Overlay: A Riley Blake Challenge Quilt

Overlay is the quilt I created using the Rockstar line from Riley Blake fabrics for the Modern Quilt Guild challenge last Spring.

Overlay front view

I focused on the red and white prints because I liked the idea of using such a classic color combination (such as the popular red & white quilt exhibition!) in contemporary prints.  The design of the quilt also embraced the juxtaposition of classic and contemporary.  The first step for this project was to make a traditional quilt top using a Flock of Geese block.

Assembled Blocks for Overlay

Once the top was complete, I started deciding which areas would be obstructed by the circular overlays.  To assist with this process, I made circles from printer and craft paper so I could experiment with scale.

Overlay Placement 1

Overlay Placement 2

Once the right scale was achieved, I used the paper pieces as templates to cut the fabric pieces.

Overlay Placement 3

After determining the final layout, I cut corresponding circles from quilt top that had a radius 1/2″ smaller.  Then I machine pieced in the circles- thats right- there is NO APPLIQUÉ in this quilt!

For me, the quilting is where my vision really comes to life.  I wanted the texture to tell the story of the quilt even in the sections where the overall pattern is obscured by the circles.  For example- if you were to paint a mural on a brick wall, the color changes with the design, but the underlying texture remains the same.  In this quilt, the Flock of Geese design is carried through the entire quilt top using the quilting.

Overlay front detail

Where the white portions of the Flock of Geese block would fall, vertical matchstick quilting is used. In the red areas, organic mixed motif quilting is used.  The thread color matches each fabric used on the front of the quilt.

Overlay Back

The back of the quilt is a mix of red, white, and aqua Riley Blake fabrics.  A facing finishes the edges of the quilt so there is no visual border trying to contain the circles that appear to float off the edge.

Overlay Back Detail

On the back of the quilt, you can really see some of the thread color changes that blend in on the front of the quilt.

I was able to enter this quilt into the county fair, and it received a first place and a best of division award!

Overlay County Fair

Quilt Stats:

Title:  Overlay

Size: 47″ x 63″

Techniques:  Machine Piecing

Quilting:  Matchstick and Mixed Motif Free-motion Quilting using an A-1 Longarm

Fabric:  Riley Blake Rockstar Prints and solids on the front, assorted Riley Blake fabrics on the back

Batting:  Hobbs 80/20

Thread:  Pieced using Gutermann Mara 100, Quilted with 50wt Aurifil in three colors to match the fabrics used

Binding:  Facing in coordinating Riley Blake prints

This quilt was entered into QuiltCon 2018

Botanical Wonders

The Columbus Museum of Art currently has an exhibit of lovely antique quilts with botanical themes on view through March 11, 2018.  I went to this gallery today, and thought you may enjoy seeing a few of these quilts from the 19th and early 20th century.

Botanical Wonders

  • Left:  Rosebud Wreath, 1865
  • Center:  Cockscomb Variation with Jester’s Plumes, about 1865-1885
  • Right:  Cactus Flower Variation, about 1860-1880

Cockscomb Variation

  • Cockscomb Variation, about 1860-1875

Hawaiian Quilt

  • Hawaiian Quilt, about 1925-1950

Tree of Life

  • Tree of Life, about 1945-1955

Album Quilt

  • Album Quilt, about 1850-1865

Princess Feather Medallion

  • Princess Feather Medallion with Urns of Flowers and Stuffed Work, about 1845-1855

Grapes and Vines

  • Left: Grapes and Vines, about 1925-1935
  • Right: Pink Dogwood with Butterflies, about 1925-1935

Entries for QuiltCon 2018

QuiltCon 2018 is coming up in February, and Thursday was the last day for entries.  I always end up having one quilt that I either:

1) Have to make by the deadline – or

2) Allow to grow from a small project to a big one.

My Michael Miller Challenge quilt was definitely the second.  It was going to be a small-ish wall quilt, but it ended up being a generous lap quilt at 63″x69″.

Complementary Composition full

“Overlay” is my second entry and is entered in the Modern Traditionalism category.  This was also my entry in the Riley Blake Challenge earlier this year.  I really hope this one gets in- it is a personal favorite!

Overlay full

For my negative space entry, I continued exploring the idea of highlighting the use of thread to tell the story of the design.

Pivoted Plaid full

“Lateral Ascension” is entered in the Minimalism category.  The design is inspired by the drafted front elevation of a spiral staircase.

