Violet Calm: A Blogger’s Quilt Festival Entry

Violet calm is one of my favorite designs in the past few months, and I am excited to share it with you as my entry in the Modern Category for the Blogger’s Quilt Festival hosted by Amy’s Creative Side.

Violet Calm

Violet Calm

This design was created by piecing fabrics of several shades of violet together with thin strips of white Kona Cotton between each segment.  The circle was cut from this pieced section of fabrics.  Another circle was cut into the white background fabric, and the violet circle was machine pieced into the background.Violet Calm center detail

The matchstick quilting in this piece is done in the color of the fabric it passes through.  The horizontal lines create a sense of calm, and the variety of thread colors help to visually extend the centralized image across the quilt.  A single section of vertical quilting gives a quiet energy to this peaceful image.

Violet Calm back view

 

The binding is made of scrappy violet fabrics to frame the expanse of white fabric.Violet Calm front edge detail

If you would like to read more about “Violet Calm,” please check out its original post.  Thank you so much for stopping by!

Sashiko Mug Rug: Mini Quilt #30

Hand quilting is something I haven’t done in many years, and I have never given Sashiko a try, so I thought that this would be a fun thing to experiment with for this mini.Sashiko Mini Quilt

The central hexagon was the first thing I have cut using my Hex N More ruler.  I have much bigger plans for this ruler, but I was still excited to take it for a spin with this project!  Sashiko Mini back view

The quilting is the real star of this mini.  I chose simple prints with the hope that the stitching would be visible, but any uneven stitches wouldn’t be glaringly obvious.  When I first learned to quilt it was OK to machine piece a quilt top, but actual quilting stitches were done by hand.  You were supposed to aim for 10-12 perfectly spaced stitches per inch.  For me, part of the challenge in Sashiko is allowing myself to take larger stitches.  To help accomplish this, I chose 12wt thread and a slightly longer needle than I would normally quilt with.  Sashiko Mini detail

There is blue variegated thread in the outer portion of the quilt and orange thread throughout this mini.  The orange binding of this quilt helps the orange quilting thread to “POP!”

Quilt Stats

Title:  Sashiko Mini

Size:  7-1/4″ x 8-1/4″

Techniques:  Machine Piecing, Sashiko

Quilting:  Sashiko style hand quilting

Fabric:  Prints from Carolyn Friedlander’s Doe and Botanics lines

Batting:  Warm and White cotton batting

Thread:  Pieced with 100wt InvisaFil by WonderFil in light grey; Quilted with 12wt Cotton WonderFil in orange and variegated blue

Binding:  Orange “Botanics” print cut on the bias in a 2″ wide strip, machine stitched to the front, hand stitched to the back

What was new?

Sashiko stitching

First hexagon cut with a Hex N More ruler

Quilt 30 / 50

Quilt 30 / 50

Goal #7 is finished!

Goal #7 is finished!

 

Orange Segment: Mini Quilt #27

This mini is a continuation of my series within a series focusing on a single color in each mini.  Green was entirely free motion quilting, and Yellow and Violet were quilted exclusively with straight lines.  For Orange I decided to combine techniques and use both straight-line and free-motion stitching.Orange Segments

The piecing of the quilt top uses straight white lines to divide the small sections of orange.  Curved lines break up the overall composition of the piece and the expanse of white in the center of the composition left ample room to bring in a strong texture with the quilting.Orange Segments front detail

Quilting this piece started by using a walking foot to define the graphic areas of the quilt.  I extended the straight lines of the white fabric dividing the smaller orange segments to give an architectural element to the project.  The straight line designs continue through three of these segments.  Free motion quilting pulls together the rest of the quilt.  Two Types of orange variegated thread add dimension and texture to the quilt.Orange Segments back view

Binding for this project is scrappy, drawing on several fabrics included in the quilt top design.Orange Segments back detail

Quilt Stats

Title:  Orange Segments

Size: 20″ x 20″

Techniques:  Machine piecing, Improvisational piecing

Quilting:  A combination of straight line quilting done with a walking foot and free motion quilting, both done on a Bernina 1008

Fabric:  White Kona cotton and assorted orange cotton prints

Batting:  Warm and White Cotton Batting

Thread:  Pieced with white Gutermann Mara 100, Quilted with two different colors of WonderFil 50wt variegated cotton thread

Binding:  Scrappy orange binding, cut 2″ in width, machine sewn to the front, hand stitched to the back

What was new?

Orange and White color scheme

Combining straight line and free motion quilting

Quilt 27 / 50

Quilt 27 / 50

Goal #4 is finished!

Goal #4 is finished!

 I have linked this post up with Sew Cute Tuesday at Blossom Heart Quilts.  Please drop by to see all of the fantastic projects being shared!

