The Whole is Greater Than the Sum of Its Parts

I want to start 2016 off on a high note, so I decided the perfect first post of the year would be to share the quilt that will be heading to QuiltCon.Whole is Greater Than the Sum of Its Parts

“The Whole is Greater Than the Sum of Its Parts” is based on a Mini Quilt that I designed last summer, and is constructed in a similar manner.

Violet Calm

Violet Calm Mini Quilt

The central circle is created by assembling rectangles with strips of the white background fabric between the pieces.  Once this initial construction is complete, I cut the circle out of the assembled fabrics.  I used extra wide backing fabric for both the front and back of the quilt.  A circle with a 1/2″ smaller radius is cut from the quilt front, allowing for the seam allowance required to machine piece the circle in the quilt top.Whole is Greater Than the Sum of Its Parts detail C

Whole is Greater Than the Sum of Its Parts detail B

I used matchstick quilting in colors matching the fabrics the stitching passes through to draw the centralized design out to the edges of the quilt.  Most of the quilting is horizontal, but one section of vertical quilting add energy to the piece.Whole is Greater Than the Sum of Its Parts detail A

 

I really love the way the quilting looks, but this technique did result in thousands of thread tails to bury- I’m pretty sure that took longer than the actual quilting!Whole is Greater Than the Sum of Its Parts detail D

The binding is made of bias strips comprised of violet fabrics that are used in the central circle.  In the next couple of days I will be adding a hanging sleeve and label so it can head off to Pasadena!

I’m linking up with Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the lovely work being shared!

Quilt Stats

Title:  The Whole is Greater Than the Sum of Its Parts

Size:  63.25″ x 66″

Techniques:  Machine Piecing

Quilting:  Matchstick quilting done with a walking foot on a domestic Bernina 1008

Fabric:  Quilt shop quality prints in shades of violet and magenta, extra wide white cotton

Batting: Warm and White Cotton batting

Thread:  Pieced with white Gutermann Mara 100.  Quilted with 50wt cotton Aurifil in colors to coordinate with the fabrics they are stitching through

Binding:  Scrappy Violet fabrics, cut on the bias in 2″ wide strips, machine stitched to the front, hand stitched to the back

Goal #24 is finished!

Goal #24 is finished!

Simply Starred Mini Quilt

A few months ago I signed up for my first Instagram mini quilt swap, and it is currently wrapping up.  Now that my partner has received the mini I made, I thought I would share it here.Simply Starred front view

This quilt is also my entry into the Mini Quilt Category in the Blogger’s Quilt Festival at Amy’s Creative Side./Users/cassandra_ireland/Desktop/Quilting/My Quilts/Quilt Drafti

The pattern for this quilt is an original design that I drafted using AutoCad to create the foundation paper piecing templates.  It is pieced in eight wedge shaped segments and then the corners and borders are added.Simply Starred front detail three

There are 83 different fabrics used in this mini quilt, 80 of which form the star.  Each color is intended to flow into the next which results in a rainbow effect for the central image.Simply Starred front detail two

Simply Starred front detail one

The quilting in the central star is done using a walking foot on my domestic machine with threads which coordinate with the fabric.  Pebble quilting fills the negative space and was done on an A-1 longarm machine.  I love it when I have the opportunity to juxtapose organic elements with straight lines, and I was pleased with how the pebbling creates a delightful textural element.  The multicolored threads transfer a subtle version of the rainbow effect to the back of the quilt.Simply Starred back

Simply Starred back detail

Striped binding cut on the bias frames this piece, and I used the same fabric to frame the handwritten label for the quilt.

Simply Starred back

 

Simply Starred folded and labeled

Quilt Stats

Title:  Simply Starred

Size:  19.5″ x 19.5″

Techniques:  Foundation Paper Piecing

Quilting:  The center star is machine quilting using a walking foot on a Bernina 1008, and the negative space is free motion  quilted using a stitch regulated mode on the A-1 Elite Longarm

Fabric:  83 different quilting cottons

Batting:  Warm and White cotton batting

Thread:  Pieced using 100wt InvisaFil by WonderFil, quilted with assorted 50wt cotton quilting threads from WonderFil, Aurifil, Mettler, and Connecting Threads

Binding:  Striped fabric in 2″ wide strips made using continuous bias techniques, machine stitched to the quilt front, hand stitched to the back

What was new?

A new foundation paper pieced pattern

Combining domestic and longarm quilting on a single quilt

Goal #19 is Finished!

Goal #19 is Finished!

 

Running Hot and Cold: Mini Quilt #29

Fabric Modification is something that I really enjoy doing, but I haven’t been experimenting much lately.  So once I started having fun with the fabric for Fading Florals, I decided to keep going and give Suminagashi a try.Running Hot and Cold

This marbling technique uses a nontoxic ink that floats on the surface of water.  Using a paintbrush, I touched the surface of a shallow tray of water in several areas with one color of ink.  When the next color of ink is applied, it causes the first color to move away.  Once the surface of the water was mostly covered, I gently blew across the water and ink to increase the movement of the swirls.  When I liked the design, I carefully laid a piece of white Kona cotton over the inked surface.  The dye takes to the fabric instantly so you can pull it up immediately.  Once the fabric is dried, heat set, and hand washed and dried, it is ready for use.Running Hot and Cold hot detail

