Orange Segment: Mini Quilt #27

This mini is a continuation of my series within a series focusing on a single color in each mini.  Green was entirely free motion quilting, and Yellow and Violet were quilted exclusively with straight lines.  For Orange I decided to combine techniques and use both straight-line and free-motion stitching.Orange Segments

The piecing of the quilt top uses straight white lines to divide the small sections of orange.  Curved lines break up the overall composition of the piece and the expanse of white in the center of the composition left ample room to bring in a strong texture with the quilting.Orange Segments front detail

Quilting this piece started by using a walking foot to define the graphic areas of the quilt.  I extended the straight lines of the white fabric dividing the smaller orange segments to give an architectural element to the project.  The straight line designs continue through three of these segments.  Free motion quilting pulls together the rest of the quilt.  Two Types of orange variegated thread add dimension and texture to the quilt.Orange Segments back view

Binding for this project is scrappy, drawing on several fabrics included in the quilt top design.Orange Segments back detail

Quilt Stats

Title:  Orange Segments

Size: 20″ x 20″

Techniques:  Machine piecing, Improvisational piecing

Quilting:  A combination of straight line quilting done with a walking foot and free motion quilting, both done on a Bernina 1008

Fabric:  White Kona cotton and assorted orange cotton prints

Batting:  Warm and White Cotton Batting

Thread:  Pieced with white Gutermann Mara 100, Quilted with two different colors of WonderFil 50wt variegated cotton thread

Binding:  Scrappy orange binding, cut 2″ in width, machine sewn to the front, hand stitched to the back

What was new?

Orange and White color scheme

Combining straight line and free motion quilting

Quilt 27 / 50

Quilt 27 / 50

Goal #4 is finished!

Goal #4 is finished!

 I have linked this post up with Sew Cute Tuesday at Blossom Heart Quilts.  Please drop by to see all of the fantastic projects being shared!

Tiny Cottage Garden: Mini #25

After finishing my entry into the Modern Quilt Guild Riley Blake Challenge, I had quite a bit of fabric left so I thought that I would create a mini quilt using some of the extra fabric.  For this mini I used 60  45 degree triangle and 6.5″x24″ rotary cutting ruler, but no specific templates.Tiny Cottage Garden front view

This fabric line has designs in several color ways that seem to lend themselves to fussy cutting, so I wanted to explore this aspect of the fabric in the design.  Two colors of the floral fabric I used in the border had the same color flower center, and I thought it would be fun to piece them together to create a single border print.  The main part of the quilt design focuses on a fussy cut diamond star, and the yo-yos in the center of each diamond are also also fussy cut from the same fabric.Tiny Cottage Garden yo yo detail

For the batting in this quilt I used a piece from a sample pack that Hobbs Batting had given me at a quilt show several months ago.  This batting has a fusible on each side which allows you to iron the top and back into place simultaneously meaning that there is no basting!  I loved not having to baste!  This batting is fairly thin, so it isn’t necessarily perfect for every project, but it worked really well in this application.  I am thinking about getting some more to use for small projects- it was so great to not have to mess with safety pins, and I don’t do sprays (but that’s a conversation for another day!)

I enjoy creating designs that are asymmetrical so the border of this mini only encompasses two sides of the star.  The quilting pattern on the border embraces the garden theme with vines quilted in variegated green thread.Tiny Cottage Garden back view

The quilting on the stars is very simple with only a double row of stitching which echoes the diamond shape.  This allows the Zentangle quilting in the star surround to really shine.  I had never tried this type of design, but now I am in love.  It may be hard to not use this design on absolutely everything!  It was really easy to do using a walking foot, and I didn’t even have to do any marking since this project is so small.  I’m sure if you looked closely enough you would see differences between each area, but it isn’t immediately noticeable.Tiny Cottage Garden quilting detail

For the quilt binding, instead of cutting a true bias strip, I cut on the angle of the pattern instead.  This allowed for the equilateral triangles in the fabric print to line up along the edge of the quilt.Tiny Cottage Garden back detail

Quilt Stats:

Title:  Tiny Cottage Garden

Size: 15.5″ x 15.5″

Techniques:  Machine piecing, fussy cutting, Y-seams

Quilting:  Freemotion leaves; Zentangle and echo quilting using a walking foot on a Bernina 1008

Fabric:  Riley Blake Cottage Garden fabrics and RB light blue solid.

Batting:  Hobbs 80/20 Fusible Cotton Blend

Thread:  Pieced using Gutermann Mara 100 in white, quilted with grey cotton quilting thread, Connecting Threads 50wt Magenta Cotton Essentials, and Wonderfil teal and variegated green 50wt cotton thread.

Binding:  Strips cut following the pattern on the fabric (about a 60 degree angle), machine stitched on the front, hand stitched on the back

What was new?

  • Zentangle Quilting
  • Fussy cut yo-yos
  • Cutting binding on an angle which matches the pattern of the fabric
Quilt 25 / 50

Quilt 25 / 50

Goal #2 is finished!

Goal #2 is finished!

MQG Riley Blake Challenge Quilt

Several months ago when the Modern Quilt Guild announced a challenge using these fabulous fabrics from Amanda Herring’s Cottage Garden line, I knew that I had to participate.  I am really excited to share this finished lap quilt today.In the Garden teal side

These prints are Gorgeous!

