Composition

I am honored to be an Aurifil Artisan for the second year, and I am particularly excited to participate in a series of challenges that showcase the way their thread is used.  The first challenge is to use our welcome pack of thread to create something new.  (We were actually asked to try a different thread weight, but I have already used them all on previous projects!)  I decided to create a mini quilt that is mounted on an artist’s canvas.  I have been wanting to try something like this for awhile, and this was the perfect opportunity for some experimentation.

My thread choices tend to fall into two categories: bold and colorful, or a perfect match.  The fabrics for this composition were subtle and mostly dark in value.  Three narrow slivers of metallic linen were the lightest fabrics were the lightest values in the piecing.  The deep values provided the perfect canvas to experiment with very subtle shifts of color and thread weight.  The thread colors I selected were 2600 in 12wt, 2905 in 40wt, and 2605 and 2510 in 28wt.  I also added a black 50wt for piecing that I had in my thread stock.

12 and 28 weight threads are particular favorites for bold quilting, and they worked well in this piece too.  I particularly liked how they played with the green 40wt thread which blended the most value-wise to the main fabrics.  My only regret is not using a different batting for the project.  I made the mistake of grabbing an unidentified scrap, and I wish that I had used a black batting to prevent bearding on the dark fabric.  At least I’ll remember to pay more attention next time!

Quilt Stats

Title:  Composition 1

Size: 8″ x 10″

Techniques:  Machine Piecing

Quilting:  Walking foot quilting on a Bernina 1008

Fabric:  Cotton solids and tone on tone prints

Batting:  Unidentified scrap- big mistake!

Thread: Aurifil in 50wt, 40wt, 28wt and 12wt

Binding:  None! The quilt is mounted to an artist’s canvas frame.

 

The Value of Coral: A Work in Progress

Coral is just about the perfect color as far as I’m concerned.  It sits so nicely between pink and orange which is one of my favorite color combinations.  So when Pantone announced the color of the year for 2019, I was ecstatic!  So far this is my second project to incorporate Living Coral, and I have another in the works that has lots of coral pieces included in a wider color scheme.

I think a lot about value when I design a quilt, and success of this particular design depends on it.  A monotone interpretation of the color Coral helps create the illusion of dimension.  Living Coral has a value that sits near the middle of the value scale, so I selected two lighter fabrics and one darker fabric for the design.  Since coral doesn’t easily go to a really dark value without drastically muting the color, I selected a dark violet for the receding squares. The dark, cool color ended up setting off the coral nicely.

I have thoroughly enjoyed exploring a mostly monotone quilt with more traditional piecing techniques, and I can’t wait to finish it up!

Quilt (top) Stats

Title:  The Value of Coral

Size: 42″ x 56″

Techniques:  Machine Piecing

Fabric:  Solids

Thread: Pieced with 50wt Aurifil

This quilt top is my entry in the 2019 Pantone Quilt Challenge hosted by No Hats in the House and Bryan House Quilts.  I hope you will check out all of the exciting entries!

I am a resident of the United States

 

Anna Maria Horner & Aurifil Showcase Project

If you have followed me long, you may have noticed that I love a good challenge, so when Aurifil offered their Artisans an opportunity to make a project using Anna Maria Horner’s fabric and Aurifil thread, I was excited to sign up!  It is hard to commit to a particular project without knowing what exact materials you will be given, but based on Anna Maria Horner’s  overall design aesthetic, I thought that a pillow would be a fun project.

Three fat quarters and a spool of Aurifil were provided for the challenge.  I had requested 12wt thread because I intended to incorporate some large stitch hand quilting into the cushion.  I didn’t even think about the design of the pillow until the fabrics arrived because I knew I wanted the fabric to be the key inspiration for this project.  As soon as I saw the large floral inspired print, I was sure that it needed to be the focus of the design.

I had just enough large floral motifs to use one for the center of the pillow and a half motif for each corner.  To start, I marked where the center circle would eventually be cut out and placed the  corner motifs based on that mark.  I then used 80wt Aurifil to hand appliqué the motifs.  Once this was complete, I cut out the center circle and machine pieced the center circle into place using 50wt Aurifil.  To finish the construction of the top, I placed the central motif and used needle turn appliqué to secure it.

