Overlay: A Riley Blake Challenge Quilt

Overlay is the quilt I created using the Rockstar line from Riley Blake fabrics for the Modern Quilt Guild challenge last Spring.

Overlay front view

I focused on the red and white prints because I liked the idea of using such a classic color combination (such as the popular red & white quilt exhibition!) in contemporary prints.  The design of the quilt also embraced the juxtaposition of classic and contemporary.  The first step for this project was to make a traditional quilt top using a Flock of Geese block.

Assembled Blocks for Overlay

Once the top was complete, I started deciding which areas would be obstructed by the circular overlays.  To assist with this process, I made circles from printer and craft paper so I could experiment with scale.

Overlay Placement 1

Overlay Placement 2

Once the right scale was achieved, I used the paper pieces as templates to cut the fabric pieces.

Overlay Placement 3

After determining the final layout, I cut corresponding circles from quilt top that had a radius 1/2″ smaller.  Then I machine pieced in the circles- thats right- there is NO APPLIQUÉ in this quilt!

For me, the quilting is where my vision really comes to life.  I wanted the texture to tell the story of the quilt even in the sections where the overall pattern is obscured by the circles.  For example- if you were to paint a mural on a brick wall, the color changes with the design, but the underlying texture remains the same.  In this quilt, the Flock of Geese design is carried through the entire quilt top using the quilting.

Overlay front detail

Where the white portions of the Flock of Geese block would fall, vertical matchstick quilting is used. In the red areas, organic mixed motif quilting is used.  The thread color matches each fabric used on the front of the quilt.

Overlay Back

The back of the quilt is a mix of red, white, and aqua Riley Blake fabrics.  A facing finishes the edges of the quilt so there is no visual border trying to contain the circles that appear to float off the edge.

Overlay Back Detail

On the back of the quilt, you can really see some of the thread color changes that blend in on the front of the quilt.

I was able to enter this quilt into the county fair, and it received a first place and a best of division award!

Overlay County Fair

Quilt Stats:

Title:  Overlay

Size: 47″ x 63″

Techniques:  Machine Piecing

Quilting:  Matchstick and Mixed Motif Free-motion Quilting using an A-1 Longarm

Fabric:  Riley Blake Rockstar Prints and solids on the front, assorted Riley Blake fabrics on the back

Batting:  Hobbs 80/20

Thread:  Pieced using Gutermann Mara 100, Quilted with 50wt Aurifil in three colors to match the fabrics used

Binding:  Facing in coordinating Riley Blake prints

This quilt was entered into QuiltCon 2018

Taking Flight is in Modern Patchwork

Taking Flight is is a contemporary reinterpretation of the traditional Flock of Geese quilt block with an asymmetrical twist.  This quilt is now a project in the November/December 2017 issue of Modern Patchwork.

Taking Flight Magazine

I designed this quilt shortly after completing Overlay (post coming soon), so I was apparently really into the Flock of Geese Block.  The blocks are rather large- each large half square triangle (HST) measures 10″ square, meaning that a full block is 20″ square.  I had drafted the quilt in my usual AutoCad and did a lot of experimentation with possible color schemes.  My top two choices were citrus-y colors with a white background and a play of warm and cool colors with the red/orange/pink and a blue background.

Taking Flight Light Background Illustration

Taking Flight Dark Background Illustration

Both color ways were included in the magazine proposal, and I am thrilled that they liked the blue background the best.  I have done a lot of white backgrounds in the past few years, so it was exciting to work with a mid-value-range color scheme.

Taking Flight Front

The quilting in the warm colored areas is ruler work with a touch of free motion in a wishbone design.  The blue background is filled with mixed motif free motion quilting.  The feathers in these areas relate to the title- Taking Flight.

Taking Flight detail image

Here is the magazine cover so you know what to look for at the newsstand!

MP5_Cover copy

Quilt Stats:

Title:  Taking Flight

Size: 90″ x 100″

Techniques:  Machine Piecing

Quilting:  Mixed motif free motion quilting and Ruler work, all done on an A-1 Longarm

Fabric:  Kona Cotton in Deep Blue, Flame, Cardinal, Bright Pink

Batting:  Hobbs Tuscany Wool

Thread:  50wt Aurifil

Binding:  Bias binding in Deep Blue Kona, cut 2″ wide, machine stitched to the front and hand finished on the back

The Collection Quilt (Round 2!)

