Aurifil Cookies

What could be more perfect than Aurifil cookies for a Modern Quilt Guild meeting?!

Aurifil Cookies

When I heard about a 3-D printing cookie cutter workshop at a local library, I knew that I had to attend.  I have had a long standing fascination with 3-D printing, and this was the perfect opportunity to get a close-up experience.  It was hard to choose what cookie cutter design to make, but I thought that an Aurifil spool would be perfect since I could use it for lots of cookies to take to meeting, and it isn’t a shape that is readily available commercially.

Aurifil Cookie Cutter Printing

We used the Cookie Caster web site to design our cutters, and then it was sent to the 3-D printer and less than an hour later, it was a cookie cutter.

Aurifil Cookie Cutter

All that’s left to do is make and decorate your favorite rolled cookie recipe!

Overlay: A Riley Blake Challenge Quilt

Overlay is the quilt I created using the Rockstar line from Riley Blake fabrics for the Modern Quilt Guild challenge last Spring.

Overlay front view

I focused on the red and white prints because I liked the idea of using such a classic color combination (such as the popular red & white quilt exhibition!) in contemporary prints.  The design of the quilt also embraced the juxtaposition of classic and contemporary.  The first step for this project was to make a traditional quilt top using a Flock of Geese block.

Assembled Blocks for Overlay

Once the top was complete, I started deciding which areas would be obstructed by the circular overlays.  To assist with this process, I made circles from printer and craft paper so I could experiment with scale.

Overlay Placement 1

Overlay Placement 2

Once the right scale was achieved, I used the paper pieces as templates to cut the fabric pieces.

Overlay Placement 3

After determining the final layout, I cut corresponding circles from quilt top that had a radius 1/2″ smaller.  Then I machine pieced in the circles- thats right- there is NO APPLIQUÉ in this quilt!

For me, the quilting is where my vision really comes to life.  I wanted the texture to tell the story of the quilt even in the sections where the overall pattern is obscured by the circles.  For example- if you were to paint a mural on a brick wall, the color changes with the design, but the underlying texture remains the same.  In this quilt, the Flock of Geese design is carried through the entire quilt top using the quilting.

Overlay front detail

Where the white portions of the Flock of Geese block would fall, vertical matchstick quilting is used. In the red areas, organic mixed motif quilting is used.  The thread color matches each fabric used on the front of the quilt.

Overlay Back

The back of the quilt is a mix of red, white, and aqua Riley Blake fabrics.  A facing finishes the edges of the quilt so there is no visual border trying to contain the circles that appear to float off the edge.

Overlay Back Detail

On the back of the quilt, you can really see some of the thread color changes that blend in on the front of the quilt.

I was able to enter this quilt into the county fair, and it received a first place and a best of division award!

Overlay County Fair

Quilt Stats:

Title:  Overlay

Size: 47″ x 63″

Techniques:  Machine Piecing

Quilting:  Matchstick and Mixed Motif Free-motion Quilting using an A-1 Longarm

Fabric:  Riley Blake Rockstar Prints and solids on the front, assorted Riley Blake fabrics on the back

Batting:  Hobbs 80/20

Thread:  Pieced using Gutermann Mara 100, Quilted with 50wt Aurifil in three colors to match the fabrics used

Binding:  Facing in coordinating Riley Blake prints

This quilt was entered into QuiltCon 2018

Lateral Ascension

Lateral Ascension is based on a simplified drafting of a spiral staircase.  Lateral refers to the suggestion of treads on the staircase, and ascension references the use of stairs to move to an upper level.

Lateral Ascension full

This quilt is a larger and even more simplified version of a spiral staircase mini quilt I did a couple years ago.  A spiral staircase is a really beautiful thing to look at in its drafted form.  The image below shows the beginning stages of drawing a front view of spiral stairs.

/Users/cassandra_ireland/Desktop/Work for Michael/Shockheaded Pe

 

The horizontal lines of the stair treads are emphasized with matchstick quilting done in 12 weight thread in a color to match the fabric of the tread rectangle.  The remaining quilting is also comprised of horizontal lines.  In the background, every quarter inch is stitched in 50 weight thread to match the background.  Between many of these lines are rows of stitching in a variety of colors.  All of the primary and secondary colors are represented in the fabrics and/or thread in this piece.

