Beautiful Ohio Row by Row

Posted on June 20, 2018 by thenotsodramaticlifeadmin / Posted in Finished Quilts, Quilting, Quilting Community / Leave a comment

The international shop hop, Row by Row, starts tomorrow! This is the third year I have designed the row for one of my local quilt shops, Dabble and Stitch, which is located in Columbus, Ohio. The patterns for all blocks in the Row by Row are available for free at participating shops, and kits are for sale if you would like to use the same fabrics as the sample blocks. This year’s theme is “Sew Musical.”

The official state song for Ohio is “Beautiful Ohio,” and this song is the starting point for the row. I located the sheet music for the song, and placed a circle over each note for the signature phrase. When these notes are connected they formed the shape of the rolling hills of central Ohio.

Simple foundation paper piecing is used to construct the main portion of the block, and the circles and wording are added with applique. I chose to use needle turn applique, but I included additional lines on the templates for raw edge applique, so each person can choose which process to use.

“Sew Musical” was a particularly challenging theme since music is experienced mostly through your sense of hearing and quilting is a visual and tactile medium. The quilting stitches provided an opportunity to add much needed movement to the block. A spiral of quilting emanates from each circle, and once the spirals intersect, echo stitching completes the machine quilting. To add a different rhythmic feel to the piece, large stitch hand quilting is added between lines of machine stitching. Several colors of thread in 12wt and 28wt were used to complete the project.

Facings finish the edges of the sample block. Since this block captures just a single phrase of the song, I wanted to allow the lines of the design to continue without a visual frame.

Quilt Stats

Title: Beautiful Ohio

Size: 9″ x 36″

Techniques: Foundation Paper Piecing, Needle Turn Applique

Quilting: Machine echo quilting using a walking foot on a Bernina 1008 domestic and large stitch hand quilting

Fabric: Assorted cotton prints and solids

Batting: Hobbs Tuscany Wool

Thread: Quilted with 50wt, 28wt, and 12wt cotton Aurifil in multiple colors

Binding: Faced with print matching the quilt backing

Bonus!

Here are the blocks I have designed in previous in previous years. Both patterns are still available through Dabble and Stitch.

2016 Theme: Home Sweet Home

Columbus Skyline

2017 Theme: On the Go!

Lane Avenue Bridge

Give and Take

Posted on June 15, 2018 by thenotsodramaticlifeadmin / Posted in Finished Quilts, Quilting / 1 Comment

Curated Quilts magazine issues a mini quilt challenge for each issue, and I love to see all of the amazing submissions. Until now I have never contributed an entry, but I enjoyed making Synthesized Slivers so much, I was eager to participate in another challenge.

Curated quilts provided a theme of Connections/Improv and a color palette which included cream, yellow, mustard yellow, navy, moss green, and grey. We could use as many or as few of these colors as we liked, and I ended up using all of the colors except for cream. Navy, grey, and mustard yellow are represented in the fabrics, and the quilting done in navy, grey, moss green, and yellow.

With the theme of connections in mind, I wanted to use roughly equal amounts of grey and navy fabrics with gear-like wedges intersecting where they meet. When cogs come together, they set off a series of reactions that is greater than either component on its own.

The quilting is dense matchstick stitching that both echos the pieced designs and integrates additional curves. The majority of the navy and grey sections are quilted in coordinating 50wt thread. For areas that needed extra emphasis I used 12wt green and 40wt yellow thread.

Quilt Stats

Title: Give and Take

Size: 12″ x 12″

Techniques: Machine Piecing, Improvisational Piecing

Quilting: Matchstick echo quilting using a walking foot on a Bernina 1008 domestic

Fabric: Assorted solids and one print by Carolyn Friedlander

Batting: Hobbs Tuscany Wool

Thread: Quilted with 50wt, 40wt, and 12wt cotton Aurifil in four colors

Binding: Faced with navy solid matching the quilt backing

I’m an Aurifil Artisan!

Posted on June 7, 2018 by thenotsodramaticlifeadmin / Posted in Aurifil, Quilting Community / 1 Comment

I am so excited that I am now able to tell you that I am an Aurifil Artisan for 2018! Aurifil is my favorite quilting thread, and I use it on both my domestic and long arm machines. White is probably my most used thread color, but I tend to use lots of bright colors too. Did you notice that I actually have three CONES of bright pink thread?! And yes, I do need that much!

You may have noticed that I love to incorporate colorful threads as major design elements. Here are a few of my favorites. The first, Resonance, was in the Aurifil booth at Quilt Market this Spring.

Pivoted Plaid is now touring with the Best of QuiltCon Exhibit.

Infused Plaid is one of my all time favorites, and it was included in the Modern Quilt Guild book, Modern Quilts: Designs of the New Century. For this quilt, I designed the quilting design before I designed the piecing of the quilt top.

Looking back a little further, The Whole is Greater Than the Sum of Its Parts, was the first quilt that I began embracing the use of thread as a major design element.

The Whole is Greater Than the Sum of Its Parts

I already have more designs in the works that will highlight thread as a major design element, and I can hardly wait to get started! Hopefully, I’ll be adding a lot more empty spools to my collection this year!