Last year, I was thrilled to teach Carolyn Friedlander‘s Collection Quilt through a local quilt shop, Sew to Speak.  The first version I made as a class sample is similar to the overall aesthetic that was used in the original design, so when I constructed a second version to use for demonstration purposes, I thought it would be fun to do something entirely different.  This is my pink-loving-little-girl version!collection-quilt-2

My color palette this time around was mostly pinks and oranges with some red and violet and shots of green.

collection-quilt-2-detail-2

Some fussy cutting added a bit of whimsy to the overall aesthetic.collection-quilt-2-detail-3

 

collection-quilt-2-detail-5

collection-quilt-2-detail-4

The backing is the same fun unicorn fabric that appears in the front in a different color way.

collection-quilt-2-back

This quilt is the perfect way to learn needle turn appliqué, and I am excited to be teaching it again this year!  Each month we will do a block that build on the skills covered in previous meetings.  If you are interested in joining the class, please contact Sew to Speak in Worthington, Ohio.  This technique opens up a whole new range of quilting designs!

collection-quilt-2-detail-1

Quilt Stats

Title:  The Collection Quilt  (Pattern by Carolyn Friedlander)

Size: 40.5″ x 51.5″

Techniques:  Needle turn appliqué, machine piecing

Quilting:  Computerized linear edge to edge pattern (my original design) done on an A-1 Elite Longarm

Fabric:  Assorted quilt shop quality, 100% cotton fabrics

Batting:  Hobbs 80/20

Thread:  Applique and piecing done with neutral and coordinating Gutermann Mara 100, Quilted with 50wt cotton Aurifil

Binding:  Striped bias binding, machine stitched to the front, hand finished on the back.

Columbus Skyline: A Blogger’s Quilt Festival Entry

Every year The Blogger’s Quilt Festival hosted by Amy’s Creative Side brings tremendous inspiration to us all- I love seeing so much lovely work collected in one place!  I am thrilled to submit “Columbus Skyline” as an entry into the appliqué category of the festival.

Quilted Columbus Skyline Row Mini

This project began when I was asked to create a “Row by Row” pattern for a local quilt shop.  The theme for the year was “Home Sweet Home” so we embraced the unique skyline of Columbus, Ohio to develop a design specific to our area.  (For more information on the design process, I hope you will take a look at the original Columbus Skyline post.)

Columbus Skyline

Columbus Skyline

Hand stitched needle turn appliqué is used to create the city skyline.  I selected bright colors to reflect the vibrant community within the city.  This small quilt is finished with borders that provided a space to quilt in both the shop and city names.   The quilting is done in thread to match each building so the design is reflected on the back of the quilt.

Columbus Skyline Mini back view

Columbus Skyline for the Row by Row Experience

This year Dabble and Stitch, a fantastic local quilt shop in Columbus, Ohio asked me to design their row for the Row by Row Experience.  It was their first time participating in this event, and it was my first time designing for it.  I am really excited by the results, and I hope lots of people get to make up this fun block.  During the Row by Row Experience the patterns are available for free in their “home” shop, but can only be distributed by picking them up in person.  Kits for this row are available for $20.  Later this year the pattern will go up for sale and can be sent to you if you can’t make it to the shop.

Columbus Skyline Mini detail

The theme for this year is “Home Sweet Home,” and we thought it would be great to create a row featuring the Columbus skyline.  This view of the city is taken from a bridge in Bicentennial Park.  Columbus Skyline Photo

I was standing right next to this guy as I snapped the photos!Columbus Skyline with Sculpture

Using the photos I took, I designed and rendered the skyline using AutoCad and Photoshop./Users/cassandra_ireland/Desktop/Blog/Row By Row/2016/Skyline.dw

The block is constructed using needle turn appliqué, but you can also do raw edge appliqué using this pattern since I included lines on the templates that show the finished sizes of each piece.  This is what the row looks like finished and ready to incorporate with other rows.Columbus Skyline Row

For the shop, I made the row into a mini quilt by adding borders.  The quilting changes from building to building, and for added fun, I quilted the shop name and city into the borders.  I think this looks great as a mini, and I am hoping to make one up as a long pillow for a sofa or bed.Quilted Columbus Skyline Row Mini

I love mixing up my quilting thread colors to match the fabrics on the front of the quilt.  I went with a white fabric on the back to show off all of that quilting.Columbus Skyline Mini back view

If you are traveling through Columbus this summer, I hope you stop in to pick up a pattern!

Quilt Stats

Title:  Columbus Skyline

Size:  Row itself finishes at 9″x36″  With borders the mini finishes at approximately 14.5″x41.5″

Techniques:  Needle-turn Appliqué, Pieced borders

Quilting:  Free motion longarm machine quilted with an A-1 Elite

Fabric:  Assorted 100% Cotton Prints

Batting:  Hobbs 80/20

Thread:  Appliquéd using Gutermann Mara 100, Quilted with eight colors of 50wt cotton Aurifil

Binding:  Straight grain binding assembled to match the borders of the mini, cut 2″ wide, machine stitched to the front, hand stitched to the back.