Zenith

Each year the Central Ohio Modern Quilt Guild issues a color challenge.  For the past two years the challenge has been the same: Combine the Pantone and Kona colors of the year into a single sewn object.  My project for last year’s challenge was an improv quilt inspired by the Franklin Park Conservatory.  The quilt I made for this year’s color challenge is also improv, but it is more structured this time around.

Zenith front

In 2018 the Pantone color of the year is Ultraviolet and the Kona color is Tiger Lily.  Among our group this combination had both lovers and haters.

2018 challenge colors

 

I could definitely see the potential, and wanted to embrace the violets while pushing the piece toward warmer tones.  The beginning of my fabric pull looked like this.

Zenith fabric pull

Around the time this challenge was issued, the Columbus Museum of Art was hosting a special exhibit which included this oil painting, The Bay of Saint-Jean-de-Luz, by Georges Lacombe which was painted around 1902-1904.  The color range in this painting was exactly what I had imagined when I saw the challenge colors.

Georges Lacombe painting

The quilt top was constructed using structured improv- I measured and used rulers, but the placement of each piece of fabric was determined on the fly.  About 2/3 of the quilt went together quickly, but the lower left corner was problematic.

Zenith process 1

 

Zenith process 2

After over a month of struggling with it, I finally came to terms with the fact that I just didn’t have the right pink fabrics to complete the top.  (How could I possibly be lacking pink of all colors!)  Once I added more pink solids to the palette, the top was easy to finish.

Since the quilting is done on a 120 degree angle, and the piece isn’t particularly large, I decided it would be easier to do the quilting with a walking foot on my domestic machine.  It is almost matchstick quilted.  The machine stitching is randomly spaced from 1/8″ to 1/2.”  Once the machine quilting was finished, I added large stitch hand quilting in the larger gaps between the machine stitching.  It was important to me that the quilting stitches add personality to the quilt, so I used a range of thread colors and weights.  By the time the quilting was finished I had incorporated 50wt, 40wt, 28wt, and 12wt thread into the quilt.

Zenith detail 1

Zenith detail 2

Zenith detail 3

The majority of the fabrics used in the quilt are solids, but there are a few prints worked into the design.  One of those prints, a Tula Pink stripe, was perfect for a bias binding.  I combined this print with some yellow solids to finish off the quilt.

Zenith binding

Quilt Stats

Title:  Zenith

Size: 53″ x 69″

Techniques:  Machine Piecing, Structured Improvisational Piecing

Quilting:  Almost-Matchstick machine quilting on a Bernina 1008 domestic, large stitch hand quilting

Fabric:  Assorted quilt shop quality, 100% cotton solid and print fabrics, and backing of wide-back Tula Pink Print

Batting:  Hobbs Tuscany Wool

Thread: Quilted with 50wt, 40wt, 28wt, and 12wt cotton Aurifil

Binding:  Tula Pink stripes and yellow solids, cut on the bias at 2″ wide, machine stitched to the front, hand finished

This quilt is entered in the Pantone Color of the Year Challenge at Bryan House Quilts and No Hats in the House.  Click the links to check out all of the fabulous entries!  My country of residence in the United States.

QuiltCon Highlights

QuiltCon 2018 ended on Sunday, and I wish that I had been able to attend to see so many of my quilt-y friends.  I thoroughly enjoyed seeing all of the photos and videos which were posted during the week, and it was wonderful to be able to see most of the show virtually.  Thank you so much to everyone who took the time to post during the show!  If you haven’t seen many photos of the show, I suggest looking at the Instagram hashtags #quiltcon2018 and #quiltcon to see most of the quilts on display.  Since I wasn’t there, my personal highlights will be pretty short.

1. Even though I wasn’t there, four of my quilts were able to attend in my place!

QuiltCon 2018 Collage

2.  Lateral Ascension received a third place award in the minimalism category!  I have a tendency to struggle with minimalism, so this was a big accomplishment on a personal level.

Lateral Ascension full

3.  Pivoted Plaid is going to be included in the Best of QuiltCon 2018 Traveling Exhibit!  It is thrilling that this quilt will be shared around the country in the coming year!

Pivoted Plaid

So who’s ready for QuiltCon 2019?  Nashville is an easy drive from here, so I will definitely be there next year, along with a lot of my local Modern Quilt Guild!

 

National Backwards Day!

Today, January 31 is National Backwards Day!  I decided to celebrate by taking a closer look at the back of some quilts and quilt tops.

The backs of quilt tops hardly ever get the glory that they deserve.  Here are some hand appliquéd circles . . .

Circle Applique back

And some machine pieced circles . . .

Stroll back

I love when the quilting transfers the design of the quilt to the back of the project.

