Lateral Ascension

Lateral Ascension is based on a simplified drafting of a spiral staircase.  Lateral refers to the suggestion of treads on the staircase, and ascension references the use of stairs to move to an upper level.

Lateral Ascension full

This quilt is a larger and even more simplified version of a spiral staircase mini quilt I did a couple years ago.  A spiral staircase is a really beautiful thing to look at in its drafted form.  The image below shows the beginning stages of drawing a front view of spiral stairs.

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The horizontal lines of the stair treads are emphasized with matchstick quilting done in 12 weight thread in a color to match the fabric of the tread rectangle.  The remaining quilting is also comprised of horizontal lines.  In the background, every quarter inch is stitched in 50 weight thread to match the background.  Between many of these lines are rows of stitching in a variety of colors.  All of the primary and secondary colors are represented in the fabrics and/or thread in this piece.

Lateral Ascension detail

Some large stitch hand quilting is included between some rows of machine stitching.  This is intended to show the balance between the regimented appearance of architecture and the hand done craftsmanship that goes into producing it.

Quilt Stats:

Title:  Lateral Ascension

Size: 65″ x 74″

Techniques:  Machine Piecing

Quilting:  Walking foot quilting on a domestic Bernina 1008, Large stitch hand quilting

Fabric:  Kona Cottons

Batting:  Hobbs Tuscany Wool

Thread:  50wt Aurifil in multiple colors, 12wt Aurifil in three colors

Binding:  Facing in the same Kona as the backing

This quilt was entered into QuiltCon 2018

Entries for QuiltCon 2018

QuiltCon 2018 is coming up in February, and Thursday was the last day for entries.  I always end up having one quilt that I either:

1) Have to make by the deadline – or

2) Allow to grow from a small project to a big one.

My Michael Miller Challenge quilt was definitely the second.  It was going to be a small-ish wall quilt, but it ended up being a generous lap quilt at 63″x69″.

Complementary Composition full

“Overlay” is my second entry and is entered in the Modern Traditionalism category.  This was also my entry in the Riley Blake Challenge earlier this year.  I really hope this one gets in- it is a personal favorite!

Overlay full

For my negative space entry, I continued exploring the idea of highlighting the use of thread to tell the story of the design.

Pivoted Plaid full

“Lateral Ascension” is entered in the Minimalism category.  The design is inspired by the drafted front elevation of a spiral staircase.

Lateral Ascension full

Franklin Park/Greenery in the Garden” is the only quilt I have actually written a more in depth post about.  It is entered into the Improvisational category.

Franklin Park full

Even though there is now a maximum number of five quilts accepted per entrant, I couldn’t resist adding a sixth entry.  I would love to share it with you, but it is a piece of secret sewing, so I will have to wait (and so will you!)

I have been away from the blog for awhile, and I am really missing it.  In the hopes of encouraging myself to make it more of a habit to blog, I am going to try participating in the 31 Day Blog Challenge hosted by Cheryl Sleboda at muppin.com.

BlogChallengeYr3-1

 

Crystalized Citrus: A Blogger’s Quilt Festival Entry

Crystalized Citrus is my second entry into The Blogger’s Quilt Festival hosted by Amy’s Creative Side.  I hope you will all set aside some time this week to look at all of the amazing inspiration provided by the festival entries- there is some amazing work on display!

Crystalized Citrus

Crystalized Citrus

I originally created this quilt for this year’s Hoffman Challenge which required the use of this digitally printed butterfly fabric.  I enjoy transforming distinctively patterned fabric into something completely unexpected, so I was excited to transform the butterfly wings to the flesh of citrus fruit.

Hoffman Challenge Fabric

Crystalized Citrus detail

The center of each fruit is improvisationally pieced before being set into the surrounding “skin.”  The entire fruit is then hand appliquéd to the background.  I used matchstick quilting in a range of coordinating colors to ground the pieces on the white background.

Crystalized Citrus

For more about this quilt you can check out the original Crystalized Citrus post.

Columbus Skyline: A Blogger’s Quilt Festival Entry

Every year The Blogger’s Quilt Festival hosted by Amy’s Creative Side brings tremendous inspiration to us all- I love seeing so much lovely work collected in one place!  I am thrilled to submit “Columbus Skyline” as an entry into the appliqué category of the festival.

Quilted Columbus Skyline Row Mini

This project began when I was asked to create a “Row by Row” pattern for a local quilt shop.  The theme for the year was “Home Sweet Home” so we embraced the unique skyline of Columbus, Ohio to develop a design specific to our area.  (For more information on the design process, I hope you will take a look at the original Columbus Skyline post.)

Columbus Skyline

Columbus Skyline

Hand stitched needle turn appliqué is used to create the city skyline.  I selected bright colors to reflect the vibrant community within the city.  This small quilt is finished with borders that provided a space to quilt in both the shop and city names.   The quilting is done in thread to match each building so the design is reflected on the back of the quilt.

Columbus Skyline Mini back view

Hills and Valleys: 2016 Riley Blake Challenge Quilt

This year’s Modern Quilt Guild / Riley Blake fabric challenge was one of the best challenges I have ever participated in, and I am very excited about the resulting quilt!

Hills and Valleys full view

The print that was selected for the challenge fabric has almost endless possibilities since it contains so many different designs.  I had the fabric draped around the studio for a long time before I decided what direction I wanted to go with it.  I still wasn’t entirely certain what I was doing when I ordered the solids to coordinate.  Emerald green has been very appealing to me lately, and I decided to draw my color scheme from it.

Challenge Fabric

I enjoy taking linear prints and cutting / reassembling them into a star formation, and I started out thinking that was where this project would lead.  In an effort to step out of my star-shaped box, I decided to consider other options that could produce a similar effect with the pattern of the print.  I drew the fabric print to scale in AutoCad and started to experiment.  Ultimately I landed on this design based on a traditional clamshell configuration.  I thought that the greens I had selected would create the illusion of abstract rolling hills, and the black and white print would look like giant flowers bursting forth from the landscape.

Hills and Valleys detail c

I developed and printed templates for each shape using AutoCad.  Since I had already planned the design with the fabric in mind, I was able to print the templates with guidelines that matched the print.  Cutting was super easy this way!

The clamshells are machine pieced to one another.  I used the templates to mark the start, center, and end of each seam which helped me to accurately position and pin each seam.  The top row of clamshells is hand appliquéd to the light blue background fabric.

Hills and Valleys detail b

The quilting was the most fun part of the process.  Solid fabrics give so much room for play, and I loved the idea of creating movement in this piece.  Each “hill” has a different texture from those directly around it, and the quilting thread matches each section.  This is also my first project to incorporate hand sashiko stitch quilting.  The large stitches in contrasting thread helps to draw your eye around the quilt.

Hills and Valleys detail a

I was excited to submit this quilt to the challenge, and I was absolutely ecstatic to find out that it received second place!  If you would like to see the other fantastic quilts that placed in this year’s challenge, you can find them on this Modern Quilt Guild blog post.

Quilt Stats

Title:  Hills and Valleys

Size:  41″x43″

Techniques:  Machine piecing, Hand Applique

Quilting:  Freemotion and Ruler work on an A-1 Longarm machine, hand sashiko accent stitching

Fabric:  Riley Blake black and white sashing print and Riley Blake solids

Batting:  Hobbs 80/20 cotton blend

Thread:  Pieced and appliquéd with coordinating Gutermann Mara 100 thread.  Quilted with five colors of 50wt Aurifil cotton thread.  Sashiko stitching done with dark grey Aurifil Floss.

Binding:  Faced with Riley Blake fabric

Goal #3 is Finished!

Goal #3 is Finished!