Running Hot and Cold: Mini Quilt #29

Fabric Modification is something that I really enjoy doing, but I haven’t been experimenting much lately.  So once I started having fun with the fabric for Fading Florals, I decided to keep going and give Suminagashi a try.Running Hot and Cold

This marbling technique uses a nontoxic ink that floats on the surface of water.  Using a paintbrush, I touched the surface of a shallow tray of water in several areas with one color of ink.  When the next color of ink is applied, it causes the first color to move away.  Once the surface of the water was mostly covered, I gently blew across the water and ink to increase the movement of the swirls.  When I liked the design, I carefully laid a piece of white Kona cotton over the inked surface.  The dye takes to the fabric instantly so you can pull it up immediately.  Once the fabric is dried, heat set, and hand washed and dried, it is ready for use.Running Hot and Cold hot detail

I wanted to have the fabric design be the main feature of the quilt, so I decided on a simple block design.  White Kona is used to define the blocks and is the only area of the piece that is quilted.  The bands of white are stitched in the ditch and then filled with pebbles.Running Hot and Cold cold detail

For the backing of the quilt, I went with a solid peach cotton to reflect the warm colored marbled fabric.  The binding draws its color from the cool colored marbling.Running Hot and Cold back view

Quilt Stats

Title:  Running Hot and Cold

Size:  16-3/4″ x 16-3/4″

Techniques:  Suminagashi, machine piecing

Quilting:  Stitching in the ditch with a walking foot, free motion pebble stitching, both on a Bernina 1008

Fabric:  White Kona Cotton, most portions treated with Suminagashi, peach cotton backing, cotton print binding

Batting:  Warm and White Cotton Batting

Thread:  pieced with 100wt polyester InvisaFil by WonderFil in light grey, quilted with 50wt Wonderfil cotton thread in white

Binding:  Bias cut in 2″ widths, machine stitched to the front, hand stitched to the back

What was new?

Suminagashi

Quilt 29 / 50

Quilt 29 / 50

Goal #6 is finished!

Goal #6 is finished!

Orange Segment: Mini Quilt #27

This mini is a continuation of my series within a series focusing on a single color in each mini.  Green was entirely free motion quilting, and Yellow and Violet were quilted exclusively with straight lines.  For Orange I decided to combine techniques and use both straight-line and free-motion stitching.Orange Segments

The piecing of the quilt top uses straight white lines to divide the small sections of orange.  Curved lines break up the overall composition of the piece and the expanse of white in the center of the composition left ample room to bring in a strong texture with the quilting.Orange Segments front detail

Quilting this piece started by using a walking foot to define the graphic areas of the quilt.  I extended the straight lines of the white fabric dividing the smaller orange segments to give an architectural element to the project.  The straight line designs continue through three of these segments.  Free motion quilting pulls together the rest of the quilt.  Two Types of orange variegated thread add dimension and texture to the quilt.Orange Segments back view

Binding for this project is scrappy, drawing on several fabrics included in the quilt top design.Orange Segments back detail

Quilt Stats

Title:  Orange Segments

Size: 20″ x 20″

Techniques:  Machine piecing, Improvisational piecing

Quilting:  A combination of straight line quilting done with a walking foot and free motion quilting, both done on a Bernina 1008

Fabric:  White Kona cotton and assorted orange cotton prints

Batting:  Warm and White Cotton Batting

Thread:  Pieced with white Gutermann Mara 100, Quilted with two different colors of WonderFil 50wt variegated cotton thread

Binding:  Scrappy orange binding, cut 2″ in width, machine sewn to the front, hand stitched to the back

What was new?

Orange and White color scheme

Combining straight line and free motion quilting

Quilt 27 / 50

Quilt 27 / 50

Goal #4 is finished!

Goal #4 is finished!

 I have linked this post up with Sew Cute Tuesday at Blossom Heart Quilts.  Please drop by to see all of the fantastic projects being shared!

Op-Art: Mini Quilt #26

One of the remarkable things that happens when we quilt is that we start to see quilt patterns everywhere we go and in everything we see.  I had been thinking about making a quilt based on op-art for many years- ever since high school when I made a pen and ink op-art painting in art class.  It is fascinating to me that alternating different size and color rectangles can trick the eye into seeing dimension in a 2-D object.OpArt Quilt front view

The largest segment of this quilt finishes at 1-1/2″ x 1-1/2″ and the smallest is 1/4″ x 1/4″.  I started this quilt top by strip piecing alternating rows of black and white fabric.  Each strip of fabric became more narrow as I worked toward the center of the quilt and then grew progressively larger again.  Since this quilt is symmetrical I was able to cut the strip pieced segment into perpendicular strips in the same manner as the initial strip piecing.  I then flipped every other row over so the bottom square became the top.  This created the grid pattern.OpArt detail

Quilting lines move diagonally in both directions across each black square in the quilt.  This creates a subtle design that does not distract from the main optical illusion.  The backing and binding is the same black fabric that appears in the front grid.OpArt Quilt

Quilt Stats:

Title:  Op-Art Grid

Size:  20″ x 20″

Techniques:  Machine piecing

Quilting:  Linear quilting running diagonally across each black rectangle using a walking foot on a Bernina 1008

Fabric:  American Brand Solids in black and white

Batting:  Warm and White ( In retrospect, I think I should have used a black batting (even though there are white segments on the front) because the white batting seems to be bearding through the fabric a bit.)