Row by Row Back

 

Overlay Back

Franklin Park back

 

Sometimes the design isn’t completely transferred to the back of the quilt, but you can get a general idea of the quilt front.

Customer Quilt back

Pin Mini back

 

Occasionally I do simple, light quilting . . .

Simple Mini Quilt BackBut more often it’s heavy quilting that shows on the back of my quilts . . .  (these two mini quilts are the same design)

Star Block Back

 

Recently I even tried out using doubled batting, which really made the quilting design pop on the back of the quilt (as well as the front).

Secret Sewing Quilt Back

I frequently love the backs of quilts as much as the front!

 

Central Ohio Modern Quilt Guild Charity Quilt

Every year the Modern Quilt Guild issues a Charity Quilt Challenge and the results are displayed in the hallways of QuiltCon. The MQG gives a theme and color palette, and any guild or small group of members is invited to participate.  This is the second year the Central Ohio MQG has participated in this challenge.

Charity Quilt 2018 front

This year the theme was Modern Traditionalism and this is the palette.

QC18+Palette

When our guild does a group quilt, we gather design submissions and vote to determine which one we will make.  The design for this quilt was a collaboration between Lissa of Lovingly Lissa and me.  This project is a potholder style quilt, which was a popular method for charity quilts made in New England during the Civil War era.  Each contributor would piece, quilt and bind a block.  When the volunteers would gather, all they would have to do to finish the quilt is whip stitch the blocks together.  (If you would like to see some other potholder quilts, check out these posts:  Modern Log Cabin, Petals in the Wind, and In the Garden.)

Quilt Layout (2)

For our updated version of a potholder quilt, we used Ohio Star blocks.  This is the block that I contributed to the quilt.

Charity Quilt 2018 Individual Block front

Charity Quilt 2018 Individual Block back

Each block is constructed so that the pieced block is visible on either the front or the back of the quilt.  This also creates a fully reversible quilt.  The blocks are joined with a triple zigzag stitch done on my mechanical sewing machine.

Charity Quilt 2018 back

The first side of the quilt incorporates the entire color palette and has more of a “daytime” feel.

Charity Quilt 2018 detail 3

Charity Quilt 2018 detail 2

Charity Quilt 2018 detail 1

The reverse side of the quilt is intended to appear more like the nighttime sky.

Charity Quilt 2018 detail 4

 

Charity Quilt 2018 detail 5

 

Charity Quilt 2018 detail 6

My favorite part of this quilt is that we have so many different people contributing their personal quilting style to the project.  It has a mix of straight line and free motion quilting, several thread colors and weights, and various quilting densities.  It really became a beautiful representation of our guild.

The quilt gets shipped off to QuiltCon this week!  We are all very excited to have it displayed with all of the challenge quilts from around the world.  We don’t have any members who are able to attend this year, so we are hoping to have some photos come our way!

Quilt Stats:

Title:  Two Sides of the Same Star

Size: 71″ x 89″

Techniques:  Potholder style, machine pieced, block machine zigzagged together

Quilting:  Free motion and walking foot quilted

Fabric:  Kona Cottons

Batting:  Warm and White

Thread:  Pieced and quilted with a variety of thread brands, colors, and weights

Binding:  Blocks were individually bound with Kona cotton bias binding, cut 2″ wide, machine stitched to the front of each block, and hand stitched to the back.

Vinyl Front Tula Pouch

For the second year, one of the sewing groups I belong to did a swap.  This swap has a twist:  Each person brings a fat quarter of a favorite fabric from their stash to put in a bag.  Then, we all take turns pulling out a piece of fabric and guess who it belongs to.  We are a small group, so we are typically pretty successful in guessing the owner of the fabric.  We each take the fabric away and come back a couple meetings later with an item made from the fabric we pulled from the bag to give back to the original person.

Tula Vinyl Pouch front

I pulled this cute Tula Pink cat print from the bag of fat quarters.  It happened to be a fabric that I love enough to own, too!  The person who brought the fabric enjoys hand applique and embroidery, so I thought she may like a bag that will keep all of her pieces flat and visible until it is their turn to be secured to the block.

I used a fairly heavy, clear vinyl for the front of the pouch. The primary fabric is the cat print, and for the back of the pouch, I chose to make a nine patch from a charm pack from the same Tula Pink fabric line.  I sandwiched and quilted the fabric layers with a piece of soft and stable to make sure the pouch would lay flat while maintaining flexibility.

Tula Vinyl Pouch back

The binding is also from that same line of prints.  I machine stitched it to the front and folded it around to the back for hand stitching.  This allowed for hand finishing on the fabric portion of the pouch.  The bag finishes a bit over 13″ square, so a lot of quilt blocks could actually lay flat in the pouch.  I wish I had made one for myself when I was in a couple of bees- it would have been perfect to transport blocks!