2018 Year in Review

Around the beginning of every year, I like to look back on the previous year.  I have usually accomplished more than it feels like I have, and 2018 was no exception.

  • I started the year with a 100 Day project which culminated in Resonance.  Aurifil liked it so much they displayed it in their booth at Spring Quilt Market.  Later in the year, I became an Aurifil Artisan!

Photo courtesy of Sylvia of Flying Parrot Quilts

  • QuiltCon 2018 also included four of my quilts in the contest.  Lateral Ascension (upper left of the photo below) even received third place in the Minimalism category! (It also received an honorable mention at AQS Spring Paducah and a 2nd Place at AQS Grand Rapids!)

 

  • My first cover quilt also came around last year.  Raise the Roof is a particular favorite of mine, and it also received a third place at the American Quilter’s Society Fall Paducah Show.
  • Upward Perspective was a mini made for a Curated Quilts Challenge, and it was selected for inclusion in the magazine!

  • In 2018 I also started my second Block of the Month with Dabble and Stitch in Columbus, Ohio.  This year’s quilt has pictorial representations of key Columbus landmarks.

  • I also designed the 2018 Row by Row for Dabble and Stitch.  The theme was music, and I based the block on the state song, Beautiful Ohio.

  • My most exciting moment of 2018 was having my quilt, Infused Plaid, added to the permanent collection of The National Quilt Museum.

Photo courtesy of The National Quilt Museum

  • The 2018 colors of the year were Ultra-Violet (Pantone) and Tiger Lily (Kona), and I had a great time putting them together into this quilt!  Zenith received a second place in the Modern category at the American Quilter’s Society Fall Paducah Show.

  • As 2018 drew to a close, I had exciting news that three of my quilts, including Complementary Convergence (below), were selected for QuiltCon 2019!  I have added sleeves and labels to them this week, and will be shipping them off at the beginning of next week- now that is a great way to start 2019!

AQS Spring Paducah Quilt Show Entries

It really is the season for quilt show entries!  This is the time of year that I try to get as many quilts as possible finished to enter in the next year’s shows.  Spring Paducah is the largest American Quilter’s Society show of the year, and the entry deadline is usually within about one week of the QuiltCon entry deadline- what a combo!  This year I am entering four quilts into the Spring Paducah Show.

Complementary Convergence is entered into Large Wall Quilts: Modern

Walkabout is entered in Small Wall Quilts: Movable Machine Quilted

Ebb and Flow is entered in Small Wall Quilts: Stationary Machine Quilted

Synthesized Slivers is entered in Miniature Quilts

Infused Plaid

If you follow me on Instagram, you will probably recognize “Infused Plaid” since it is one of my favorite quilts and has traveled quite a bit.  However, I recently realized that I had never blogged about this quilt.  Since this week is the Blogger’s Quilt Festival over at Amy’s Creative Side, I thought I would take the opportunity to have a more in-depth look at this quilt.

Much of quilting is done in a standard routine.  There may be slight variations depending on the specific project and the person making the project, but it usually looks something like this:

  1. Design/create a pattern, or set personal parameters if it will be an improv project
  2. Select fabrics
  3. Construct the quilt top
  4. Choose a quilting design
  5. Layer the quilt backing, batting, and top through basting or loading on a longarm
  6. Quilt the project
  7. Trim and finish the quilt edges.

For Infused Plaid, I decided to mix up the process by starting with designing the pattern of the quilting stitches first.  Then, based on where each color of quilting stitches intersected with the same color, I placed a rectangle or square of matching fabric that would be pieced into the quilt top.

Drafting of the Infused Plaid design

Following the design process, most of the construction of the quilt is done in a standard manner.  The quilt top construction is fairly straightforward and goes together quickly, but the design doesn’t come together until the colorful quilting stitches are added.

This quilt was basted on the longarm machine and then quilted with a walking foot on my domestic Bernina.  For this project, I basted with regular thread, but I since started basting with water soluble thread.  It is amazing to not have to pull out basting stitches!

When I do matchstick quilting, I quilt all one direction first, then quilt any stitching lines that go in the opposite direction.  The dominant, colorful quilting is done first by marking the lines using a 60″ ruler and a roll of masking tape.  In the negative space of the quilt, I place parallel lines of masking tape approximately four inches apart across the quilt to indicate where the first set of quilting stitches will go.  I stitch on either side of the masking tape and remove it as soon as I possibly can.  Next I place a line of stitching about halfway between the previous lines, then halfway between those lines.  The process continues until the lines are approximately 1/8″ apart.  Finally, I mark and stitch the colorful lines running in the opposite direction to complete the plaid design.

Infused Plaid is mostly about the use of quilting thread.  The brightly colored threads are stitched using 28wt thread on the top of the quilt and 50wt on the bottom.  The heavier thread creates a stronger design on the top of the quilt, while the thinner thread in the bobbin helps keep the quilt softer and allows more thread to be loaded onto the bobbin.  The rows of white matchstick stitching is done with 50wt thread on both the top and bottom of the quilt.

