Entries for QuiltCon 2020

The QuiltCon show entry deadline was earlier this week, and, as always, it seemed to sneak up on me.  This year I decided to aim for five entries, which is the maximum number of quilts that one person can have accepted to the show. I managed to get four entered in October, but one (there is always one) didn’t get entered until the last day.

My first entry is the only quilt that I have ever re-submitted.  Resonance was rejected from QuiltCon 2019, but I love this quilt, so I thought I would give it one more chance. It is entered in the Applique category.

This year we had 450 characters for the description of each quilt.  This is the description I submitted with Resonance:

Resonance uses colorful quilting thread to create a sense of outward movement and reverberation from central points.Thread that coordinates with each fabric creates a blending sensation as the quilting merges the appliquéd circles with each other and the background.This quilt was my first 100 day project that ran from New Year’s Day 2018 to my birthday, which fell on the 100th day of the year.

You can read more about Resonance here.

This year, the special challenge category was stripes.  All of my remaining entries could arguably be entered in this category, but I like to spread my entries out in different areas.  Stripe Club is the quilt I selected to enter in the American Patchwork and Quilting Stripes Quilt Challenge, and this was also the quilt that got submitted on the final day!

Submitted description:

All solid fabrics are cut and pieced into the stripes forming the basis for this semi-improvisational design.Stripes of various widths, and as small as 1/8 inch, were stitched together to create a piece of fabric before being cut and assembled into the blocks that make up the quilt top.The circular blocks were devised as stand alone units and placed on a design wall to develop the overall composition with the addition of more striped units.

You can read more about Stripe Club here.

34x34x34 is entered in the Negative Space category.

Submitted description:

This quilt is an exploration of randomness in the design process.An arbitrary line drawn on a sheet of graph paper was 34 squares long, and that determined the repeating numbers for the quilt.On a 34 x 34 square grid, I placed 34 colorful squares.The placement was determined by using a random number generator to decide the coordinates.Six colors were each assigned a number and a game die was rolled to select the colors for each square.

You can read more about 34x34x34 here.

Forward and Back is a mini quilt that I made for a guild challenge earlier this year, and it is entered in the Small Quilts category.

Submitted description:

Two simple blocks are cut into strips and reassembled to form this small quilt.The first block was a simple circle in warm colors. The second block was made of wedges in cool colors.Combined, the two blocks evoke the feeling of a sunset over the sea.

You can read more about Forward and Back here.

My fifth and final entry for QuiltCon 2020 is Zenith.  Zenith has been to several shows in the past year, and I am so excited to enter it in QuiltCon.  I submitted it in the Improvisation category.  I have never had a quilt accepted to this category, so my fingers are crossed.

Submitted description:

Using improvisational construction, Zenith combines the 2018 Pantone color of the year, Ultra Violet, with the Kona color of the year, Tiger Lily. With these colors as a starting point, the overall palette was expanded to incorporate the hues found in a vibrant sunset. The inclusion of strong diagonal lines, triangular shapes, and a combination of hand and machine quilting further enhances the energy of the quilt.

You can read more about Zenith here.

Waiting for the jury results is always hard, but I’m very grateful that QuiltCon has a relatively short turnover time.  I will let you know the results in the next few weeks!

I am excited to be participating in this year’s 31 Day Blog Writing Challenge hosted by Cheryl Sleboda of Muppin.com, and I hope you will have the chance to check out some of the other awesome blogs that are participating this month.

Polar Bear Block Pattern

In last year’s block of the month quilt I designed for Dabble and Stitch, I created a foundation paper pieced polar bear block to represent the Columbus Zoo.  I liked the block so much that I made a cushion with it, and many people who came into the shop loved the design.  This design is now available as a stand alone block pattern!

Polar Bear Block

I made a few adjustments to change the block from a rectangle to an 18″ square block, and I made it up in a new color way that is available as a kit with Painters Palette Solids by Paintbrush Studios. (shown above) For this version I used Aurifil Monofilament so the thread would blend with the fabric color.  The straight line quilting was done with a walking foot on my domestic machine.

First version of the polar bear pillow

It was good timing to release this pattern last month, because the Columbus Zoo welcomed a new polar bear cub on Thanksgiving, and this design was based on a photo I took of another cub at the zoo.  You can read more about the development of the original block in the original post.

Original Block of the Month Polar Bear Block

The pattern is available online or in store at Dabble and Stitch in Columbus, Ohio.  You can choose between the print pattern, a PDF, and a kit with a print pattern included.

Print Polar Bear Pattern

Print Polar Bear Pattern with kit

PDF Polar Bear

Polar Bear Block made into a pillow

I am excited to be participating in this year’s 31 Day Blog Writing Challenge hosted by Cheryl Sleboda of Muppin.com, so I will be blogging a lot more this month!

Ice Cream Quilt

Each Summer I design a Row by Row for a local quilt shop, Dabble and Stitch, and I loved this year’s row so much, I decided to make a wall quilt featuring the design.  The ice cream cone design evokes Summer, so it was a perfect design for this month’s “Seasonal” challenge for Aurifil Artisans.

The theme for this year’s Row by Row is: Taste the Experience.  I like to base each row design on something local, and this year the design depicts Jeni’s Ice Cream.  Jeni’s started here in Columbus, and the shops feature lots of fun flavors. The cone that served as the model for the Row by Row design is Wildberry Lavender and Brandied Banana Brûlée in a house made cone.

