Quilted Name Tag: Mini Quilt #14

I recently got up the nerve to go to a local quilt guild meeting (a goal for this year!) Everyone there was lovely and shared such amazing work.  I am really looking forward to becoming involved with a group of such creative and inspiring people.  This group encourages name tags, so this week’s mini is going to serve that purpose.Name Tag front

My quilt of the year for 2015 is red, orange, and pink flying geese on a white background.  While I didn’t want to make a copy of this quilt, I thought it would be fun to incorporate the same colors and some triangles into the design.  I also knew that I would probably want to put a few of my quilt pins on this little quilt.  I hadn’t looked at my pin collection in years, and I had a lot more than I remembered.  Not all of them made the cut- just the membership pins, my blog pin, and a couple show pins with sentimental meaning.

As I worked on the design for the quilt, I decided that I wanted to break up the overall shape so it wasn’t just a rectangle.  Then it came to me- prairie points!  I feel like I have made prairie points at some point in my past, but I cannot remember what project it would have been for!  These tiny prairie points across the bottom of this mini quilt make me very happy, and I hope that the rounded top corners won’t flop down quite as quickly as square corners may./Users/cassandra_ireland/Desktop/Quilting/My Quilts/Quilt Drafti

I considered several options for adding my name to the quilt.  Embroidery, fused lettering, writing with a fabric pen, and printing all seemed to be within the realm of possibility.  I wanted the lettering to be clear, bold, and easy to read.  I ended up deciding to go with the printed name.  I had drafted the name tag to scale and then used Photoshop to experiment with font size and style.  To print the name I used white Kona cotton which had been soaked in a Bubble Jet prep liquid, dried, and then ironed to freezer paper to stabilize it.  Once trimmed to the size of letter paper, all I had to do was hit print and watch the lettering appear directly on my fabric.

Since the pieces were so small on this project, the top was foundation paper pieced.

The backing fabric is a reprise from the quilt of the year.  Since this project is so small, I “bagged it out” prior to quilting so I wouldn’t have a binding strip taking up any space on the front of the quilt.  Simple, linear quilting finished off this little project.

 

Name Tag back

Quilt Stats

Title:  Name Tag

Size:  4″x4.5″

Techniques:  Foundation Paper Piecing, Prairie Points

Quilting:  Straight line quilting with a walking foot on a Bernina 1008

Fabrics:  White Kona cotton and assorted scraps of prints and batiks

Batting:  Warm and White

Thread:  Pieced with Gutermann Mara 100 in white, and white cotton machine quilting thread

Binding: None! (quilt was stitched with right sides together and then turned out)

What was new:

A wearable mini quilt!

Small prairie point edging

Quilt 14 / 50

Quilt 14 / 50

 

I’m linking this up with Oh Scrap! at Quilting is More Fun than Housework, and Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the fantastic work being shared!

Marsala Mini: Mini Quilt #13

Pantone’s color of the year for 2015 is Marsala, a warm red with brown undertones.  Every year, I look forward to finding out the color of the year, and I knew that this year I would explore the color in the form of a quilt.  I was even more excited when I heard about the Pantone Quilt Challenge at On the Windy Side and Play Crafts.Marsala Mini Front View

The Pantone website features a quote by their executive director, Leatrice Eiseman, describing marsala as a color which “enriches our mind, body and soul, exuding confidence and stability. Marsala is a subtly seductive shade, one that draws us into its embracing warmth.”  The challenge for me was that marsala isn’t a color that I’m particularly drawn to.  However, I learned long ago that there is no “ugly” color- it is all in how you use it.  I certainly wouldn’t label marsala with the U-word, but it is skating a bit to close too brown for my taste, and so many red-brown fabrics can look depressing or even dead.  Fortunately, last fall I picked up several fat quarters of marsala-like fabrics from a clearance bin.  Maybe my subconscious is better at picking up color trends than the rest of my brain, but I was sure glad that I had these when the color of the year was announced!  I mixed those with a few other marsala-y reds to come up with my basic palette. Marsala Fabric

When I am not immediately inspired, I will often do some sort of free writing or word association with the topic or theme.  For me marsala is associated with things like wine, curry, tomato sauce, roses, lipstick-  sensuality, volume, and curves come to mind.  The more I thought about this color, the more I thought that marsala calls out to be used in an Art Nouveau inspired design.