As I quilt, I try to make the lines as perfect as possible, but when minor (inevitable) variations occur, I never take them out to redo that portion of the line.  I prefer to leave these moments as a reminder that this is still a hand crafted item.  If the final quilt would become too perfect, it would look like it was constructed by an automated machine rather than a human being.  The “flaws” are what gives this type of quilt some character!

Dense quilting, particularly if it is done on a domestic machine, can result in a quilt that doesn’t want to lay flat.  To deal with this issue, I block my matchstick quilted quilts.  The planning for this process starts very early on when I make my quilt top, because I like to make my top at least a couple inches larger than I hope the quilt will finish.  Since I work with so much negative space, I can to this without worrying too much about how trimming the edges will effect the overall aesthetic.

As soon as a quilt like this is finished, I soak it to prepare for blocking (and remove water soluble basting thread if it was used).  Then I “stretch” the quilt on a simple wooden frame that I staple the edges of the quilt to.  The biggest concern at this point is to make sure the lines of colorful stitching remain as straight as possible.  While the quilt is wet, it is easy to inadvertently distort the lines of stitching.  The stapling process is done on the floor, but once it is complete, I can stand the frame up to allow for better air circulation.  Sometimes I even take the quilt outside for awhile to dry.  It usually only takes a couple hours to dry, but I try to leave the quilt on the frame overnight to make sure that it is completely dry.  I hadn’t taken any photos of Infused Plaid while it was on the frame, so the quilt you see on the frame below is Pivoted Plaid, a close cousin to Infused Plaid.  (What can I say?- I really like plaid!)

To continue the visual lines of the plaid design all the way to the edge of the quilt, I used facings to finish the edge of the quilt rather than a visible binding.

Infused Plaid has been shown in quite a few venues.  It started by being a project in Modern Patchwork magazine.  Then it went to QuiltCon in Savannah where it received a first place in the Negative Space category.  Next it went to the American Quilter’s Society Spring Paducah show where it won a first place in the Modern Quilt category.

It went to several more shows and was included in the book Modern Quilts: Designs of the New Century.

Infused Plaid in Modern Quilts: Designs of the New Century

Recently, Infused Plaid joined its new home as part of the permanent collection of the National Quilt Museum in Paducah, Kentucky.  The museum collection focuses on quilts made since the 1980’s, and I am thrilled that this is the first modern quilt to join their amazing collection!

Infused Plaid at The National Quilt Museum

Quilt Stats

Title:  Infused Plaid

Size: 61″ x 61″

Techniques:  Traditional machine piecing

Quilting:  Matchstick quilting using a walking foot on a Bernina 1008 domestic

Fabric:  Kona Cottons

Batting:  Hobbs 80/20 Cotton Poly Blend

Thread: Quilted with 28wt and 50wt Aurifil

Binding:  Faced with fabric matching the quilt backing

This and That: March Edition

There has been so much happening in my quilt-y world lately, but not everything needs its own post, so I’m combining a bunch of cool stuff into a single post!

Quilt Shows

I had a wonderful time at QuiltCon and it was just as exciting to have my quilt returned to me the following week.

The Whole is Greater Than the Sum of Its Parts hanging at QuiltCon

The Whole is Greater Than the Sum of Its Parts hanging at QuiltCon

Next up in quilt shows: I have THREE quilts heading to the American Quilter’s Society Show in Paducah this Spring!  I was stunned and thrilled to receive three positive notifications, and I am eagerly awaiting the show.

Quilts that are heading to AQS Paducah

Quilts that are heading to AQS Paducah

The Whole is Greater Than the Sum of Its Parts will continue its show tour in the Large Wall Quilt: Modern category, and will be joined by both Can You See (m)E Now? in the Small Wall Quilt: Pictorial category and Rainbow Rotary in the Miniature category.  Even more exciting than having my quilts in the show is seeing that these, as well as several other quilts in the modern aesthetic are being accepted into the show in categories stretching well beyond the modern category.  It is fabulous to see wonderful, long established shows, embrace the differences in the quilt world.

The Collection Quilt Class

The Collection Quilt block of the month classes I have been teaching at Sew to Speak in Columbus, Ohio have been going well, and it is so much fun to work through this delightful quilt with such a wonderful group of women.  I have been making a version of this quilt that is perfect for a princess loving little girl.  The first month’s block features this cute frog print.

Section One of the Collection Quilt

Section One of the Collection Quilt

Block two is especially fun due to the opportunities to incorporate lots of fussy cutting!

Collection Quilt Section Two

Section Two of The Collection Quilt

If you are in the Columbus area, and would like to join the class, we would love to have you!  There is still plenty of time to learn the technique and come out of the class with a fantastic quilt.  Please contact Sew to Speak to get signed up!

Quilting Bee

I am in my first block bee this year with The Columbus Modern Quilters.  I signed up for the six month version since this is my first time, and I never know exactly where or how busy I’ll be in a year.

In January our queen selected the Wanta Fanta block, and I was thrilled by how quickly it went together.

January Bee Blocks

January Bee Blocks

This month we are making the same block for another queen, and I am even more excited to see how both of these quilts go together.