Thread:  Pieced using polyester 100wt InvisaFil by WonderFil in light grey and quilted with black 50wt cotton quilting thread

Binding:  Coordinating black binding, cut on the bias in 2″ widths, machine stitched on the front, hand stitched to the back

What was new?

Creating an optical illusion in quilt form

Quilt 26 / 50

Quilt 26 / 50

Goal #3 is finished!

Goal #3 is finished!

 This week I’m linking up with Finish it Up Friday at Crazy Mom Quilts, Show Off Saturday at Sew Can She, Pet Project Show at Pink Doxies, Sew Cute Tuesday at Blossom Heart Quilts, Let’s Bee Social at Sew Fresh Quilts, and Whoop Whoop Friday at Confessions of a Fabric Addict.  Please stop by to see all of the awesome work being created!

Violet Calm: Mini Quilt #24

This quilt continues the color series I have been working on within Mini Quilt Mania.  While other quilts in this series have the color distributed across the piece, the violet circle in this quilt creates a single focal point.  Having a central focus gives this quilt a sense of calm and serenity.  Violet Calm front view

For the violet circle, I first pieced together several violet fabrics spaced with white strips into a roughly square shape.  From this section I cut a circle.  Then I cut a circle with a 1/2″ smaller radius from the white background fabric.  The smaller opening provided the seam allowance necessary to piece the violet circle into place.Violet Calm center detail

I struggled to determine the quilting pattern for this project.  There are so many possibilities!  Ultimately, I landed on juxtaposing the circular focal shape with straight line matchstick quilting.  The white bars within the focal shape remain un-quilted and extend to the edges of the piece.  The quilting lines going through the violet areas of the quilt are shades of violet and magenta that most closely match the fabric they intersect.  One section of violet stitching runs perpendicular to the rest of the stitching to break up the overall pattern.

Violet Calm back viewThe binding for this quilt is created using a variety of scraps from the fabrics used to create the violet circle.

Violet Calm front edge detail

Quilt Stats

Title:  Violet Calm

Size:  20″x20″

Techniques:  Machine Piecing

Quilting:  Matchstick quilting done with a walking foot on a Bernina 1008

Fabric:  Assorted Violet Prints and Batiks, White Kona Cotton

Batting:  Warm and White Cotton Batting

Thread:  Pieced with white Gutermann Mara 100.  Quilted with Connecting Threads 50wt Essential Cotton in Magenta and Grape, Variegated violet 50wt Wonderfil Cotton Quilting Thread, white cotton machine quilting thread

Binding:  Scrappy binding using fabrics pieced into the quilt top

What was new?

Machine piecing a circle into a solid background fabric

Quilt 24 / 50

Quilt 24 / 50

Goal #1 is finished!

Goal #1 is finished!

 

 

Cotton and Steel Quilted Purse

This week I managed another finish for my Second Quarter Finish Along.  This purse was pretty far along already, so it really didn’t take too long to finish, and I am thrilled with the result.

Cotton and Steel purse exterior view

I had made a similar quilted bag last summer and have been carrying it ever since.  I liked the design pretty well, but I did make a few modifications this time around.  The new bag is slightly wider and deeper, although the height is the same.  Depending on how things would shift within the previous purse, it could be difficult to remove larger items such as my wallet, so the size change has helped immensely.  The last time around, I made the exterior pockets almost exactly the same size as the base bag, which meant that it was sometime a bit tight getting my keys or phone into those pockets.  This time I allowed for more ease, and it seams to be working well- nothing is falling out, but is much more easily accessible.  The interior pocket of the new bag is also sewn in so that there is an additional pocket created behind the zippered pouch.

Cotton and Steel purse interior

All of the fabrics are Cotton and Steel.  I could hardly wait to get my hands on this Viewfinders fabric from Melody Miller’s Playful line, and I paired it with the Hotcross Buns print from Rashida Coleman-Hale’s Mochi line.  The interior pocket is made of a Kimberly Kight Homebody print and lined with a red print from the Cotton and Steel Basics line.  I found this fantastic trim at a quilt show to finish off the exterior pockets, but it had been cut and packaged, so I’m not sure who designed it.  Does anyone recognize it?  I love that it incorporates so many colors that are in the viewfinder print.

Cotton and Steel purse detail

 

The quilting design is concentric circles which were randomly placed around a large fabric sandwich.  Once the quilting was done, I then cut out the individual pieces for the purse.  The main sides of the purse, the exterior pockets and the bottom of the bag are all quilted using Warm and White cotton batting.  The handles are strengthened with woven iron on interfacing, and the top of the purse and interior pockets are lined, but have no additional support.  The top and bottom edges of the bag are finished with bias tape which helps the bag keep its shape.

I have been carrying this bag for a few days now, and I am really loving it.  There may be more bags like this in my sewing future!

 

Goal #15 is Finished!

Goal #15 is Finished!