Marsala Mini: Mini Quilt #13

Pantone’s color of the year for 2015 is Marsala, a warm red with brown undertones.  Every year, I look forward to finding out the color of the year, and I knew that this year I would explore the color in the form of a quilt.  I was even more excited when I heard about the Pantone Quilt Challenge at On the Windy Side and Play Crafts.Marsala Mini Front View

The Pantone website features a quote by their executive director, Leatrice Eiseman, describing marsala as a color which “enriches our mind, body and soul, exuding confidence and stability. Marsala is a subtly seductive shade, one that draws us into its embracing warmth.”  The challenge for me was that marsala isn’t a color that I’m particularly drawn to.  However, I learned long ago that there is no “ugly” color- it is all in how you use it.  I certainly wouldn’t label marsala with the U-word, but it is skating a bit to close too brown for my taste, and so many red-brown fabrics can look depressing or even dead.  Fortunately, last fall I picked up several fat quarters of marsala-like fabrics from a clearance bin.  Maybe my subconscious is better at picking up color trends than the rest of my brain, but I was sure glad that I had these when the color of the year was announced!  I mixed those with a few other marsala-y reds to come up with my basic palette. Marsala Fabric

When I am not immediately inspired, I will often do some sort of free writing or word association with the topic or theme.  For me marsala is associated with things like wine, curry, tomato sauce, roses, lipstick-  sensuality, volume, and curves come to mind.  The more I thought about this color, the more I thought that marsala calls out to be used in an Art Nouveau inspired design.

In looking at some Art Nouveau research, I landed on this tile design.  For me, the curves of this design seemed to be the perfect match for marsala.ANTD-080_i

I popped the image into the computer to create three graphics that would help in the creation of this quilt.  The first was a line drawing for the main pieces of fabric.  I printed this image on freezer paper so I could cut apart the image, iron the pieces to fabric and press the seam allowances around the paper.  This allowed me to assemble the quilt top using English Paper Piecing style techniques.Marsala Mini line drawing a

Over the line drawing I added a layer showing the smaller pieces of fabric that I would later add using wonder under.  I also printed this off on freezer paper to make it easier to cut these shapes.  (Hint:  Freezer paper won’t stick well to the paper backing of wonder under.  I ironed the wonder under to the back of the fabric and the freezer paper to the front.  It was really easy to cut these fairly small shapes, and you could even leave the freezer paper in place to add stability to the fabric after the paper wonder under backing is removed.  Once the fabric is ironed in place you can peel back the freezer paper.)Marsala Mini line drawing b

The final graphic I created was a color image which I used to help determine general fabric placement.  After quite a bit of experimentation, I decided that marsala paired beautifully with oranges and deep, muted violets, blues, and greys.Marsala Mini color

The main construction of the top was done entirely by hand.

Main Marsala top construction with tan appliqués in place

Main Marsala top construction with tan appliqués in place

With the main construction complete, I adhered the smaller pieces to the quilt using Wonder Under before using a machine blanket stitch to sew around the edges of the appliqués.Marsala Process B

Here is the back view of the quilt top- I just love seeing “behind the scenes” on this sort of construction!Marsala Process B back

The quilt back is improvisationally pieced using marsala colored fabrics.

Marsala Mini back view

Marsala Mini back view

For the quilting I decided to do fairly heavy quilting echoing each shape in the design.

Marsala Front detail

Marsala Mini front detail

Marsala Mini back detail

Marsala Mini back detail

I am pretty sure that this is my favorite mini I have done in this series, so I am really glad that I went out of my comfort zone to embrace marsala!  What do you think of marsala?  Are you making a project using marsala this year?

Quilt Stats

Title:  Marsala Mini

Size: 13″x17″

Techniques:  English paper piecing, machine appliqué, improvisational piecing

Quilting:  Echo stitching done using a walking foot on a Bernina 1008

Fabrics:  Kona in wine and charcoal; Alison Glass prints; Basketweave, Whisper, and a couple other prints from Riverwoods Collection by the Troy Corporation; Carolyn Friedlander Botanics print; several prints and batiks from unidentified fat quarters.

Batting:  Warm and White Cotton Batting

Thread:  Pieced with Gutermann Mara 100 color 245 (a warm clay/taupe color), Machine appliquéd with Gutermann Mara 100 in color 257 (a dark plum sort of color), Quilted with Connecting Threads Essential cotton thread in Red

Binding:  Strips cut on the bias in 2″ widths, machine sewn to the front, hand sewn to the back

What was new:

Using English paper piecing techniques on irregularly curved shapes

Quilt 13 / 50

Quilt 13 / 50

Goal #12 is Finished!

Goal #12 is Finished!

I’m linking this post up with Let’s Bee Social at Sew Fresh Quilts, Needle and Thread Thursday at My Quilt InfatuationFabric Tuesday at Quilt Story, Pet Project at Pink Doxies, Show Off Saturday at Sew Can She, and Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the lovely work being created!

