Indiana Heritage Quilt Show

Last week I shared some of my favorite mini quilts from the Indiana Heritage Quilt Show, and this week I thought I would post photos of a few larger quilts that caught my eye.  All of the quilts in the show were lovely and the workmanship is extraordinary.  I wish I could share them all!

A couple of pictorial quilts caught my eye including this one by Mary Kay Price.

Mary Kay Price Grass Widows

Mary Kay Price Grass Widows

Sharon Schlotzhauer made this dynamic sunflower inspired quilt.

Sharon Scholotzhauer So Much Life in a Tiny Seed

Sharon Schlotzhauer So Much Life in a Tiny Seed

The center of the sunflower is even dimensional.  She also added some studs, beads and rhinestone glitz- quilt jewelry!

Sharon Schlotzhauer So Much Life In a Tiny Seed detail b

Sharon Schlotzhauer So Much Life In a Tiny Seed

Janet Stone also incorporated studs and rhinestones into this alphabet quilt.

Janet Stone A Little Bit of Baaltimore

Janet Stone A Little Bit of Baaltimore

I couldn’t get back far enough to capture a photograph of the entire quilt, but I couldn’t imagine not showing you the top- aren’t those scallops adorable?

Janet Stone A Little Bit of Baaltimore

Janet Stone A Little Bit of Baaltimore

Here’s a close up of her amazing appliqué and some of that “quilt jewelry”!  It’s no wonder this beauty won first in it’s category!

Janet Stone A Little Bit of Baaltimore

Janet Stone A Little Bit of Baaltimore

Some studs were set through the entire quilt.  Here is a back view of that lovely quilting.

Janet Stone A Little Bit of Baaltimore back detail

Janet Stone A Little Bit of Baaltimore back detail

Janet Stone also had another quilt from her alphabet series in the show.

Janet Stone No L

Janet Stone No L

Isn’t her attention to detail amazing?

Janet Stone No L

Janet Stone No L

There was some amazing appliqué on display at this show.  Mary Olson created this masterpiece.

Mary Olson Midnight at the Celtic Garden

Mary Olson Midnight at the Celtic Garden

She was very meticulous in the execution of this design.

Mary Olson Midnight at the Celtic Garden

Mary Olson Midnight at the Celtic Garden

This striking piece is by Gail Stepanek.

Gail Stepanek My Brunette Whig

Gail Stepanek My Brunette Whig

The quilting really makes the appliqué pop!

Gail Stepanek My Brunette Whig

Gail Stepanek My Brunette Whig

There was a great deal of phenomenal quilting on display.  I really liked the feathers in this quilt by  Tamara Gross.

Tamara Gross The Bias Pomegrnate Quilt

Tamara Gross The Bias Pomegrnate Quilt

Tamara Gross The Bias Pomegrnate Quilt

Tamara Gross The Bias Pomegrnate Quilt

The amazing quilting in this piece by Margaret Solomon shines and catches the light beautifully since it is constructed with silk fabrics.

Margaret Solomon Gunn Autumns Surrender

Margaret Solomon Gunn Autumns Surrender

I was very inspired by the quilts in this show.  As wonderful as it is to see quilts online and in magazines, seeing them in person enhances the overall impact of a piece.  I am even more excited to head to the AQS show in Paducah next month!


Embellished Spring: Mini Quilt #12

Spring is finally here- and a couple days in the past week have actually felt like it around here!  What a great time to start thinking about incorporating flowers into some projects.  Large floral print fabric is becoming one of my favorite things to look for when I go to quilt shops or shows.  I recently picked up some Amy Butler prints at a show, and I am so excited to embellish them with some hand embroidery!Embellished Spring Front

This flower is from the Organic Soul line, and I hand appliquéd it to a piece of Carolyn Friedlander fabric.  I really liked placing such an organic shape against a highly linear pattern.  The fun part was doing hand embroidery to enhance the dimension of the piece.Embellished Spring Detail

The backing is another Amy Butler print, and the quilting is a free motion design which loosely replicates the shape of the appliquéd flower.  The uneven stripe fabric on the binding is a Lotta Jansdotter design cut on the bias.Embellished Spring Back

Quilt Stats

Title:  Embellished Spring

Size:  10″x10″

Techniques: Hand appliqué, hand embroidery

Quilting:  Free motion in a design mirroring the flower and leaves of the appliqué design

Fabrics:  Flower appliqué and quilt backing are Amy Butler designs, Background by Carolyn Friedlander, binding by Lotta Jansdotter

Batting:  Warm and White cotton batting

Thread:  Appliqué done with navy Gutermann  Mara 100; Quilting done with cotton Connecting Threads Essential in Peridot, Persian Blue, and Persimmon; Embroidery created with assorted DMC flosses and hand dyed floss from Artfabrik by Laura Wasilowski.