With the piecing and appliqué complete, it was time to begin the quilting process.  I selected a wool batting so the pillow top would have a bit of poof to it and really show off the hand stitching.  The quilting on this project really embraced decorative stitching, and I used it as an opportunity to try out several different techniques since the back of the quilting would be enclosed in the pillow.

I started by machine quilting around the circle and each floral motif.  I had 12wt thread on top and 50wt thread in the bobbin, and I loosened the tension slightly so I could have enough give to the stitching to wrap each stitch by hand with a strand of 50wt thread.  This resulted in a stitch that looks like a whipped backstitch, but it took a lot less time!

The rest of the pillow top is quilted using a total of seven colors of 12wt Aurifil that I selected to accent the colors in the fabric.  The bronze color was sent for this project, the light green came in this year’s Aurifil Artisan box, and the remaining colors had been used in previous projects.

I used a standard running stitch and several embroidery stitches to quilt the pillow including the closed fly stitch, French Knots, seed stitches, and variations of cross stitches.

The back of the quilted panel shows off how much stitching went into this project.

A yo-yo in the center of the floral motif completed the pillow top.  I thought that it would be fun to finish the center of the motif with the background print the motif was cut from!

To make the pillow cover easy to remove for cleaning, I inserted a lapped zipper into the backing fabric.

The final touch that I wanted to add was a piped edging covered with the remaining striped challenge fabric.  I love how the bias cut fabric looked with all of the angle changes within the fabric design.  This would make amazing quilt binding!

I selected a feather filled pillow form, and combined with the wool batting it creates a delightful feel for a throw pillow.

Forward and Back

This Spring one of the quilt groups I’m in issued a challenge to try out a technique called interleaving, and this mini quilt is the result.  The idea behind interleaving is to take two relatively simple quilt blocks, cut them into strips, and alternate the strips to create a single block.

Starting out, I had to keep reminding myself to keep things simple.  I have a tendency to add extra piecing to create interest, but this was not the place to add too many seams!  I wanted the color palette to evoke a feeling of a sunset over the ocean, so I decided to make one block with warm colors and the other with cool colors.  The first block is a machine pieced circle with the Pantone color of the year, Living Coral, as the center.  (I love this year’s color so much that it is appearing in a few more projects, too!)

The second block is three wedge shaped segments in cool colors.  Most of this quilt is made of quilting cotton, but I decided to incorporate a piece of Art Gallery denim into this block to add a slightly different texture.

Maintaining the overall circle shape was important to what I wanted to achieve in this design, so I knew I had to cut the blocks into 1″ strips. This width of strip means the finished area is equal to the seam allowance- 1/2″ exposed and 1/2″ of seam allowance.  When the strips of the two blocks are alternated, the circle shape is maintained.

The piecing is really the star in this design, so I decided to do simple stitch in the ditch quilting using Aurifil monofilament.

The faced edges of the quilt allow the linear design to visually continue to the edge of the quilt.

Quilt Stats

Title:  Forward and Back

Size: 19″ x 19″

Techniques:  Machine Piecing, Interleaving

Quilting:  Stitched in the ditch with a walking foot quilting on a Bernina 1008

Fabric:  Cotton solids and lightweight quilters denim

Batting:  Hobbs Tuscany Wool

Thread: Quilted with Aurifil monofilament

Binding:  Faced with the solid to match the backing

This mini quilt is my entry in the 2019 Pantone Quilt Challenge hosted by No Hats in the House and Bryan House Quilts.  I hope you will check out all of the exciting entries!

I am a resident of the United States

I’m on the American Patchwork & Quilting Podcast!

Have you had a chance to listen to this week’s episode of the American Patchwork and Quilting Podcast?  If you haven’t, I hope you will, because I had the opportunity to be interviewed for it!  This is my first podcast interview, and it was wonderful to have the chance to chat with Pat Sloan.

Each episode of the American Patchwork and Quilting Podcast has multiple interviews, so you get lots of inspiration packed in!  I tend to listen on iTunes, but you can use your favorite podcast player or listen here: https://blog.patsloan.com/2019/05/listen-to-pats-newest-podcast-for-may-20th.html  I hope you enjoy the episode!