 


Indiana Heritage Quilt Show

Last week I shared some of my favorite mini quilts from the Indiana Heritage Quilt Show, and this week I thought I would post photos of a few larger quilts that caught my eye.  All of the quilts in the show were lovely and the workmanship is extraordinary.  I wish I could share them all!

A couple of pictorial quilts caught my eye including this one by Mary Kay Price.

Mary Kay Price Grass Widows

Mary Kay Price Grass Widows

Sharon Schlotzhauer made this dynamic sunflower inspired quilt.

Sharon Scholotzhauer So Much Life in a Tiny Seed

Sharon Schlotzhauer So Much Life in a Tiny Seed

The center of the sunflower is even dimensional.  She also added some studs, beads and rhinestone glitz- quilt jewelry!

Sharon Schlotzhauer So Much Life In a Tiny Seed detail b

Sharon Schlotzhauer So Much Life In a Tiny Seed

Janet Stone also incorporated studs and rhinestones into this alphabet quilt.

Janet Stone A Little Bit of Baaltimore

Janet Stone A Little Bit of Baaltimore

I couldn’t get back far enough to capture a photograph of the entire quilt, but I couldn’t imagine not showing you the top- aren’t those scallops adorable?

Janet Stone A Little Bit of Baaltimore

Janet Stone A Little Bit of Baaltimore

Here’s a close up of her amazing appliqué and some of that “quilt jewelry”!  It’s no wonder this beauty won first in it’s category!

Janet Stone A Little Bit of Baaltimore

Janet Stone A Little Bit of Baaltimore

Some studs were set through the entire quilt.  Here is a back view of that lovely quilting.

Janet Stone A Little Bit of Baaltimore back detail

Janet Stone A Little Bit of Baaltimore back detail

Janet Stone also had another quilt from her alphabet series in the show.

Janet Stone No L

Janet Stone No L

Isn’t her attention to detail amazing?

Janet Stone No L

Janet Stone No L

There was some amazing appliqué on display at this show.  Mary Olson created this masterpiece.

Mary Olson Midnight at the Celtic Garden

Mary Olson Midnight at the Celtic Garden

She was very meticulous in the execution of this design.

Mary Olson Midnight at the Celtic Garden

Mary Olson Midnight at the Celtic Garden

This striking piece is by Gail Stepanek.

Gail Stepanek My Brunette Whig

Gail Stepanek My Brunette Whig

The quilting really makes the appliqué pop!

Gail Stepanek My Brunette Whig

Gail Stepanek My Brunette Whig

There was a great deal of phenomenal quilting on display.  I really liked the feathers in this quilt by  Tamara Gross.

Tamara Gross The Bias Pomegrnate Quilt

Tamara Gross The Bias Pomegrnate Quilt

Tamara Gross The Bias Pomegrnate Quilt

Tamara Gross The Bias Pomegrnate Quilt

The amazing quilting in this piece by Margaret Solomon shines and catches the light beautifully since it is constructed with silk fabrics.

Margaret Solomon Gunn Autumns Surrender

Margaret Solomon Gunn Autumns Surrender

I was very inspired by the quilts in this show.  As wonderful as it is to see quilts online and in magazines, seeing them in person enhances the overall impact of a piece.  I am even more excited to head to the AQS show in Paducah next month!


Embellished Spring: Mini Quilt #12

Spring is finally here- and a couple days in the past week have actually felt like it around here!  What a great time to start thinking about incorporating flowers into some projects.  Large floral print fabric is becoming one of my favorite things to look for when I go to quilt shops or shows.  I recently picked up some Amy Butler prints at a show, and I am so excited to embellish them with some hand embroidery!Embellished Spring Front

This flower is from the Organic Soul line, and I hand appliquéd it to a piece of Carolyn Friedlander fabric.  I really liked placing such an organic shape against a highly linear pattern.  The fun part was doing hand embroidery to enhance the dimension of the piece.Embellished Spring Detail

The backing is another Amy Butler print, and the quilting is a free motion design which loosely replicates the shape of the appliquéd flower.  The uneven stripe fabric on the binding is a Lotta Jansdotter design cut on the bias.Embellished Spring Back

Quilt Stats

Title:  Embellished Spring

Size:  10″x10″

Techniques: Hand appliqué, hand embroidery

Quilting:  Free motion in a design mirroring the flower and leaves of the appliqué design

Fabrics:  Flower appliqué and quilt backing are Amy Butler designs, Background by Carolyn Friedlander, binding by Lotta Jansdotter

Batting:  Warm and White cotton batting

Thread:  Appliqué done with navy Gutermann  Mara 100; Quilting done with cotton Connecting Threads Essential in Peridot, Persian Blue, and Persimmon; Embroidery created with assorted DMC flosses and hand dyed floss from Artfabrik by Laura Wasilowski.

Binding:  2″ wide strips, cut on the bias, machine stitched to the front, hand stitched to the back

What was new:

Extensive embroidery used to create dimension on a pre-printed design.

Quilt 12 / 50

Quilt 12 / 50

Goal #11 is Finished!

Goal #11 is Finished!