In looking at some Art Nouveau research, I landed on this tile design.  For me, the curves of this design seemed to be the perfect match for marsala.ANTD-080_i

I popped the image into the computer to create three graphics that would help in the creation of this quilt.  The first was a line drawing for the main pieces of fabric.  I printed this image on freezer paper so I could cut apart the image, iron the pieces to fabric and press the seam allowances around the paper.  This allowed me to assemble the quilt top using English Paper Piecing style techniques.Marsala Mini line drawing a

Over the line drawing I added a layer showing the smaller pieces of fabric that I would later add using wonder under.  I also printed this off on freezer paper to make it easier to cut these shapes.  (Hint:  Freezer paper won’t stick well to the paper backing of wonder under.  I ironed the wonder under to the back of the fabric and the freezer paper to the front.  It was really easy to cut these fairly small shapes, and you could even leave the freezer paper in place to add stability to the fabric after the paper wonder under backing is removed.  Once the fabric is ironed in place you can peel back the freezer paper.)Marsala Mini line drawing b

The final graphic I created was a color image which I used to help determine general fabric placement.  After quite a bit of experimentation, I decided that marsala paired beautifully with oranges and deep, muted violets, blues, and greys.Marsala Mini color

The main construction of the top was done entirely by hand.

Main Marsala top construction with tan appliqués in place

Main Marsala top construction with tan appliqués in place

With the main construction complete, I adhered the smaller pieces to the quilt using Wonder Under before using a machine blanket stitch to sew around the edges of the appliqués.Marsala Process B

Here is the back view of the quilt top- I just love seeing “behind the scenes” on this sort of construction!Marsala Process B back

The quilt back is improvisationally pieced using marsala colored fabrics.

Marsala Mini back view

Marsala Mini back view

For the quilting I decided to do fairly heavy quilting echoing each shape in the design.

Marsala Front detail

Marsala Mini front detail

Marsala Mini back detail

Marsala Mini back detail

I am pretty sure that this is my favorite mini I have done in this series, so I am really glad that I went out of my comfort zone to embrace marsala!  What do you think of marsala?  Are you making a project using marsala this year?

Quilt Stats

Title:  Marsala Mini

Size: 13″x17″

Techniques:  English paper piecing, machine appliqué, improvisational piecing

Quilting:  Echo stitching done using a walking foot on a Bernina 1008

Fabrics:  Kona in wine and charcoal; Alison Glass prints; Basketweave, Whisper, and a couple other prints from Riverwoods Collection by the Troy Corporation; Carolyn Friedlander Botanics print; several prints and batiks from unidentified fat quarters.

Batting:  Warm and White Cotton Batting

Thread:  Pieced with Gutermann Mara 100 color 245 (a warm clay/taupe color), Machine appliquéd with Gutermann Mara 100 in color 257 (a dark plum sort of color), Quilted with Connecting Threads Essential cotton thread in Red

Binding:  Strips cut on the bias in 2″ widths, machine sewn to the front, hand sewn to the back

What was new:

Using English paper piecing techniques on irregularly curved shapes

Quilt 13 / 50

Quilt 13 / 50

Goal #12 is Finished!

Goal #12 is Finished!

I’m linking this post up with Let’s Bee Social at Sew Fresh Quilts, Needle and Thread Thursday at My Quilt InfatuationFabric Tuesday at Quilt Story, Pet Project at Pink Doxies, Show Off Saturday at Sew Can She, and Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the lovely work being created!

 


Embellished Spring: Mini Quilt #12

Spring is finally here- and a couple days in the past week have actually felt like it around here!  What a great time to start thinking about incorporating flowers into some projects.  Large floral print fabric is becoming one of my favorite things to look for when I go to quilt shops or shows.  I recently picked up some Amy Butler prints at a show, and I am so excited to embellish them with some hand embroidery!Embellished Spring Front

This flower is from the Organic Soul line, and I hand appliquéd it to a piece of Carolyn Friedlander fabric.  I really liked placing such an organic shape against a highly linear pattern.  The fun part was doing hand embroidery to enhance the dimension of the piece.Embellished Spring Detail

The backing is another Amy Butler print, and the quilting is a free motion design which loosely replicates the shape of the appliquéd flower.  The uneven stripe fabric on the binding is a Lotta Jansdotter design cut on the bias.Embellished Spring Back

Quilt Stats

Title:  Embellished Spring

Size:  10″x10″

Techniques: Hand appliqué, hand embroidery

Quilting:  Free motion in a design mirroring the flower and leaves of the appliqué design

Fabrics:  Flower appliqué and quilt backing are Amy Butler designs, Background by Carolyn Friedlander, binding by Lotta Jansdotter

Batting:  Warm and White cotton batting

Thread:  Appliqué done with navy Gutermann  Mara 100; Quilting done with cotton Connecting Threads Essential in Peridot, Persian Blue, and Persimmon; Embroidery created with assorted DMC flosses and hand dyed floss from Artfabrik by Laura Wasilowski.

Binding:  2″ wide strips, cut on the bias, machine stitched to the front, hand stitched to the back

What was new:

Extensive embroidery used to create dimension on a pre-printed design.

