Quilted Name Tag: Mini Quilt #14

I recently got up the nerve to go to a local quilt guild meeting (a goal for this year!) Everyone there was lovely and shared such amazing work.  I am really looking forward to becoming involved with a group of such creative and inspiring people.  This group encourages name tags, so this week’s mini is going to serve that purpose.Name Tag front

My quilt of the year for 2015 is red, orange, and pink flying geese on a white background.  While I didn’t want to make a copy of this quilt, I thought it would be fun to incorporate the same colors and some triangles into the design.  I also knew that I would probably want to put a few of my quilt pins on this little quilt.  I hadn’t looked at my pin collection in years, and I had a lot more than I remembered.  Not all of them made the cut- just the membership pins, my blog pin, and a couple show pins with sentimental meaning.

As I worked on the design for the quilt, I decided that I wanted to break up the overall shape so it wasn’t just a rectangle.  Then it came to me- prairie points!  I feel like I have made prairie points at some point in my past, but I cannot remember what project it would have been for!  These tiny prairie points across the bottom of this mini quilt make me very happy, and I hope that the rounded top corners won’t flop down quite as quickly as square corners may./Users/cassandra_ireland/Desktop/Quilting/My Quilts/Quilt Drafti

I considered several options for adding my name to the quilt.  Embroidery, fused lettering, writing with a fabric pen, and printing all seemed to be within the realm of possibility.  I wanted the lettering to be clear, bold, and easy to read.  I ended up deciding to go with the printed name.  I had drafted the name tag to scale and then used Photoshop to experiment with font size and style.  To print the name I used white Kona cotton which had been soaked in a Bubble Jet prep liquid, dried, and then ironed to freezer paper to stabilize it.  Once trimmed to the size of letter paper, all I had to do was hit print and watch the lettering appear directly on my fabric.

Since the pieces were so small on this project, the top was foundation paper pieced.

The backing fabric is a reprise from the quilt of the year.  Since this project is so small, I “bagged it out” prior to quilting so I wouldn’t have a binding strip taking up any space on the front of the quilt.  Simple, linear quilting finished off this little project.

 

Name Tag back

Quilt Stats

Title:  Name Tag

Size:  4″x4.5″

Techniques:  Foundation Paper Piecing, Prairie Points

Quilting:  Straight line quilting with a walking foot on a Bernina 1008

Fabrics:  White Kona cotton and assorted scraps of prints and batiks

Batting:  Warm and White

Thread:  Pieced with Gutermann Mara 100 in white, and white cotton machine quilting thread

Binding: None! (quilt was stitched with right sides together and then turned out)

What was new:

A wearable mini quilt!

Small prairie point edging

Quilt 14 / 50

Quilt 14 / 50

 

I’m linking this up with Oh Scrap! at Quilting is More Fun than Housework, and Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the fantastic work being shared!

Modern Log Cabin Quilt

When I first decided that I wanted to return to quilting, I wanted to create a piece which had been floating around in the back of my mind for awhile.  Modern Log Cabin Quilt

Several years ago I had been to an exhibit at The Wadsworth Atheneum in Hartford, Connecticut which included a “potholder” quilt from around the Civil War.  A potholder quilt is created by quilting and binding individual blocks before whip stitching them together to form a quilt.  This technique was popular during the US Civil War for group quilts made to send to soldiers.  Each person working on the project could piece, quilt, and bind individual blocks.  When the group would meet, they could whip stitch the blocks together and quickly produce a finished quilt.

This quilting technique would work well in a modern context because:

  • The individually bound blocks naturally create a quilt which has a design on both the front and back of the quilt- Its like getting two quilts for the work of one!
  • Since much of the design comes from the binding of the blocks, you can really show off some of those gorgeous fabrics that are available to us now.
  • It is completely plausible to quilt even the largest quilts on a domestic sewing machine using this technique since you are only quilting a small portion at a time.
Modern Log Cabin Front View

Front View of “Modern Log Cabin”

I wanted my first project using this method to be fairly straightforward, but I didn’t want to go with a super traditional layout of square blocks either.  I landed on the idea of creating a modern Log Cabin block on a large scale.  Each “log” is its own bound block.

First, I drafted the layout for the quilt.  I planned accent strips (the orange stripes in the finished quilt) to add visual interest and create a natural place to seam fabric together for “logs” longer than the width of the fabric.  (I always try to design in necessary seams when I can!)/Users/cassandra_ireland/Desktop/Portfolio/Misc. Projects/Quilt

Originally, I planned to unite the front and back of the quilt by making the accent pieces the same color as the reverse side of the quilt.  While selecting fabrics, I decided that both sides of the quilt wanted a jolt of color.  I went with an orange from Carolyn Friedlander’s collection since it worked well with both the grey and the blue sides of the quilt./Users/cassandra_ireland/Desktop/Portfolio/Misc. Projects/Quilt

For the quilting design I used straight line quilting paired with radiating arcs.Modern Log Cabin Quilting Detail

The binding is cut on the straight grain and each side is bound individually (rather than with mitered corners) as a nod to how quilts were sometimes bound in potholder quilts.  Side note- I still prefer doing bias with mitered corners.  I seriously considered how to join the blocks.  The traditional method would be hand whip stitching (I did this on the quilt Low Volume Fail, Pastel Win), but I wanted to experiment with using a sewing machine, so I selected a triple zig zag stitch.  Modern Log Cabin Detail

This quilt came together pretty easily, and I am really happy with the result.  I finished this quilt back in September, but I hadn’t gotten around to sharing it yet.  Today seemed to be a good day to share because I recently found out that this quilt will be exhibited in the Modern Quilt Category at the American Quilter’s Society Show in Paducah, Kentucky this April!  I have been to this show a few times (and as a high school student had a couple of garments in the fashion show there), but this is the first time I have had a quilt in a major show.  This was an awesome surprise since I almost didn’t enter this quilt!  (I had also entered Low Volume Fail, Pastel Win, which was not accepted even though I thought that it would have a much better chance.  It is so hard to tell what each show is looking for in a given year.  For now, I guess I will keep entering shows with a couple different style quilts and just see what happens- It can’t hurt, right?)

Back View of "Modern Log Cabin"

Back View of “Modern Log Cabin”

Quilt Stats

Title:  Modern Log Cabin

Size:  53″x63″

Techniques:  Bound Blocks (Potholder Technique), Machine Pieced and Quilted

Quilting:  Straight Line and Radiating Arcs

Fabric:  Assorted Cotton Prints

Batting:  Warm and Natural Cotton Batting

Thread:  White Cotton Machine Quilting Thread

Binding:  Cotton print, cut on grain in 2″ wide strips, machine stitched to the front, hand stitched to the back

What was new:

  • Bound block technique
  • On grain binding
  • Binding each side individually (no miters)

I’ll be linking this quilt post up with Sew Cute Tuesday at Blossom Heart Quilts, Let’s Bee Social at Sew Fresh Quilts, Needle and Thread Thursday at My Quilt Infatuation, and Whoop Whoop Friday at Confessions of a Fabric Addict.  Please take a few moments to stop in and see all of the lovely projects being shared!