Synthesized Slivers

Posted on May 26, 2018 by thenotsodramaticlifeadmin / Posted in Fabric, Finished Quilts, Quilt Shows, Quilting, Quilting Community / 5 Comments

A few weeks ago, I came across a call for entries for the Modern Mini Quilt Challenge hosted by Quilt Expo. It has been awhile since I have done a mini quilt, and I was feeling the need for a relatively quick finish, so I jumped in. One of my friends has been giving me a hard time about my extreme dislike of brown fabric, so I decided this would be a good challenge to incorporate my least favorite color.

My initial fabric pull centered around a stack of quilter’s denim made by Art Gallery Fabrics. I had received the fat quarter bundle during QuiltCon 2017, and I had been waiting for the perfect project to come up. I love the utilitarian texture the fabric has and the value shifts between fabrics were seamless. I did add a few other fabrics in to serve as accent pieces. These included a bright green solid, metallic linen, and a silk/cotton blend.

I started the quilt by constructing small blocks in a variety of sizes using background fabrics in a range of colors and values. The slivers of accent fabrics finish at 1/8″ wide. I used a ruler to cut the slits in straight lines, but only actually measured to square up each block after the slivers were added.

At this point, my friend saw the progress and informed me that tan is most definitely NOT Brown, even though I still insist that it is ;). In keeping with the challenge, I went out and purchased a small cut of chocolate brown Kona. There wasn’t a speck of true brown in any of my stash!

After constructing a few more blocks, I started putting everything together. I think this is the most challenging part of the process, but this top came together, and only required a couple partial seams.

Monty is my cat that ~~demands~~ likes to be held constantly. I was taking photos right after he had woken up from his first afternoon nap, and he really wanted my attention! If you manage to look past the cat, you can see the back of the quilt top. I made sure to press all of the sliver seam allowances toward the background to make the slivers recede a bit.

This is a small quilt so I quickly pin basted it and selected six colors of Aurifil to match the background fabrics.

I wanted to accentuate the angles that are incorporated into the design, so I used echo quilting to highlight the design of each block.

The back is the same bright green accent color used on the front of the quilt. I like how the different thread colors add value shifts to the back of the quilt. I didn’t want to frame the quilt in with a binding, so the edges are finished with facings to match the backing fabric.

I am so glad that I made this quilt, and even I think the brown actually works in it!

Quilt Stats

Title: Synthesized Slivers

Size: 22″ x 19″

Techniques: Machine Piecing, Improvisational Piecing

Quilting: Echo quilting using a walking foot on a Bernina 1008 domestic

Fabric: Art Gallery Quilter’s Denim, Kona Cotton, Metallic Blend, Silk/Cotton Blend

Batting: Hobbs Tuscany Wool

Thread: Quilted with 50wt cotton Aurifil in six colors

Binding: Faced with Kona Cotton matching the quilt backing

Resonance: A 100 Day Quilt Project

Posted on May 22, 2018 by thenotsodramaticlifeadmin / Posted in 100 Day Project, Finished Quilts, Quilting / 10 Comments

My 100 Day Quilt project was a success, and I want to thank everyone who followed the progress on Instagram! Resonance is the ultimate result. It was named in reference to the quilting stitches which echo out from a central point. If you would like to know more about the start of the project, check out the first post about the 100 Day Circle Quilt Project.

Constructing the blocks for the quilt took the most time- 89 days. Most blocks had two-three concentric circles, but several included multiple circles set near each other. Here are a couple of examples:

The next two days were spent trimming the blocks to their finished size.

Laying the quilt out was a bit tricky. Since it was too large for my design wall, I cleared out the kitchen and arranged the blocks on the floor. This photo was taken with my phone touching the ceiling, and I still couldn’t get far enough away to capture the entire quilt design.

After a couple more days, the quilt top was finished.

There were 13 different colors of thread used to quilt the project. A different thread was used for each fabric. This extended the color beyond the edge of each circle, and ensured that the back, as well as the front of the quilt, would show each color change. I knew that I would want lots of lines of stitching around each circle, so I decided to use 50wt thread so I could do lots of stitching without excessive thread build up.

Here is the quilt loaded and basted on the longarm.

The quilting process took quite a long time. I quilted each circle from the inside out to prevent bunching in the fabric, so there were a lot of thread changes.

Once the circles were quilted, I did large scale bubble quilting in the background.

There were more than a million quilting stitches in this project. I’m pretty sure that is a personal record!

The binding is mostly white, with some sporadic shots of color.

I love the way the back of the quilt looks!

To cap it off, Aurifil asked to use this quilt in their booth at Spring Market this past weekend! This is my first quilt to be included at a Quilt Market, so I was very excited!

Photo courtesy of Sylvia of Flying Parrot Quilts

Photo courtesy of Aurifil

Quilt Stats

Title: Resonance

Size: 79″ x 79″

Techniques: Hand Applique, Machine Piecing

Quilting: Free motion quilting with an A-1 Longarm machine

Fabric: Assorted solids and white-on-white prints

Batting: Hobbs Tuscany Wool

Thread: Quilted with 50wt cotton Aurifil in 13 colors

Binding: White Kona Cotton with colorful inserts, cut on the bias at 2″ wide, machine stitched to the front, hand finished