Binding:  2″ wide strips, cut on the bias, machine stitched to the front, hand stitched to the back

What was new:

Extensive embroidery used to create dimension on a pre-printed design.

Quilt 12 / 50

Quilt 12 / 50

Goal #11 is Finished!

Goal #11 is Finished!

I’m sharing this post at Show Off Saturday at Sew Can She, Fabric Tuesday at Quilt Story, Let’s Bee Social at Sew Fresh Quilts, Whoop Whoop Friday at Confessions of a Fabric Addict, and Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the lovely sewing being done!


Pi Day: Mini Quilt #11

Happy π Day!  Best wishes for peace, hope, and joy during the glorious season of pi day- Who can’t get behind a holiday that requires the consumption of pie!  There are so many kinds of pie you could celebrate with . . . fruit pie, cream pie, ice cream pie, chocolate pie . . .  Or a savory pie . . . pot pie, shepherd’s pie, pizza pie, quiche . . . Okay now I’m hungry.  I thought that the best way to celebrate such a wonderful day would be to make a mini quilt that could serve as a pie plate mat.π, pi, PIE! Front

I knew I wanted to do a circular mini quilt, and a pie motif seemed too perfect to pass up.  I pieced a “lattice” top and then used a bias cut strip of fabric to create the outer edge of the “crust.”  I had never attempted curving a bias strip around the edge of a full circle, but this worked out well (a great deal of steam was involved).

Today is a particularly special π Day since twice today we will have seven digits past the decimal point align with the date and time.  3.1415926 translates to March (month 3) Day (14th) Year (’15) and Time (9:26 am & pm).  To commemorate this once in a lifetime event I decided to embroider these numbers to my mini quilt.π, pi, PIE! embroidery detail

The backing and binding fabric is a grey print- think tin pie plate.  For the quilting I decided to keep it simple by stitching around the edge of each red square in the lattice work.  Of course “simple” involved a whole lot of thread tails to bury- maybe I should have thought that through a bit more!  But since I like the result, we’ll say it was worth it!π, pi, PIE! back

Now to see the pie mat in action:

Coconut Pie with Meringue Topping- I adore Meringue.Coconut Pie

Cherry Pie.

Cherry Pie

Quilt Stats

Title: π, pi, PIE!

Size:  14″ Diameter.  3.1415926 x 14″ = 43.98229″ Circumference

Techniques:  Machine Piecing

Quilting:  Machine quilting- stitching in the ditch

Fabrics:  Red: Batik, Tan: Print from Carolyn Friedlander’s “Doe” line, Grey: Lonni Rossi print from Andover Fabrics

Batting:  Hobbs Heirloom Bleached Cotton Batting

Thread: Pieced with white Gutermann Mara 100, Quilted using Mettler cotton quilting thread in red

Binding:  Bias in coordinating grey fabric, cut in 2″ strips, machine stitched to the front, hand stitched to the back

What was new:

Adding a strip of bias around a circle and pressing it flat (other than bias binding)

Quilt 11 / 50

Quilt 11 / 50

Goal #10 is Finished!

Goal #10 is Finished!

I’m linking up with Show Off Saturday at Sew Can She, Let’s Bee Social at Sew Fresh Quilts, and Needle and Thread Thursday at My Quilt Infatuation.  Please stop in to see all of the fantastic work being done!

Blue Improvisation: Mini Quilt #6

The last few weeks I have done mini quilts that were (for the most part) carefully planned before I ever started cutting fabric. This week I thought it would be a fun change of pace to do a small improvisational mini with fabric pulled entirely from my scrap bin.

Blue Improvisation Front

I started with two left over half square triangle blocks which a sewed together to form three sections including this larger hourglass block.

Blue Improvisation Detail A

This smaller hourglass block and oblong shape also came from the original block.

Blue Improvisation Detail B

The rest of the mini was formed by adding pieces from the scrap bin, trimming, and adding more pieces.  Even the backing and binding were created by piecing together scraps.  For the quilting, I continued the improvisational theme with wavy lines moving across the quilt.

Blue Improvisation Back

Quilt Stats

Title:  Blue Improvisation

Size: 12″x12″

Techniques:  Improvisational piecing

Quilting:  Improvised curvilinear lines using a walking foot on a Bernina 1008

Fabrics:  100% cotton prints, solids, and batiks:  All pulled from my scrap bin

Batting:  White and Natural cotton batting

Thread:  Pieced with white Gutermann Mara 100.  Quilted with navy cotton machine quilting thread.

Binding:  2″ wide binding scraps, mostly cut on the bias.  Machine stitched to the quilt front and hand stitched to the back

What was new:

Using fabrics entirely from the scrap bin

Starting a project with an extra quilt block

Quilt 6 / 50

Quilt 6 / 50

Goal #5 is Finished!