Riley Blake Challenge Fabric

The Rules are pretty straight forward for this challenge:

  • Make something fantastic that is quilted
  • Make something you have never done before
  • Challenge yourself to learn something new
  • Use only Riley Blake Cottage Garden fabrics and coordinating Riley Blake basics and solids

I was really excited to discover that this line of fabrics also had a pink color way.  With this information I knew that I wanted to do something reversible.  I have been fascinated by potholder quilts lately.  I love the idea of making mini quilts, another current obsession, come together to make a larger piece.  Potholder quilts almost always are constructed from square blocks, but on this project I thought it would be fun to try using hexagonal blocks.  Since each section is bound separately, the binding would highlight the hexagon construction from both sides of the quilt.In the Garden pink side

The front section focuses on the teal and grey fabrics in the collection and is made with six equilateral triangles per hexagon.  Some triangles are a mix of fabrics which were strip pieced together, others were a larger piece which was fussy cut with or without an added border.  In the Garden teal detail b

The back of the quilt highlights the pink fabrics in the collection, and on this side I decided to attempt a directional pattern to draw your eye across this side of the quilt.  For this I did strip piecing like I had used on the front of the quilt.  This time, instead of cutting the strip pieced sections only into triangles, I also created full, half, and third hexagon shapes.In the Garden pink detail a

For all of the hexagons, I pieced them to be larger than I ultimately wanted them to end up.  By doing this I was able to quilt each block and trim it to size before binding them.  The most challenging part was getting the centers to align properly, but with careful pinning and a lot of patience it worked out.In the Garden teal detail a

The quilting is an all over floral pattern which echoes one of the Cottage Garden prints.  This was the first time I dared to quilt a larger piece using free motion quilting.  It helped that I was quilting smaller pieces rather maneuvering a large quilt through a small machine.  The tricky part for me was maintaining size continuity in the quilting design throughout the quilt.

In the Garden pink view

 

In the Garden teal detail c

The blocks were each bound in pink and/or grey bias that I made using leftover sections of fabric.  The pink text fabric is the dominant binding so I selected a matching thread to join the hexagons.  For this process I used a triple zig zag on the sewing machine and laid the blocks flat beside one another to stitch their edges together.In the Garden photo shoot

Quilt Stats

Title:  In the Garden

Size:  50″x 61.5″ 

Techniques:  Machine piecing, potholder style quilt

Quilting:  Free motion, all over floral motif which reflects the print in one of the fabric designs

Fabrics:  Cottage Garden fabrics by Amanda Herring of The Quilted Fish for Riley Blake and Riley Blake solids

Batting:  Warm and White cotton batting

Thread:  Pieced using white Gutermann Mara 100, Quilted with white machine quilting thread, and assembled with pink Gutermann Mara thread

Binding:  Bias strips of leftover Cottage Garden fabrics, cut in 2″ widths, machine stitched to one side, hand stitched to the other

What was new?

  • Hexagonal blocks assembled into a potholder quilt
  • Using free motion quilting on a larger project
  • Using only one collection of one designer to create a reversible quilt
Goal #16 is finished!

Goal #16 is finished!


Green: Mini Quilt #22

Since I completed Graffiti Feathers a few weeks ago, I have been thinking about creating a series of very simply pieced modern mini quilts based on a single color and white.  I like the idea of the simplicity of the quilt top allowing the quilting to really shine.  I am planning six of these quilts, one for each of the primary and secondary colors (red, yellow, blue, orange, green, violet) of the color wheel.  The first I am going to share with you is Green.

Green Graffiti Mini Quilt

I was inspired by the thin vertical lines of grass for this design.  Where I am this time of year, the grass is extremely vibrant and growing from all of the rain, so I wanted to incorporate green strips of various lengths across the bottom of the quilt.

Green Graffiti front view

For the quilting, I decided that I would take another stab at graffiti quilting, this time being inspired by a wild, grassy field.  The bottom of the quilt is done in variegated green Wonderfil thread.  Since I wanted the top of the quilt to recede a bit to mimic the sky, I switched to white cotton machine quilting thread, but continued to use similar quilted imagery.  I like to think of it as looking for shapes in the clouds!

Green Graffiti front detail

Green Graffiti Quilting Detail

The change in thread color really makes the back look interesting too.  The binding for this one is two pieces of the green fabrics used on the front alternated around the edge.

Green Graffiti front detail

Quilt Stats:

Title:  Green

Size:  20″x20″

Techniques:  Machine piecing

Quilting:  Freemotion Graffiti quilting on a domestic Bernina 1008

Fabric:  Assorted green cotton prints and white Kona Cotton

Batting:  Warm and White cotton batting

Thread:  Pieced using white Gutermann Mara 100, quilted with white cotton machine quilting thread and 50wt Wonderfil Tutti cotton thread in variegated green (color TU30)

Binding:  Green cotton prints, cut on the bias in 2″ wide strips, machine stitched to the front, hand stitched to the back

What was new?

Working in a short series of similarly themed mini quilts

Using a color combination of only green and white

Mixing graffiti quilting with a graphically pieced design

Quilt 22 / 50

Quilt 22 / 50

Goal #8 is Finished!

Goal #8 is Finished!