Quilt 12 / 50

Quilt 12 / 50

Goal #11 is Finished!

Goal #11 is Finished!

I’m sharing this post at Show Off Saturday at Sew Can She, Fabric Tuesday at Quilt Story, Let’s Bee Social at Sew Fresh Quilts, Whoop Whoop Friday at Confessions of a Fabric Addict, and Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the lovely sewing being done!


Pi Day: Mini Quilt #11

Happy π Day!  Best wishes for peace, hope, and joy during the glorious season of pi day- Who can’t get behind a holiday that requires the consumption of pie!  There are so many kinds of pie you could celebrate with . . . fruit pie, cream pie, ice cream pie, chocolate pie . . .  Or a savory pie . . . pot pie, shepherd’s pie, pizza pie, quiche . . . Okay now I’m hungry.  I thought that the best way to celebrate such a wonderful day would be to make a mini quilt that could serve as a pie plate mat.π, pi, PIE! Front

I knew I wanted to do a circular mini quilt, and a pie motif seemed too perfect to pass up.  I pieced a “lattice” top and then used a bias cut strip of fabric to create the outer edge of the “crust.”  I had never attempted curving a bias strip around the edge of a full circle, but this worked out well (a great deal of steam was involved).

Today is a particularly special π Day since twice today we will have seven digits past the decimal point align with the date and time.  3.1415926 translates to March (month 3) Day (14th) Year (’15) and Time (9:26 am & pm).  To commemorate this once in a lifetime event I decided to embroider these numbers to my mini quilt.π, pi, PIE! embroidery detail

The backing and binding fabric is a grey print- think tin pie plate.  For the quilting I decided to keep it simple by stitching around the edge of each red square in the lattice work.  Of course “simple” involved a whole lot of thread tails to bury- maybe I should have thought that through a bit more!  But since I like the result, we’ll say it was worth it!π, pi, PIE! back

Now to see the pie mat in action:

Coconut Pie with Meringue Topping- I adore Meringue.Coconut Pie

Cherry Pie.

Cherry Pie

Quilt Stats

Title: π, pi, PIE!

Size:  14″ Diameter.  3.1415926 x 14″ = 43.98229″ Circumference

Techniques:  Machine Piecing

Quilting:  Machine quilting- stitching in the ditch

Fabrics:  Red: Batik, Tan: Print from Carolyn Friedlander’s “Doe” line, Grey: Lonni Rossi print from Andover Fabrics

Batting:  Hobbs Heirloom Bleached Cotton Batting

Thread: Pieced with white Gutermann Mara 100, Quilted using Mettler cotton quilting thread in red

Binding:  Bias in coordinating grey fabric, cut in 2″ strips, machine stitched to the front, hand stitched to the back

What was new:

Adding a strip of bias around a circle and pressing it flat (other than bias binding)

Quilt 11 / 50

Quilt 11 / 50

Goal #10 is Finished!

Goal #10 is Finished!

I’m linking up with Show Off Saturday at Sew Can She, Let’s Bee Social at Sew Fresh Quilts, and Needle and Thread Thursday at My Quilt Infatuation.  Please stop in to see all of the fantastic work being done!

Sweet and Simple Chevron Quilt

Today I want to share with you another “Sweet and Simple” quilt.  Like the Hashtag Quilt I shared with you recently, this quilt would be a great quilt for a beginning quilter, or anyone who would like to put together a cute and quick baby quilt.  Chevrons have a classic charm that can go from sweet to sophisticated, and the chevron in this baby quilt is created using half square triangles.

Sweet and Simple Chevron Front View

I chose bright blue and orange, because I adore complementary colors, and this combo is one of my favorites.Sweet and Simple Chevron Detail View

Quilting that emphasizes the chevron design seemed appropriate for the quilt.  I kept the quilting simple in the orange and blue areas, but added extra lines in the white areas to create some additional texture.  I like the look of the quilting pattern on the back of the piece as well, but next time I’m going to seek out a cute print instead of using plain white.  What can I say?- I had it on hand!

Sweet and Simple Chevron Back View

Quilt Stats

Title:  Sweet and Simple Chevron

Size: 32″x41″

Techniques:  Pieced using half square triangles

Quilting:  Echoing Chevron stitching using a walking foot on a Bernina 1008

Fabrics:  Kona Cotton in White, Doe, and a lovely blue floral print that I have no information for, but would love to have some more- Does anyone recognize it?

Batting:  Warm and White Cotton Batting

Thread:  Pieced using Gutermann Mara 100 in white, Quilted with white Signature Cotton Machine Quilting Thread

Binding:  Bias from a stash fabric cut in 2″ strips, machine stitched to the quilt front and hand stitched to the back