Lateral Ascension detail

Some large stitch hand quilting is included between some rows of machine stitching.  This is intended to show the balance between the regimented appearance of architecture and the hand done craftsmanship that goes into producing it.

Quilt Stats:

Title:  Lateral Ascension

Size: 65″ x 74″

Techniques:  Machine Piecing

Quilting:  Walking foot quilting on a domestic Bernina 1008, Large stitch hand quilting

Fabric:  Kona Cottons

Batting:  Hobbs Tuscany Wool

Thread:  50wt Aurifil in multiple colors, 12wt Aurifil in three colors

Binding:  Facing in the same Kona as the backing

This quilt was entered into QuiltCon 2018

Taking Flight is in Modern Patchwork

Taking Flight is is a contemporary reinterpretation of the traditional Flock of Geese quilt block with an asymmetrical twist.  This quilt is now a project in the November/December 2017 issue of Modern Patchwork.

Taking Flight Magazine

I designed this quilt shortly after completing Overlay (post coming soon), so I was apparently really into the Flock of Geese Block.  The blocks are rather large- each large half square triangle (HST) measures 10″ square, meaning that a full block is 20″ square.  I had drafted the quilt in my usual AutoCad and did a lot of experimentation with possible color schemes.  My top two choices were citrus-y colors with a white background and a play of warm and cool colors with the red/orange/pink and a blue background.

Taking Flight Light Background Illustration

Taking Flight Dark Background Illustration

Both color ways were included in the magazine proposal, and I am thrilled that they liked the blue background the best.  I have done a lot of white backgrounds in the past few years, so it was exciting to work with a mid-value-range color scheme.

Taking Flight Front

The quilting in the warm colored areas is ruler work with a touch of free motion in a wishbone design.  The blue background is filled with mixed motif free motion quilting.  The feathers in these areas relate to the title- Taking Flight.

Taking Flight detail image

Here is the magazine cover so you know what to look for at the newsstand!

MP5_Cover copy

Quilt Stats:

Title:  Taking Flight

Size: 90″ x 100″

Techniques:  Machine Piecing

Quilting:  Mixed motif free motion quilting and Ruler work, all done on an A-1 Longarm

Fabric:  Kona Cotton in Deep Blue, Flame, Cardinal, Bright Pink

Batting:  Hobbs Tuscany Wool

Thread:  50wt Aurifil

Binding:  Bias binding in Deep Blue Kona, cut 2″ wide, machine stitched to the front and hand finished on the back

The Collection Quilt (Round 2!)

Last year, I was thrilled to teach Carolyn Friedlander‘s Collection Quilt through a local quilt shop, Sew to Speak.  The first version I made as a class sample is similar to the overall aesthetic that was used in the original design, so when I constructed a second version to use for demonstration purposes, I thought it would be fun to do something entirely different.  This is my pink-loving-little-girl version!collection-quilt-2

My color palette this time around was mostly pinks and oranges with some red and violet and shots of green.

collection-quilt-2-detail-2

Some fussy cutting added a bit of whimsy to the overall aesthetic.collection-quilt-2-detail-3

 

collection-quilt-2-detail-5

collection-quilt-2-detail-4

The backing is the same fun unicorn fabric that appears in the front in a different color way.

collection-quilt-2-back

This quilt is the perfect way to learn needle turn appliqué, and I am excited to be teaching it again this year!  Each month we will do a block that build on the skills covered in previous meetings.  If you are interested in joining the class, please contact Sew to Speak in Worthington, Ohio.  This technique opens up a whole new range of quilting designs!

collection-quilt-2-detail-1

Quilt Stats

Title:  The Collection Quilt  (Pattern by Carolyn Friedlander)

Size: 40.5″ x 51.5″

Techniques:  Needle turn appliqué, machine piecing

Quilting:  Computerized linear edge to edge pattern (my original design) done on an A-1 Elite Longarm

Fabric:  Assorted quilt shop quality, 100% cotton fabrics

Batting:  Hobbs 80/20

Thread:  Applique and piecing done with neutral and coordinating Gutermann Mara 100, Quilted with 50wt cotton Aurifil

Binding:  Striped bias binding, machine stitched to the front, hand finished on the back.