I’m sharing this post at Show Off Saturday at Sew Can She, Fabric Tuesday at Quilt Story, Let’s Bee Social at Sew Fresh Quilts, Whoop Whoop Friday at Confessions of a Fabric Addict, and Sew Cute Tuesday at Blossom Heart Quilts.  Please stop by to see all of the lovely sewing being done!


Pi Day: Mini Quilt #11

Happy π Day!  Best wishes for peace, hope, and joy during the glorious season of pi day- Who can’t get behind a holiday that requires the consumption of pie!  There are so many kinds of pie you could celebrate with . . . fruit pie, cream pie, ice cream pie, chocolate pie . . .  Or a savory pie . . . pot pie, shepherd’s pie, pizza pie, quiche . . . Okay now I’m hungry.  I thought that the best way to celebrate such a wonderful day would be to make a mini quilt that could serve as a pie plate mat.π, pi, PIE! Front

I knew I wanted to do a circular mini quilt, and a pie motif seemed too perfect to pass up.  I pieced a “lattice” top and then used a bias cut strip of fabric to create the outer edge of the “crust.”  I had never attempted curving a bias strip around the edge of a full circle, but this worked out well (a great deal of steam was involved).

Today is a particularly special π Day since twice today we will have seven digits past the decimal point align with the date and time.  3.1415926 translates to March (month 3) Day (14th) Year (’15) and Time (9:26 am & pm).  To commemorate this once in a lifetime event I decided to embroider these numbers to my mini quilt.π, pi, PIE! embroidery detail

The backing and binding fabric is a grey print- think tin pie plate.  For the quilting I decided to keep it simple by stitching around the edge of each red square in the lattice work.  Of course “simple” involved a whole lot of thread tails to bury- maybe I should have thought that through a bit more!  But since I like the result, we’ll say it was worth it!π, pi, PIE! back

Now to see the pie mat in action:

Coconut Pie with Meringue Topping- I adore Meringue.Coconut Pie

Cherry Pie.

Cherry Pie

Quilt Stats

Title: π, pi, PIE!

Size:  14″ Diameter.  3.1415926 x 14″ = 43.98229″ Circumference

Techniques:  Machine Piecing

Quilting:  Machine quilting- stitching in the ditch

Fabrics:  Red: Batik, Tan: Print from Carolyn Friedlander’s “Doe” line, Grey: Lonni Rossi print from Andover Fabrics

Batting:  Hobbs Heirloom Bleached Cotton Batting

Thread: Pieced with white Gutermann Mara 100, Quilted using Mettler cotton quilting thread in red

Binding:  Bias in coordinating grey fabric, cut in 2″ strips, machine stitched to the front, hand stitched to the back

What was new:

Adding a strip of bias around a circle and pressing it flat (other than bias binding)

Quilt 11 / 50

Quilt 11 / 50

Goal #10 is Finished!

Goal #10 is Finished!

I’m linking up with Show Off Saturday at Sew Can She, Let’s Bee Social at Sew Fresh Quilts, and Needle and Thread Thursday at My Quilt Infatuation.  Please stop in to see all of the fantastic work being done!

Blue Improvisation: Mini Quilt #6

The last few weeks I have done mini quilts that were (for the most part) carefully planned before I ever started cutting fabric. This week I thought it would be a fun change of pace to do a small improvisational mini with fabric pulled entirely from my scrap bin.

Blue Improvisation Front

I started with two left over half square triangle blocks which a sewed together to form three sections including this larger hourglass block.

Blue Improvisation Detail A

This smaller hourglass block and oblong shape also came from the original block.

Blue Improvisation Detail B

The rest of the mini was formed by adding pieces from the scrap bin, trimming, and adding more pieces.  Even the backing and binding were created by piecing together scraps.  For the quilting, I continued the improvisational theme with wavy lines moving across the quilt.

Blue Improvisation Back

Quilt Stats

Title:  Blue Improvisation

Size: 12″x12″

Techniques:  Improvisational piecing

Quilting:  Improvised curvilinear lines using a walking foot on a Bernina 1008

Fabrics:  100% cotton prints, solids, and batiks:  All pulled from my scrap bin

Batting:  White and Natural cotton batting

Thread:  Pieced with white Gutermann Mara 100.  Quilted with navy cotton machine quilting thread.

Binding:  2″ wide binding scraps, mostly cut on the bias.  Machine stitched to the quilt front and hand stitched to the back

What was new:

Using fabrics entirely from the scrap bin

Starting a project with an extra quilt block

Quilt 6 / 50

Quilt 6 / 50

Goal #5 is Finished!

Goal #5 is Finished!

I am linking this quilt up with Oh Scrap! at Quilting is More Fun Than HouseworkFinish it Up Friday at Crazy Mom Quilts, Whoop Whoop Friday at Confessions of a Fabric Addict, Scraptastic Tuesday at She Can Quilt, Sew Cute Tuesday at Blossom Heart Quilts, Let’s Bee Social at Sew Fresh Quilts, Needle and Thread Thursday at My Quilt Infatuation, and Show off Saturday at Sew Can She.