When transforming the ice cream block into a quilt, I thought it would be fun to extend the background into stripes.  By adding narrow stripes between the ice cream cone columns, the overall design of the quilt has a beach towel vibe that enhances the feeling of sitting out in the sun with a hot weather snack.

Custom quilting on the longarm was done with 50wt Aurifil in color that coordinate with each area of the quilt.  The stitching is a mix of free motion motifs and straight line quilting done with rulers and digital channel locks. The backing is a Tula Pink wideback fabric, and I love how, in this context, the print has the feel of melting ice cream.

This quilt went with me today to the Ohio State Fair for some photos.

It even met the famous butter cow!

Quilt Stats

Title:  Ice Cream on the Beach

Size: 48″ x 48″

Techniques:  Machine Piecing, Foundation Paper Piecing

Quilting:  Free Motion and straight line quilting with digital channel locks on an A-1 Longarm

Fabric:  Assorted cotton solids

Batting:  Hobbs Tuscany Wool

Thread: Quilted with 50wt Aurifil

Binding:  Bias binding, machine stitched to the front, hand finished on the back

 

Urban Cabins

Earlier this year a quilt group I belong to, The Columbus Modern Quilters, issued a challenge based on a photograph one of our members took in downtown Columbus, Ohio.  (You can see the photo and challenge requirements by clicking the link above.) In the image, parking garages with painted murals stand out against a bright blue sky.  We were challenged to use this photograph for inspiration in creating any type of sewn project.  Urban Cabins is my interpretation.

This quilt is entirely improvisationally pieced, although I did use rulers to help with construction.  I began with fabric bits from my scrap bin, and incorporated larger pieces of fabric as the project grew.  In the original photo, I loved how the brightly colored murals enlivened the surroundings even though they only took up a small portion of the image.  To capture this overall feeling, I included centralized areas of color that spark into their more subdued surroundings.  Concrete and sky colors of tans, greys, and blues dominate the most surface area of the quilt, but the bright colors give the piece life

With so much of the quilt being comprised of similar subtle colors, texture, both visual and physical, played a significant role in completing the design.  The use of both prints and solids create visual shifts in texture, while physical changes between cotton and linen create further interest.  Occasionally a selvage edge is exposed to further enhance the textural variations.

For the quilting, I decided to use evenly spaced, vertical lines to pull the design together, while not overpowering the design of the quilt top.  Vertical lines evoke the energy and feeling of a bustling downtown environment.

I was excited to discover the perfect backing fabric in my stash.  I had purchased it on clearance a long time ago, knowing it would make a great quilt back at some point.  I liked how the bold print varies across the width of the fabric, giving it a mural-like vibe that relates to the original inspiration image.

A facing was the perfect finish to this quilt.  With an energetic design like this, I think it is important to allow the viewer’s eye to continue all the way to the edge of the quilt without the visual barrier of a binding.  Fortunately, I had just enough backing fabric to line up the printed motifs on three sides of the quilt.  I would have loved a perfect match, but there wasn’t that much extra fabric!  The fourth side had black circles, so a solid black fabric worked to finish the edge.

Quilt Stats

Title:  Urban Cabins

Size: 30″ x 40″

Techniques:  Machine Piecing, Improvisation

Quilting:  Straight line quilting with digital channel locks on an A-1 Longarm

Fabric:  Cotton and linen solids and assorted cotton prints

Batting:  Hobbs Tuscany Wool

Thread: Quilted with 50wt Aurifil

Binding:  Faced with the remaining backing fabric and one strip of solid black fabric.

 

 

 

Composition

I am honored to be an Aurifil Artisan for the second year, and I am particularly excited to participate in a series of challenges that showcase the way their thread is used.  The first challenge is to use our welcome pack of thread to create something new.  (We were actually asked to try a different thread weight, but I have already used them all on previous projects!)  I decided to create a mini quilt that is mounted on an artist’s canvas.  I have been wanting to try something like this for awhile, and this was the perfect opportunity for some experimentation.

My thread choices tend to fall into two categories: bold and colorful, or a perfect match.  The fabrics for this composition were subtle and mostly dark in value.  Three narrow slivers of metallic linen were the lightest fabrics were the lightest values in the piecing.  The deep values provided the perfect canvas to experiment with very subtle shifts of color and thread weight.  The thread colors I selected were 2600 in 12wt, 2905 in 40wt, and 2605 and 2510 in 28wt.  I also added a black 50wt for piecing that I had in my thread stock.

12 and 28 weight threads are particular favorites for bold quilting, and they worked well in this piece too.  I particularly liked how they played with the green 40wt thread which blended the most value-wise to the main fabrics.  My only regret is not using a different batting for the project.  I made the mistake of grabbing an unidentified scrap, and I wish that I had used a black batting to prevent bearding on the dark fabric.  At least I’ll remember to pay more attention next time!

Quilt Stats

Title:  Composition 1

Size: 8″ x 10″

Techniques:  Machine Piecing

Quilting:  Walking foot quilting on a Bernina 1008

Fabric:  Cotton solids and tone on tone prints

Batting:  Unidentified scrap- big mistake!

Thread: Aurifil in 50wt, 40wt, 28wt and 12wt

Binding:  None! The quilt is mounted to an artist’s canvas frame.