Goal #5 is Finished!

I am linking this quilt up with Oh Scrap! at Quilting is More Fun Than HouseworkFinish it Up Friday at Crazy Mom Quilts, Whoop Whoop Friday at Confessions of a Fabric Addict, Scraptastic Tuesday at She Can Quilt, Sew Cute Tuesday at Blossom Heart Quilts, Let’s Bee Social at Sew Fresh Quilts, Needle and Thread Thursday at My Quilt Infatuation, and Show off Saturday at Sew Can She.


Fibonacci on the Seashore: Mini Quilt #2

This week, I set out to create a snow inspired wintery-beyond-belief mini quilt.  That did not happen.  There were unexpected technical difficulties that I have not been able to resolve yet.  I still have a couple options to explore to make this work, but I need to track down some supplies.  This quilt is not eliminated (although the original design may end up altered), so I will share those challenges when I write about the finished mini quilt.

If I can’t play in the (fabric) snow this week, I decided to celebrate the beach!

Fibonacci on the Seashore

Fibonacci on the Seashore: Front View


The Fibonacci spiral has long been inspiring to me as a designer.  I am fascinated that art can be derived from mathematics, but since I am definitely not a mathematician, I will not be going into any specific details about how it works!  The Fibonacci spiral is based in a grid which starts with a square which is duplicated.  Then those two squares together determine the length of the sides of the next square. Now the size of all of these squares determine the side length for the next square.  This can continue on forever if you want it to!  This gridded image shows the basis for the spiral.

/Users/cassandra_ireland/Desktop/Quilt/Quilt Designs A.dwg

To get the spiral, you draw a quarter circle in each square.

/Users/cassandra_ireland/Desktop/Quilt/Quilt Designs A.dwgFor my mini quilt I started with two 1″ square blocks, and added 2″, 3″, 5″, and 8″ blocks.  Each block is essentially like sewing a Drunkard’s Path block, but the illusion created due to the size shifts is like a seashell.

Fibonacci on the Seashore with Grid Overlay

I selected subtly colored batiks with the thought of having the quilting thread inject a bold moment of color to the shell.  There are six different blue, pink and lavender batiks used to create the “Shell” and the “Sand is created with one batik which is both incorporated into three of the blocks as well as the border strips.

Fibonacci on the Seashore: Detail

Fibonacci on the Seashore: Detail

I quilted the “shell” first using a silver metallic thread as well as bright pink and purple.  This was done using the walking foot, but I shifted to free motion quilting to create “pebbles” in the sand.  My free motion quilting is definitely a work in progress, but this is a vast improvement over past attempts.

Fibonacci on the Seashore Detail 2

The back of this quilt is another batik print that I selected to incorporate both the yellow of the sand and the blue tones of the shell (as well as implying water).  I think the quilting on this piece makes the back as interesting as the front, although in hindsight, I wish I had used a batik with a less rigid pattern.

Fibonacci on the Seashore: Back View

Fibonacci on the Seashore: Back View

The binding is another purple batik that I selected to: (1) Draw the purple used in the center of the quilt out to the edge, and (2) play off the yellow of the sand fabric- I seriously love using complementary colors.  To create a greater sense of definition in this quilt, I used a decorative stitch to secure the binding and enhance the spiral shape.  I liked using this technique of finishing the binding, and now I wish a had a few more options on my wonderful little mechanical machine!

 

Fibonacci on the Seashore: Binding Detail

Fibonacci on the Seashore: Binding Detail

Quilt Stats

Title:  Fibonacci on the Seashore

Size: 12″x16.5″

Techniques:  Curved Machine Piecing

Quilting:  Outline and curved quilting using a walking foot, and free motion pebbles in the background.  All quilting was done on a Bernina 1008

Fabrics:  Batiks (I have never done an all batik quilt before!)

Batting:  Warm and White cotton batting

Thread:  Pieced with Gutermann Mara 100 in white.  Quilted with Light Blue cotton machine quilting thread, Gutermann Silver Metallic thread, and Mettler cotton quilting threads in Magenta and Purple

Binding:  Blue and Purple batik- cut in 2″ strips, machine straight stitched to the front, top stitched to the back, and accented with purple decorative stitches.

What was new:

  • An entirely batik quilt
  • Using bright quilting threads on a pastel background
  • Trying out metallic thread for machine quilting (I need to explore other thread and needle options for use in the future- Does anyone have suggestions?)
  • Decorative stitching for quilting and securing binding
Quilt 2 / 50

Quilt 2 / 50

Finish #1

Goal #1 is Finished!

This post is linked with Sew Cute Tuesday at Blossom Heart Quilts.  Please stop in to see all of the wonderful creations that have been shared!