Bee Blocks

January Bee Blocks

This month we are making the same block for another queen, and I am even more excited to see how both of these quilts go together.

March Bee Blocks

March Bee Blocks

February was my month, and everyone made a filmstrip block that I will be incorporating into a border of a medallion quilt.  I just love the blocks that everyone brought- Aren’t they awesome?!  I have the free pattern available on Craftsy if you are interested in making some filmstrip blocks of your own.

Filmstrip Bee Blocks

Filmstrip Bee Blocks

A Win

Have you been participating in One Monthly Goal hosted by Red Letter Quilts?  It is great for me to be able to set a single goal for the month, because my quarterly lists are ridiculous- they help me keep an overview of large goals, but all of those goals are never getting finished in a single quarter 😉

 

My February goal came with an added bonus: when names were drawn from the completion link-up, mine was selected!

OMG February Prize

This lovely bundle of fabric arrived a few days ago, and I can’t thank Heidi of Red Letter Quilts enough for hosting this event every month and supplying lovely fabric for a prize!

Block Hop

Last year I had a great time participating in the New Blogger’s Block Hop, so when the opportunity arose to participate in another New Block Blog Hop, I jumped at the chance.  Paintbrush Studios sent out fabric to each blogger in the Ocean Sunrise Palette which was curated by our wonderful hosts.
2016 Paintbrush Studio New Block Blog Hop

You’ll want to mark your calendars for March 28-30 to stop by and see all of the wonderful new block patterns that are being given to you by more than three dozen bloggers!  What makes this project even better is that all of the blocks created for this blog hop are collected by our hosts to make into some gorgeous charity quilts.

Publication

For the first time I have a quilt design making an appearance in the pattern section of a magazine.  If you’re interested in making this Italicized Hashtag Quilt, make sure you check it out in Generation Q.  I’ll be writing more about this quilt soon!

Spring Issue of Generation Q Magazine

Spring Issue of Generation Q Magazine

Travel Bag

This week will be my first Quilt Con, and to mark the occasion I made a new carry on bag.

Carry on Bag for QuiltCon 2016 front view

I drew up this pattern to work with a fat quarter bundle that I had of Tula Pink’s Elizabeth line along with some denim scraps that I had from another project.  The effect is unified, yet scrappy.  The front and back of the bag are identical with a zipper pocket and an open pocket behind it.  Behind each zipper pocket is a section of coordinating fabric that was pieced in to help stretch the main bag fabric.Carry on Bag for QuiltCon side view

The bag is quilted in sections to allow all of the raw edges to be enclosed as the bag came together.  The final construction seams attach the bag front and back to the side panel.  These seams are stitched with the seam allowances toward the exterior of the bag which will help to give a bit of extra structure to this soft case.  The raw edges are enclosed using a custom made bias tape from one of the striped fat quarters in the Tula Pink bundle.Carry On Bag for QuitlCon Interior

I am excited to take this bag on its inaugural voyage this week so I will have a better idea of what adjustments I should make if I were to create this design again.  If you are at QuiltCon, I hope to have a chance to meet you and perhaps exchange buttons!QuiltCon 2016 Buttons

Goal #8 is Complete!

Goal #8 is Complete!