March Bee Blocks

March Bee Blocks

February was my month, and everyone made a filmstrip block that I will be incorporating into a border of a medallion quilt.  I just love the blocks that everyone brought- Aren’t they awesome?!  I have the free pattern available on Craftsy if you are interested in making some filmstrip blocks of your own.

Filmstrip Bee Blocks

Filmstrip Bee Blocks

A Win

Have you been participating in One Monthly Goal hosted by Red Letter Quilts?  It is great for me to be able to set a single goal for the month, because my quarterly lists are ridiculous- they help me keep an overview of large goals, but all of those goals are never getting finished in a single quarter 😉

 

My February goal came with an added bonus: when names were drawn from the completion link-up, mine was selected!

OMG February Prize

This lovely bundle of fabric arrived a few days ago, and I can’t thank Heidi of Red Letter Quilts enough for hosting this event every month and supplying lovely fabric for a prize!

Block Hop

Last year I had a great time participating in the New Blogger’s Block Hop, so when the opportunity arose to participate in another New Block Blog Hop, I jumped at the chance.  Paintbrush Studios sent out fabric to each blogger in the Ocean Sunrise Palette which was curated by our wonderful hosts.
2016 Paintbrush Studio New Block Blog Hop

You’ll want to mark your calendars for March 28-30 to stop by and see all of the wonderful new block patterns that are being given to you by more than three dozen bloggers!  What makes this project even better is that all of the blocks created for this blog hop are collected by our hosts to make into some gorgeous charity quilts.

Publication

For the first time I have a quilt design making an appearance in the pattern section of a magazine.  If you’re interested in making this Italicized Hashtag Quilt, make sure you check it out in Generation Q.  I’ll be writing more about this quilt soon!

Spring Issue of Generation Q Magazine

Spring Issue of Generation Q Magazine

Bits and Pieces

November really flew by this year, particularly with the deadline for QuiltCon entries looming at the end of it!  Here is an overview of the projects that have been happening in the last few weeks.

First, I want to thank everyone who visited during the Blogger’s Quilt Festival hosted by Amy from Amy’s Creative Side.  (Thank you for all of your work in hosting this fantastic event!)  It is so exciting to have the opportunity to see so much wonderful work gathered in one spot.  Each time I discover even more talented people to follow.  This time around I was ecstatic to receive the prize for the Mini Quilt Category.  (My quilt actually came in second, but the first place winner had already received a larger prize, so the quilty love was spread around.)Simply Starred front view

Moda sponsored this category and they really outdid my wildest expectations with this box!Moda gift package

Inside the box was a tote bag filled with a large fat eighth bundle, two layer cakes, three charm packs, a tin of more fabric, Aurifil thread, spray baste, pins & needles, and lots of other notions.  I am so excited to start creating with all of these amazing products.  (Actually I have already used some of the fabric!)  Thank you, Moda!

The past week held deadlines for entries to both the Modern Quilt Guild’s (MQG) QuiltCon and the American Quilter’s Society (AQS) show in Paducah.  My entries were similar to both shows, and I will be writing more in depth posts about each quilt in the coming weeks.

Two of my QuiltCon entries were made specifically for challenges.  The first is the Michael Miller Challenge quilt.  It is hand appliquéd and free-motion quilted on the longarm.

Moroccan Star: A MQG Michael Miller Challenge Quilt Entry

Moroccan Star: A MQG Michael Miller Challenge Quilt Entry

The other challenge quilt was for the EZ Quilting triangle challenge.  The entire top is English Paper Pieced triangles and is longarm quilted with ruler work and free-motion techniques.  I also entered this quilt in the AQS show in the category: Small Wall Quilt, Longarm Quilted.

Star Crossed Triangles:  A MQG EZ Quilt Triangle Challenge Quilt

Star Crossed Triangles: A MQG EZ Quilt Triangle Challenge Quilt

My third QuiltCon entry was based on a mini quilt that I made earlier this year.  It was machine pieced and matchstick quilted on my domestic machine.  This was also entered into the AQS show in the Large Wall Quilt, Modern category.

The Whole is Greater Than the Sum of Its Parts

The Whole is Greater Than the Sum of Its Parts

This quilt was a fairly last minute addition to my entries.  It is a block based, machine pieced quilt finished with an edge to edge computerized quilt design that I designed using AutoCad.  For AQS I entered this in the category: Small Wall Quilt, Pictorial.  This is definitely a representation of an object, but it is also well outside the box for the types of quilts typically entered in this division.

Can You See (m)E Now?

Can You See (m)E Now?

The final entry for QuiltCon is one of my favorite mini quilts and it went into the small quilt category.  It is also entered into the miniature quilt category for AQS.

Rainbow Roundabout

Rainbow Roundabout

I have also (finally) set up a business Facebook page.  I hope you will like and follow along with me there, too.  The link is also available toward the top right of this page.

I hope you have had a wonderful November and are enjoying the rest of the upcoming holidays!  I am looking forward to checking more projects off my WIP list this month and catching up on blog reading as well!