Op-Art: Mini Quilt #26

One of the remarkable things that happens when we quilt is that we start to see quilt patterns everywhere we go and in everything we see.  I had been thinking about making a quilt based on op-art for many years- ever since high school when I made a pen and ink op-art painting in art class.  It is fascinating to me that alternating different size and color rectangles can trick the eye into seeing dimension in a 2-D object.OpArt Quilt front view

The largest segment of this quilt finishes at 1-1/2″ x 1-1/2″ and the smallest is 1/4″ x 1/4″.  I started this quilt top by strip piecing alternating rows of black and white fabric.  Each strip of fabric became more narrow as I worked toward the center of the quilt and then grew progressively larger again.  Since this quilt is symmetrical I was able to cut the strip pieced segment into perpendicular strips in the same manner as the initial strip piecing.  I then flipped every other row over so the bottom square became the top.  This created the grid pattern.OpArt detail

Quilting lines move diagonally in both directions across each black square in the quilt.  This creates a subtle design that does not distract from the main optical illusion.  The backing and binding is the same black fabric that appears in the front grid.OpArt Quilt

Quilt Stats:

Title:  Op-Art Grid

Size:  20″ x 20″

Techniques:  Machine piecing

Quilting:  Linear quilting running diagonally across each black rectangle using a walking foot on a Bernina 1008

Fabric:  American Brand Solids in black and white

Batting:  Warm and White ( In retrospect, I think I should have used a black batting (even though there are white segments on the front) because the white batting seems to be bearding through the fabric a bit.)

Thread:  Pieced using polyester 100wt InvisaFil by WonderFil in light grey and quilted with black 50wt cotton quilting thread

Binding:  Coordinating black binding, cut on the bias in 2″ widths, machine stitched on the front, hand stitched to the back

What was new?

Creating an optical illusion in quilt form

Quilt 26 / 50

Quilt 26 / 50

Goal #3 is finished!

Goal #3 is finished!

 This week I’m linking up with Finish it Up Friday at Crazy Mom Quilts, Show Off Saturday at Sew Can She, Pet Project Show at Pink Doxies, Sew Cute Tuesday at Blossom Heart Quilts, Let’s Bee Social at Sew Fresh Quilts, and Whoop Whoop Friday at Confessions of a Fabric Addict.  Please stop by to see all of the awesome work being created!

Tiny Cottage Garden: Mini #25

After finishing my entry into the Modern Quilt Guild Riley Blake Challenge, I had quite a bit of fabric left so I thought that I would create a mini quilt using some of the extra fabric.  For this mini I used 60  45 degree triangle and 6.5″x24″ rotary cutting ruler, but no specific templates.Tiny Cottage Garden front view

This fabric line has designs in several color ways that seem to lend themselves to fussy cutting, so I wanted to explore this aspect of the fabric in the design.  Two colors of the floral fabric I used in the border had the same color flower center, and I thought it would be fun to piece them together to create a single border print.  The main part of the quilt design focuses on a fussy cut diamond star, and the yo-yos in the center of each diamond are also also fussy cut from the same fabric.Tiny Cottage Garden yo yo detail

For the batting in this quilt I used a piece from a sample pack that Hobbs Batting had given me at a quilt show several months ago.  This batting has a fusible on each side which allows you to iron the top and back into place simultaneously meaning that there is no basting!  I loved not having to baste!  This batting is fairly thin, so it isn’t necessarily perfect for every project, but it worked really well in this application.  I am thinking about getting some more to use for small projects- it was so great to not have to mess with safety pins, and I don’t do sprays (but that’s a conversation for another day!)

I enjoy creating designs that are asymmetrical so the border of this mini only encompasses two sides of the star.  The quilting pattern on the border embraces the garden theme with vines quilted in variegated green thread.Tiny Cottage Garden back view

The quilting on the stars is very simple with only a double row of stitching which echoes the diamond shape.  This allows the Zentangle quilting in the star surround to really shine.  I had never tried this type of design, but now I am in love.  It may be hard to not use this design on absolutely everything!  It was really easy to do using a walking foot, and I didn’t even have to do any marking since this project is so small.  I’m sure if you looked closely enough you would see differences between each area, but it isn’t immediately noticeable.Tiny Cottage Garden quilting detail

For the quilt binding, instead of cutting a true bias strip, I cut on the angle of the pattern instead.  This allowed for the equilateral triangles in the fabric print to line up along the edge of the quilt.Tiny Cottage Garden back detail

Quilt Stats:

Title:  Tiny Cottage Garden

Size: 15.5″ x 15.5″

Techniques:  Machine piecing, fussy cutting, Y-seams

Quilting:  Freemotion leaves; Zentangle and echo quilting using a walking foot on a Bernina 1008

Fabric:  Riley Blake Cottage Garden fabrics and RB light blue solid.

Batting:  Hobbs 80/20 Fusible Cotton Blend

Thread:  Pieced using Gutermann Mara 100 in white, quilted with grey cotton quilting thread, Connecting Threads 50wt Magenta Cotton Essentials, and Wonderfil teal and variegated green 50wt cotton thread.

Binding:  Strips cut following the pattern on the fabric (about a 60 degree angle), machine stitched on the front, hand stitched on the back

What was new?

  • Zentangle Quilting
  • Fussy cut yo-yos
  • Cutting binding on an angle which matches the pattern of the fabric
Quilt 25 / 50

Quilt 25 / 50

Goal #2 is finished!

Goal #2 is finished!