I wanted to have the fabric design be the main feature of the quilt, so I decided on a simple block design.  White Kona is used to define the blocks and is the only area of the piece that is quilted.  The bands of white are stitched in the ditch and then filled with pebbles.Running Hot and Cold cold detail

For the backing of the quilt, I went with a solid peach cotton to reflect the warm colored marbled fabric.  The binding draws its color from the cool colored marbling.Running Hot and Cold back view

Quilt Stats

Title:  Running Hot and Cold

Size:  16-3/4″ x 16-3/4″

Techniques:  Suminagashi, machine piecing

Quilting:  Stitching in the ditch with a walking foot, free motion pebble stitching, both on a Bernina 1008

Fabric:  White Kona Cotton, most portions treated with Suminagashi, peach cotton backing, cotton print binding

Batting:  Warm and White Cotton Batting

Thread:  pieced with 100wt polyester InvisaFil by WonderFil in light grey, quilted with 50wt Wonderfil cotton thread in white

Binding:  Bias cut in 2″ widths, machine stitched to the front, hand stitched to the back

What was new?

Suminagashi

Quilt 29 / 50

Quilt 29 / 50

Goal #6 is finished!

Goal #6 is finished!

Orange Segment: Mini Quilt #27

This mini is a continuation of my series within a series focusing on a single color in each mini.  Green was entirely free motion quilting, and Yellow and Violet were quilted exclusively with straight lines.  For Orange I decided to combine techniques and use both straight-line and free-motion stitching.Orange Segments

The piecing of the quilt top uses straight white lines to divide the small sections of orange.  Curved lines break up the overall composition of the piece and the expanse of white in the center of the composition left ample room to bring in a strong texture with the quilting.Orange Segments front detail

Quilting this piece started by using a walking foot to define the graphic areas of the quilt.  I extended the straight lines of the white fabric dividing the smaller orange segments to give an architectural element to the project.  The straight line designs continue through three of these segments.  Free motion quilting pulls together the rest of the quilt.  Two Types of orange variegated thread add dimension and texture to the quilt.Orange Segments back view

Binding for this project is scrappy, drawing on several fabrics included in the quilt top design.Orange Segments back detail

Quilt Stats

Title:  Orange Segments

Size: 20″ x 20″

Techniques:  Machine piecing, Improvisational piecing

Quilting:  A combination of straight line quilting done with a walking foot and free motion quilting, both done on a Bernina 1008

Fabric:  White Kona cotton and assorted orange cotton prints

Batting:  Warm and White Cotton Batting

Thread:  Pieced with white Gutermann Mara 100, Quilted with two different colors of WonderFil 50wt variegated cotton thread

Binding:  Scrappy orange binding, cut 2″ in width, machine sewn to the front, hand stitched to the back

What was new?

Orange and White color scheme

Combining straight line and free motion quilting

Quilt 27 / 50

Quilt 27 / 50

Goal #4 is finished!

Goal #4 is finished!

 I have linked this post up with Sew Cute Tuesday at Blossom Heart Quilts.  Please drop by to see all of the fantastic projects being shared!

Op-Art: Mini Quilt #26

One of the remarkable things that happens when we quilt is that we start to see quilt patterns everywhere we go and in everything we see.  I had been thinking about making a quilt based on op-art for many years- ever since high school when I made a pen and ink op-art painting in art class.  It is fascinating to me that alternating different size and color rectangles can trick the eye into seeing dimension in a 2-D object.OpArt Quilt front view

The largest segment of this quilt finishes at 1-1/2″ x 1-1/2″ and the smallest is 1/4″ x 1/4″.  I started this quilt top by strip piecing alternating rows of black and white fabric.  Each strip of fabric became more narrow as I worked toward the center of the quilt and then grew progressively larger again.  Since this quilt is symmetrical I was able to cut the strip pieced segment into perpendicular strips in the same manner as the initial strip piecing.  I then flipped every other row over so the bottom square became the top.  This created the grid pattern.OpArt detail

Quilting lines move diagonally in both directions across each black square in the quilt.  This creates a subtle design that does not distract from the main optical illusion.  The backing and binding is the same black fabric that appears in the front grid.OpArt Quilt

Quilt Stats:

Title:  Op-Art Grid

Size:  20″ x 20″

Techniques:  Machine piecing

Quilting:  Linear quilting running diagonally across each black rectangle using a walking foot on a Bernina 1008

Fabric:  American Brand Solids in black and white

Batting:  Warm and White ( In retrospect, I think I should have used a black batting (even though there are white segments on the front) because the white batting seems to be bearding through the fabric a bit.)

Thread:  Pieced using polyester 100wt InvisaFil by WonderFil in light grey and quilted with black 50wt cotton quilting thread

Binding:  Coordinating black binding, cut on the bias in 2″ widths, machine stitched on the front, hand stitched to the back

What was new?

Creating an optical illusion in quilt form

Quilt 26 / 50

Quilt 26 / 50

Goal #3 is finished!

Goal #3 is finished!

 This week I’m linking up with Finish it Up Friday at Crazy Mom Quilts, Show Off Saturday at Sew Can She, Pet Project Show at Pink Doxies, Sew Cute Tuesday at Blossom Heart Quilts, Let’s Bee Social at Sew Fresh Quilts, and Whoop Whoop Friday at Confessions of a Fabric Addict.  Please stop by to see all of the awesome work being created!