Lateral Ascension full

Franklin Park/Greenery in the Garden” is the only quilt I have actually written a more in depth post about.  It is entered into the Improvisational category.

Franklin Park full

Even though there is now a maximum number of five quilts accepted per entrant, I couldn’t resist adding a sixth entry.  I would love to share it with you, but it is a piece of secret sewing, so I will have to wait (and so will you!)

I have been away from the blog for awhile, and I am really missing it.  In the hopes of encouraging myself to make it more of a habit to blog, I am going to try participating in the 31 Day Blog Challenge hosted by Cheryl Sleboda at muppin.com.

BlogChallengeYr3-1

 

Columbus Skyline: A Blogger’s Quilt Festival Entry

Every year The Blogger’s Quilt Festival hosted by Amy’s Creative Side brings tremendous inspiration to us all- I love seeing so much lovely work collected in one place!  I am thrilled to submit “Columbus Skyline” as an entry into the appliqué category of the festival.

Quilted Columbus Skyline Row Mini

This project began when I was asked to create a “Row by Row” pattern for a local quilt shop.  The theme for the year was “Home Sweet Home” so we embraced the unique skyline of Columbus, Ohio to develop a design specific to our area.  (For more information on the design process, I hope you will take a look at the original Columbus Skyline post.)

Columbus Skyline

Columbus Skyline

Hand stitched needle turn appliqué is used to create the city skyline.  I selected bright colors to reflect the vibrant community within the city.  This small quilt is finished with borders that provided a space to quilt in both the shop and city names.   The quilting is done in thread to match each building so the design is reflected on the back of the quilt.

Columbus Skyline Mini back view

Hills and Valleys: 2016 Riley Blake Challenge Quilt

This year’s Modern Quilt Guild / Riley Blake fabric challenge was one of the best challenges I have ever participated in, and I am very excited about the resulting quilt!

Hills and Valleys full view

The print that was selected for the challenge fabric has almost endless possibilities since it contains so many different designs.  I had the fabric draped around the studio for a long time before I decided what direction I wanted to go with it.  I still wasn’t entirely certain what I was doing when I ordered the solids to coordinate.  Emerald green has been very appealing to me lately, and I decided to draw my color scheme from it.

Challenge Fabric

I enjoy taking linear prints and cutting / reassembling them into a star formation, and I started out thinking that was where this project would lead.  In an effort to step out of my star-shaped box, I decided to consider other options that could produce a similar effect with the pattern of the print.  I drew the fabric print to scale in AutoCad and started to experiment.  Ultimately I landed on this design based on a traditional clamshell configuration.  I thought that the greens I had selected would create the illusion of abstract rolling hills, and the black and white print would look like giant flowers bursting forth from the landscape.

Hills and Valleys detail c

I developed and printed templates for each shape using AutoCad.  Since I had already planned the design with the fabric in mind, I was able to print the templates with guidelines that matched the print.  Cutting was super easy this way!

The clamshells are machine pieced to one another.  I used the templates to mark the start, center, and end of each seam which helped me to accurately position and pin each seam.  The top row of clamshells is hand appliquéd to the light blue background fabric.

Hills and Valleys detail b

The quilting was the most fun part of the process.  Solid fabrics give so much room for play, and I loved the idea of creating movement in this piece.  Each “hill” has a different texture from those directly around it, and the quilting thread matches each section.  This is also my first project to incorporate hand sashiko stitch quilting.  The large stitches in contrasting thread helps to draw your eye around the quilt.

Hills and Valleys detail a

I was excited to submit this quilt to the challenge, and I was absolutely ecstatic to find out that it received second place!  If you would like to see the other fantastic quilts that placed in this year’s challenge, you can find them on this Modern Quilt Guild blog post.

Quilt Stats

Title:  Hills and Valleys

Size:  41″x43″

Techniques:  Machine piecing, Hand Applique

Quilting:  Freemotion and Ruler work on an A-1 Longarm machine, hand sashiko accent stitching

Fabric:  Riley Blake black and white sashing print and Riley Blake solids

Batting:  Hobbs 80/20 cotton blend

Thread:  Pieced and appliquéd with coordinating Gutermann Mara 100 thread.  Quilted with five colors of 50wt Aurifil cotton thread.  Sashiko stitching done with dark grey Aurifil Floss.

Binding:  Faced with Riley Blake fabric

Goal #3 is Finished!

Goal #3 is Finished!